Sentences with phrase «example illustrated»

S. B. Conroy, «Chips Off a Master's Block: At the White House, Sculptures Inspired by Rodin,» Washington Post, 16 November 1998 (another example illustrated).

«Artwork on Display,» Times - Georgian, 9 October 1994 (another example illustrated).

R. Smith, «de Kooning: The Light Fantastic,» Village Voice, 10 January 1984, p. 77 (another example illustrated).

J. Kutner, «Canvassing de Kooning's Lifetime of Art: Thorough Exhibit Makes Abstract Pieces Accessible,» Dallas Morning News, 9 April 1995 (another example illustrated).

R. Smith, «Long Island Shows Concentrate on Paintings,» The New York Times, 8 July 1994, p. C1 (another example illustrated).

S. Chadwick, «Willem de Kooning: MFA Show Not as Abstract as Artist's Vision,» Houston Post, 23 March 1995, p. D8 (another example illustrated).

D. Ashton, «Willem de Kooning: Homo Faber,» Arts Magazine, January 1976, p. 61 (another example illustrated).

D. Finn, David, et al., 20th Century American Sculpture in the White House Garden, New York, p. 104 (another example illustrated in color).

cat., Philadelphia, Pennsylvania Academy of Fine Arts, 1979, pp. 47 and 50 (another example illustrated).

J. Ault, ed., Felix Gonzalez - Torres, Göttingen, 2006, no. 2, pp. 89, 260, 360 and 373 (another example illustrated).

cat., London, Tate Modern, 2000, pp. 62 - 63 (bronze example illustrated in color).

John Howell, ed., Breakthroughs: Avant - Garde Artists in Europe and America 1950 - 1990, New York, 1991, p. 102 (another example illustrated) Robert Storr, Paulo Herkenhoff and Allan Schwartzman, Louise Bourgeois, London, 2003, p. 61 (another example illustrated) Robert Storr, Intimate Geometries: The Art and Life of Louise Bourgeois, New York, 2016, p. 493 (plaster version illustrated, p. 323)

S. Yard, Willem de Kooning, Barcelona, 1997, p. 102, no. 87 (another example illustrated).

M. Stevens and A. Swan, de Kooning: An American Master, New York, 2004, n.p. (another example illustrated in color).

25, p. 234 and 193 (another example illustrated, incorrectly titled Untitled No. 2).

Bulletin of the Whitney Museum of American Art, 1983 - 84, New York, Whitney Museum of American Art, 1984, pp. 10 and 14 (another example illustrated).

A. Searle, «Felix Gonzalez - Torres: holding a mirror up to love and loss,» The Guardian, 27 May 2016, n.p. (another example illustrated).

A. Wallach, «At 79, de Kooning Seeks Simplicity,» Newsday, 4 December 1983, p. 4 (another example illustrated).

R. Shiff, Between Sense and de Kooning, London, 2011, p. 181, no. 70 (another example illustrated in color).

R. Hughes, «Landscapes and the Bodies of Women,» Horizon, February 1978, p. 18 (another example illustrated).

H. Harrison, «de Kooning: 30 Years on the East End,» The New York Times, 24 May 1981, p. 13 (another example illustrated).

H. Gaugh, Willem de Kooning, New York, 1983, p. 94, no. 83 (another example illustrated).

K. Siegel, Abstract Expressionism: Themes and Movements, London, p. 193 (another example illustrated in color).

V. J. Fletcher, A Garden for Art: Outdoor Sculpture at the Hirshhorn Museum, Washington, D.C., 1998, p. 48, fig. 36 (another example illustrated in color).

C. Chapman, «Personal Effects: On Aspects of Work by Felix Gonzalez - Torres,» BROADsheet, Spring 1996, pp. 16 - 17 (another example illustrated).

K. Wilkin, «Museums Reveal Degas's Nudes and Islam's Splendor in «What We Liked in 2011,»» Wall Street Journal, 23 December 2011 (another example illustrated in color).

Brigitte Conrad, «La Rivière Gentille / The Sweet River», Les Films du Siamois / Centre Pompidou with Harvestworks and Easton Foundation, 2007, 1:15:53, video (another example illustrated)

cat., Mexico City, Ninart Centro de Cultura, 1991, pp. 11 and 36 (another example illustrated).

B. O'Doherty, America Masters: The Voice and the Myth, New York, 1973, p. 135 (another example illustrated).

R. Storr, Intimate Geometries: The Art and Life of Louise Bourgeois, London 2016, p. 664 (bronze example illustrated in color, p. 665).

J. Zilczer, «Willem de Kooning, Pionero y Lider del Expresionismo Abstracto,» Panorama Fundación «la Caixa», March 1994, p. 3, fig. 6 (another example illustrated in color).

P. Daix, «Defoulement en Couleur,» Le Quotidien de Paris, 28 June 1984 (another example illustrated).

S. E. Fenson, «A Whole Man's Life: MoMA Mounts a de Kooning Show as Vast and Varied as the Artist's Career,» Art & Antiques, November 2011, p. 56 (another example illustrated in color).

H. Rosenberg, Willem de Kooning, New York, 1973, no. 202 (another example illustrated).

Shiga, Museum of Modern Art; Muragame Genichiro - Inokuma Museum of Contemporary Art and Tokyo, Museum of Contemporary Art, Cindy Sherman, July - December 1996, pp. 96 - 97 (another example illustrated in color).

Amsterdam, Stedelijk Museum; Ghent, Gewad; Bristol, Watershed Gallery; Highfield, University of Southampton, John Hansard Gallery; Erlangen, Palais Stutterheim; West Berlin, Haus am Waldsee; Geneva, Centre d'Art Contemporain; Copenhagen, Sonja Henie - Niels Onstadt Foundation and Humlebaek, Louisiana Museum of Modern Art, Cindy Sherman, December 1982 - April 1984, no. 60 (another example illustrated in color).

Milan, Padilione d'Arte Contemporanea di Milano, Cindy Sherman, October - November 1990, p. 40 (another example illustrated in color).

C. Ratcliff, Exhibition at the Sidney Janis Gallery, Art International NY, p. 56 (another example illustrated).

Hamburg, Deichtorhallen; Konsthall Malmö and Lucerne, Kunstmuseum, Cindy Sherman: Photographic Work, 1975 - 1995, May 1995 - February 1996, no. 40 (another example illustrated in color).

P. Schjeldahl and L. Phillips, Cindy Sherman, New York, 1987, no. 57 (another example illustrated).

New York, Skarstedt Fine Art, Cindy Sherman Centerfolds 1981, May - June 2003, pp. 30 - 31 and 49, no. 35 (another example illustrated in color).

P. Schjeldahl, Cindy Sherman, Munich, 1987, no. 60 (another example illustrated in color).

J. Burton, ed., Cindy Sherman, Cambridge, 2006, p. 71, no. 20 (another example illustrated).

Editions 1965 - 2004, Ostfildern - Ruit, 2004, p. 186, no. 46 (another example illustrated).

New York, Museum of Modern Art, Modern Contemporary: Art At MoMA Since 1980, September 2000 - January 2001, pp. 46 and 541, no. 41 (another example illustrated in color).

I. Takano, Cindy Sherman, Tokyo, 1987, pp. 36 - 37 (another example illustrated in color).

al., Gerhard Richter: Editionen 1965 - 2013, Munich, 2014, p. 201, no. 46 (another example illustrated).

New York, New Museum, Lynda Benglis, February - May 2011, p. 232 (bronze example illustrated).

J. Vilczer, A Way of Living: The Art of Willem de Kooning, London, 2014, p. 198, no. 224 (another example illustrated).

P. Schjeldahl and I. M. Danoff, Cindy Sherman, New York, 1984, no. 57 (another example illustrated).