Dragon Ball FighterZ is the closest we've ever gotten to an anime perfect representation of the franchise, between
the excellent fighting action and the art style and cutscenes.
Not exact matches
Christena Cleveland offers some really helpful ideas for both
action and healing in her post «Wellness in the Age of Trump and Terror,» as well as some
excellent reading suggests in «15 Books for
Fighting for Justice in the Trump Era.»
We've got much more piss your pants one liners and forth wall breaking tomfoolery from Wade, it's sweet sensitive and extremely emotional in parts (not since the finale of T2 have I sobbed so much), the OTT
action and gore makes a hatchet
fight in a Butcher shop look clean in comparison with moments to make hardcore Gore - Geeks give a huge hooray, the cringe worthy «oh no he didn't» moments are rife, there's a touching subplot about what it really means to be Family and also we are treated to an array of colorful supporting characters including an
excellent turn from Josh Brolin as futuristic super soldier «Cable», a wonderful performance from upcoming young talented star Julian Dennison (hunt for the wilder people), the obligatory Hugh Jackman cameo and a mega hard Super Villain who makes his previous onscreen incarnation seem like Vinny Jones in a giant penis suit... Oh wait!
No amount of multinational money thrown at the screen can give any of its
action sequences the clean, cold athleticism of the best
fights in John Wick 2 (Warner, 15), a less electric follow - up to 2014's
excellent Keanu - Reeves - on - a-rampage thriller that nonetheless knows all the moves.
The danger the gang encounters along the road is palpable and immersive, thanks to the
excellent sound design, and a minimalist musical score that allows you to focus on the
action, unlike the average Hollywood blockbuster which smothers every
fight scene with a bombastic musical score that more often than not distracts from the
action.
The
action sequences and
fights are briskly shot and edited, the supporting cast is acerbically great, Michael McElhatton from «Game of Thrones» and Michelle Yeoh are
excellent as a reasonably formidable foes, and Dustin Clare pops up all too briefly as a mercenary who gets in the way of the Section 20 special - ops team.
While her
actions have a devastating effect on her relationship with her increasingly confused husband (an
excellent, nuanced performance from Ben Whishaw) and young son, and appalling treatment at the hands of the authorities, Maud's determination to
fight for her rights never falters.
The scroll -
fighting action is pretty solid, the redone graphics and music are
excellent, and the numerous unlockables and modes will keep you coming back — but it all involves getting past that initial control barrier first.