Sentences with phrase «examples of abstract landscape»

The paintings by de Kooning also represent two iconic bodies of his late work, including four major examples of abstract landscape paintings from the 1970s, in which the artist's vibrating strokes of bright blues and flesh pinks evoke the sea, sand, and coastal light of East Hampton, and a group of paintings from the 1980s where he transforms his richly impasto canvases of the previous decade into luminous compositions in which ribbons of color ripple and curve across pale, ethereal backdrops.

Not exact matches

Among the works that did well were Lot 16, a charming small sculpture, one of three examples down in 1945 - 6, by David Smith, shown above, that sold for $ 220,000 (not including the buyer's premium) and had had a high estimate of $ 150,000; Lot 5, «Atantolone,» a gloss household paint on canvas of colored dots on a white field that sold for $ 170,000 (not including the buyer's premium), well over its high estimate of $ 120,000; Lot 14, a large 1943 painted wood and wire sculpture, «Constellation,» by Alexander Calder (1898 - 1976) that sold for $ 1,982,500 (including the buyer's premium), more than double its high estimate, and Lot 24, a larger Calder sculpture, «Trepied,» that sold near its low estimate for $ 1,542,500 (including the buyer's premium); Lot 20, a large and very interesting and abstract but not very colorful 1953 Francis Bacon (1909 - 1992), «Two Figures at a Window,» that sold above its $ 1.2 million high estimate for $ 1,542,500 (including the buyer's premium); Lot 27, «Tour III» by Brice Marden (b. 1938) that sold within its estimates for $ 1,487,500 (including the buyer's premium), tying the artist's record; Lot 41, «Grillo,» by Jean - Michel Basquiat (1960 - 1988) that sold for $ 1,102,500 (including the buyer's premium), also within its pre-sale estimates; and Lot 31, «Vierwaldstätte See,» a large black and white 1969 landscape by Gerhard Richter (b. 1932) that sold for $ 1,047,500 near its low estimate of $ 1 million.

Diebenkorn's Ocean Park # 124 (1980) is a terrific example from his abstract series of more than 140 paintings that married architectural elements with what could be an aerial view of the landscape near his Santa Monica, Calif., studio.

Experience has proved that there is no difference between a so - called realist painting — of a landscape, for example — and an abstract painting.

The evolution of Bywaters» career is demonstrated in the exhibition with examples of his earliest work — created just after his 1927 graduation from SMU and reflective of his travels to France, Spain and Mexico — through abstract landscapes created in the 1970s.

The comprehensive exhibition includes rare examples of the artist's early work from the 1920s and 1930s; a seminal cityscape from the 1950s; significant works from his first years in East Hampton (1960s); and abstract landscapes from the 1970s and 1980s.

The Gallery's exhibition will include examples of the artist's early abstract works, as well as his later landscape paintings.

They take their compositional relationships and formal interactions from them, and then I improvise, mining the commercial landscape for examples of iconic household or industrial design objects and abstracting them to fit the compositions.

Liang Quan (b 1948), for example, creates mixed media collages that incorporate rice paper and ink as «abstract diagrams of traditional Chinese landscape».

On view will be four major examples of de Kooning's abstract landscape paintings from the 1970s, including Screams of Children Come from Seagulls (1975), in which the artist's vibrating strokes of bright blues and flesh pinks evoke the sea, sand, and coastal light of East Hampton.