The exhibition
examines unfinished works from the 15th century to the present, further expanding on the idea of incompleteness.
Not exact matches
In an attempt to address what has been called the «
unfinished agenda» of the various reports on education, panel members will
examine the vocational curriculum as it relates to preparation for
work, according to Linda Lotto, the center's project director.
Beginning with the Renaissance masters, this scholarly and innovative exhibition
examines the term «
unfinished» in the broadest possible way and includes
works left incomplete by their makers, which often give insight into the process of their creation, as well as those that partake of a non finito — intentionally
unfinished — aesthetic that embraces the unresolved and open - ended.
«
Unfinished: Thoughts Left Visible» examines the term «unfinished» across the visual arts in the broadest possible way; it includes works left incomplete by their makers, a result that often provides insight into the artists» creative process, as well as works that engage a non finito — intentionally unfinished — aesthetic that embraces the unresolved and ope
Unfinished: Thoughts Left Visible»
examines the term «
unfinished» across the visual arts in the broadest possible way; it includes works left incomplete by their makers, a result that often provides insight into the artists» creative process, as well as works that engage a non finito — intentionally unfinished — aesthetic that embraces the unresolved and ope
unfinished» across the visual arts in the broadest possible way; it includes
works left incomplete by their makers, a result that often provides insight into the artists» creative process, as well as
works that engage a non finito — intentionally
unfinished — aesthetic that embraces the unresolved and ope
unfinished — aesthetic that embraces the unresolved and open - ended.
«
Unfinished: Thoughts Left Visible»
examines a question: When is a
work of art finished?
«
Unfinished: Thoughts Left Visible»
examines a subject that is critical to artistic practice: the question of when a
work of art is finished.
The exhibition
examines the term «
unfinished» across the visual arts in the broadest possible way; it includes
works left incomplete by their makers, a result that often provides insight into the artists» creative process, as well as
works that engage a non finito — intentionally
unfinished — aesthetic that embraces the unresolved and open - ended.
In a guide to intriguing art exhibitions nationwide, Judith Dobrzynski features the High Museum of Art's «Walker Evans: Depth of Field», a major international retrospective of Evans»
work, including images taken of the American South during the Great Depression; the Denver Art Museum's «Women of Abstract Expression», celebrating the contributions of female artists who helped shape the movement in the 1940s and 1950s; the Met Breuer's «
Unfinished: Thoughts Left Visible», the Museum's inaugural exhibition
examining works that were never finished by the artists from the 15th century to today; the Asian Art Museum's «Emperors» Treasures: Chinese Art From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.»
With 190
works, all
unfinished, dating from the 15th century to today, this inaugural exhibition of this new outpost of the Met
examines works that were never finished by the artists, exposing the creative process, and that in some cases were purposely left incomplete to signify an unresolved meaning.
Garry Winogrand's first retrospective in 25 years at the San Francisco Museum of Modern Art is also the first exhibition to
examine the renowned photographer's
unfinished work.
The exhibition «
Unfinished: Thoughts Left Visible»
examines a subject that is critical to artistic practice: the question of when a
work of art is finished.