Sentences with phrase «examine social forms»

But as sociologists they wanted also to examine social forms.

Not exact matches

Beginning with a definition of the Christian idea of responsibility they proceed to examine the erroneous or heretical forms of church responsibility and conclude with an effort to understand the positive content of the Church's social obligation by considering its functions as apostle, pastor and pioneer of humanity.

This does not mean that one should overlook or ignore the historical and social contexts of all forms of the orientatio that one has taken the trouble to examine.

The Guardian and the LSE have partnered up on an impressive journalistic - cum - sociological analysis called «reading the riots», examining the unrest that rocked England this summer on the basis of interviews with people involved, massive social media datasets, and various forms of secondary sources.

For the exhibition, Blake illuminates these new and evolving forms of representation and examines the implications these developments have had on art and social action through a curatorial approach that draws on their own preoccupation with themes of interracial desire, same - sex love, and racial and sexual bigotry.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

Since 1991, Erika Rothenberg has employed the form and generic sentimentality of the greeting card as a means of examining a vast range of social ills and political injustices.

Whitechapel Gallery, London, 15 January — 6 April 2015 The RA's show of South American abstract art, «Radical Geometry», examined how geometric abstraction travelled diagonally across the Atlantic from Europe, taking compelling new forms inspired by local political and social circumstances.

The exhibition focuses on over four decades of cartoons created during presidential election years, from past races to 2016, through multiple perspectives, examining the art form as a conduit for awareness about political and social issues.

A group show at Westbeth Gallery examines how identities are formed, transmuted, distorted, and displayed in the social sphere.

Her interest in New York City street and social dance forms led her to produce NO SUCH THING AS NEUTRAL, a symposium sponsored by the Barnard Center for Research on Women that examined the contributions of Flex and Lite Feet to the contemporary dance landscape.

Garza Usabiaga's «Muralism's Afterlife: Mural Practice and the Avant - Garde Legacy in Contemporary Art of Mexico» examines the mural as a form of public art, investing the form with a critical, social, and political posture that resonates with artists today.

Through shared processes of documentation and archiving, the artists address culture as a form of representation in order to examine complex issues of social & political structures.

Mariam Ghani is a Brooklyn - based artist whose research - based practice examines places, spaces and moments where social and political structures take on visible and tangible forms.

Tina Rosenberg has an interesting piece on a form of micro-insurance for Ethiopian farmers in Fixes, a category of the Opinionator blog examining creative solutions to social problems.

In fact, childhood stressors such as abuse, witnessing domestic violence, and other forms of household dysfunction are highly interrelated23, 24 and have a graded relationship to numerous health and social problems.23 - 28 We examined the relationship of 8 adverse childhood experiences (childhood abuse [emotional, physical, and sexual], witnessing domestic violence, parental separation or divorce, and living with substance - abusing, mentally ill, or criminal household members) to the lifetime risk of suicide attempts.

The few studies examining SPR monkeys have demonstrated more anxious behavior, especially in the form of self - directed behavior by these monkeys in social settings, than in MPR monkeys but less anxiety than PR monkeys, especially after novel group formation (Dettmer et al. 2012; Strand et al. 2005).

The Social Justice Reports for 2000 and 2001 examined progress to date on some of the governance and community - capacity building initiatives in light of the need to advance reconciliation in meaningful and productive forms.

Reports from parents and teachers about peer functioning, as well as self reports, are often collected in the form of rating scales, for example, the Social Skills Rating System (SSRS) 21 or the Self - Perception Profile for Children.22 Recent studies examining self - reports of competence in children with ADHD, however, indicate overly inflated reports that are at odds with both others» perspectives23, 24 and inconsistent with actual performance.15 These studies question the utility of self - report measures for children with ADHD when the goal of assessment is to obtain accurate competence information.

Social and mental intelligence quotients (IQs) were examined by the Arabic version of Vineland Adaptive Behavior Scale.12 The Arabic version was validated with good reliability and validity and used in many studies in Arab Countries.13 The parent / caregiver rating form used in this study was presented in the checklist format and was translated into Arabic.14 For assessing disruptive behavior disorders (attention deficit / hyperactive disorder [ADHD], oppositional defiant disorder (ODD), and conduct disorder [CD]-RRB-, all patients and their brothers or sisters were interviewed by a psychiatrist using the Arabic version of Mini International Neuropsychiatric Interview for Children (MINI-KID) 15,16 and disruptive behavior disorder (DBD) rating scale.17, 18 For children under 13 years, the psychiatrist interviewed the parent and the child together.