Sentences with phrase «examples of her work hang»

Mitchell has since been the subject of numerous museum exhibitions, and examples of her work hang in nearly every major public collection of modern art, including the Art Institute of Chicago; Centre Georges Pompidou, Paris; the Guggenheim Museum; the Museum of Contemporary Art, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New York.

She has since been the subject of numerous museum exhibitions, and examples of her work hang in nearly all major public collections of modern art.

Not exact matches

At AGU's fall meeting, for example, there might be 17,000 posters, and much of that work gets lost after the meeting, hung in a hallway or tossed in the trash.

Am easy going, caring, down to earth, faithful, honest, kind, hard working, outgoing, sense of humor, love sport, family oriented, enjoying hanging out with families and friends, like to be of a good example.

Boasting a labyrinthine, impressionistic plot that you can either get hung up on the details of or allow wash over you in a haze of fragmentary images and evocative soundtrack details (we're more for the latter course, but both work out just fine), it's a prime example of a film that many will find frustrating in its opacity, but that brings a tenfold return on investment for those willing to let themselves be borne along by its currents.

Now, some literary agents are more willing to represent only part of a writer's empire, so you may be able to find a literary agent who is willing to work only on some rights (for example, you might want to license certain print rights but hang on to digital).

The feeling of playing through Dear Esther is, for me, like viewing Caspar David Friedrich's Wanderer Above the Sea of Fog (always a go - to example of Romantic work): This dude is hanging out looking at these monolithic mountains swallowed by an ocean of otherworldly fog, and we're supposed to be like «Whoa, I mean, damn!

The wall hanging is a beautiful example of work from this time period by MacConnel, who would sew the painted sections together creating vertical compositions with differing patterns and representations.

Some of these are playful: West's 2012 work with Marina Faust, Talk Without Words (Christopher Wool) for example, a large mohair ball hung on a cord over a table, with visitors invited to knock the ball to each other with their foreheads; or the artist's venture with Rudolf Polansky, Siesta (2003), a couch covered with a throw printed with the repeated motif of an ape's sphincter.

Major examples of Calder's work, including sound - generating gongs, motor - driven abstractions and standing and hanging mobiles, are included in the exhibition along with rarely - seen works.

A portrait of Elizabeth I by Marcus Gheeraerts the Younger, for example, is near to Brews, a strikingly orange work, by pop artist Ed Ruscha and a big photograph in Liberal Democrat yellow by Jane and Louise Wilson which recently hung in Nick Clegg's office.

This constellation of key sculptures brings together major examples of Calder's work dating from the 1930s and includes early motor - driven abstractions and sound - generating gongs as well as the standing and hanging mobiles for which he is best known.

The exhibition will include significant examples of the artist's objects, a self - coined category of work comprised of three - dimensional forms that hang or lean on a wall and seem to simultaneously occupy the realms of both painting and sculpture.

The Pollocks will hang in the RA's biggest room with other works, including examples of the drip paintings Pollock is most famous for.

Not that Obrist was stinting in his praise, particularly for Hopps's ability to conceive an exhibition as a «self - organizing» entity, notably in the 1978 «Thirty - Six Hours» exhibition in Washington, where Hopps announced that he would hang any work brought to the venue (the Museum of Temporary Art) during the titular time frame of the show — an example Obrist said was kept securely in his own «toolbox» of ideas.

A Damien Hirst painting, for example, hung not far from a De Jonckheere Gallery exhibition of works by the followers of Renaissance master Hieronymus Bosch.

One outstanding example consists of four works from the late 1970s through the early 1990s: Yarn hangs loosely from the ceiling in overlapping half ovals (The Nearest Air, 1991) while two works, both titled Sculpture for Nontransparent Materials (1985) and made of solid wood and marble hemispheres sit closely on the floor, facing each other.

Some of his most iconic works involve the simplest materials and most delicate actions, for example shaping a thin strand of wire and hanging it on a wall under direct light, simply interplaying its form with its shadow.

This series, shown publicly for the first time at this exhibition, is an example of how the artist created works of art from placards with portraits of the Soviet Politburo members, which, at the time, were widely available in book shops but hung mostly in administrative offices.

Georges de la Tour's astonishing painting The Cheat with the Ace of Clubs, c. 1630 which proudly hangs at The Kimbell Art Museum in Fort Worth is a remarkable example of a work which embraces the intricate and subtle relationships between opponents in a game.

The peculiar, eroticized and well - thought works of Ren Hang reflect his utmost search for the brave new world and are a really good example of how an art work, despite being aesthetically compelling, still can be subversive and socially / politically charged at the same time.

The subjects of these works, mostly from 1982, range from the grandly mythological to the merely mundane; they include figures such as Atlas and Midas as well as anonymous contemporary types — a Blind Person, for example — along with a broad array of activities as varied from each other as are Subduing a Gunman, 1981, Hanging Up a Coat, and Training a Tiger.

For the group of works 48 Portraits for example, sketches of how to hang the paintings can be found in addition to source images and installation views of the paintings at the Venice Biennale in 1972.

Commonly cited examples, which are repeated in the catalog, include, among others, Lynda Benglis» pouring of pigmented latex directly on a floor, on which it hardened; Richard Serra's works in which he cast molten lead into the corner where floor met wall (one of which has been reproduced at SFMOMA); Robert Smithson's pouring of viscous asphalt down a hillside outside Rome; and Eva Hesse's «Rope Piece,» in which lengths of rope were let to hang loosely in a space in three - dimensional mimicry of the skeins of pigment in Pollock's drip paintings.

Consider this example: Your spouse doesn't seem to be paying much attention to you, so you start to hang out with a friend at work more and more often. Your spouse, feeling ignored at the same time, looks to others for companionship and friendship instead of you. Trouble started innocently enough — there's nothing wrong with hanging out with friends. But at some point these people have developed 2 completely different lives and after a few years probably don't have much in common anymore.