Gideon Mendel: Drowning World joins other exhibitions at the Broad MSU
examining works by living artists from the U.S. and around the globe who are confronting a range of political, economic, and social issues.
The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman joins other exhibitions at the Broad MSU
examining work by living artists from the U.S. and around the globe who are addressing a range of social and political issues through their practice — including recent exhibitions of South Asian artists Naiza Khan, Imran Qureshi, and Mithu Sen.
Not exact matches
The Park
Life Gallery exhibition, «(Invisible) Relic,» curated
by Andrew McClintock,
examines works by two generations of California Conceptual
Artists working with performative actions and re-appropriated objects in a variety of mediums including video, photographic, audio, sculpture and performance.
Early Impressionist Influences — This area
examines the
work of Eugène Delacroix and Gustave Courbet within the contemporary productions of
artists in the Lyon school and the first stirrings of impressionist still
lifes by Frédéric Bazille and Pierre - Auguste Renoir.
Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry
by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation
by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience»
by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank
by Tyler Green WNPR, Feb. 11, Where We
Live, An Arts Wheelhouse
Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum
by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change
Artist: The
works of Piero di Cosimo
by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost
by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum
by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art
by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink
by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections
by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show
by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland
by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings
Lehmann Maupin has gathered primarily new
works by three Californian women spanning two generations, making for a booth featuring monochromatic paintings
by the Light & Space Movement
artist Mary Corse, labor - and identity - focused sculptures from Liza Lou, and a spread of photographs
examining American
life and landscape
by Catherine Opie.
Highlights of Broad MSU exhibitions in 2015 include: Trevor Paglen: The Genres, the final installment of the exhibition series The Genres: Portraiture, Still,
Life, Landscape, featuring
works by social scientist, researcher, and writer Trevor Paglen; The Broad Gift, an exhibition of 18
works generously given to the Broad MSU
by founding patrons Eli and Edythe Broad; Moving Time: Video Art at 50, 1965 — 2015, one of the final exhibitions conceived
by Founding Director Michael Rush exploring the development of video art from its earliest presentation to the present day; and Material Effects, bringing together six leading
artists from West Africa and the diaspora whose
work examines the circulation and currency of objects and materials.
The exhibition
examines the influence of the Latin American diaspora
by bringing together a group of
works by international
artists living and
working beyond the geographical limits of Latin America.
Highlights of recent Broad MSU exhibitions include: Trevor Paglen: The Genres; the final installment of the exhibition series The Genres: Portraiture, Still,
Life, Landscape, featuring
works by social scientist, researcher, and writer Trevor Paglen; Moving Time: Video Art at 50, 1965 - 2015, one of the final exhibitions conceived
by Founding Director Michael Rush exploring the development of video art from its earliest presentation, currently on view at the China Central Academy of Fine Arts, Beijing; Material Effects, which brought together six leading
artists from West Africa and the diaspora whose
work examines the circulation and currency of objects and materials; and The
Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman, the first major museum exhibition to bring together a comprehensive body of
work by two of Bangladeshi's foremost contemporary
artists.
Works by fifteen contemporary
artists — whose practices encompass sculpture, painting, collage, photography, and video —
examine the
life of birds, as well as the concept of the nest as metaphor of home, birth, protection, and the human body.
The Last Great Adventure is You», is an exhibition of new
work featuring bronze sculptures, gouaches, paintings, large - scale embroideries and neon
works, the exhibition chronicles the contemplative nature of
work by an
artist who has consistently
examined her
life with excoriating candour.
Stargazers will also include
works by 21 international contemporary
artists whose ideas and practices will be
examined in conversation with Catlett's
life and
work.
Infinite City features
works by nine
artists, drawn equally from each collection, to
examine the city as material, site, and situation for the contemporary
lived experience.
His film and performance
work is heavily influenced
by the rhythms of stand - up comedy — he was described
by one critic as a «stand - up conceptual
artist» — and
examines some of the more problematic aspects of contemporary
life in an amusing and disarming way.