Sentences with phrase «excellent film people»

Not exact matches

The film itself is an excellent introduction to Second Life and its use for education and persuasion — if you've never played in this virtual world, the video will give you a sense of what it's like and why people are drawn to it as a place to spread political messages.

As vital, disturbing, and powerful now as it was when it was written and filmed, All Quiet on the Western Front is an excellent film about war and both its inhumanity — the moments when people are turned into monsters and pawns — and its humanity — the moments when despite the contexts people attempt to regain their decency.

Everyone knows about different acting methods and a lot of people knew about what Carrey did on the set of Man on the Moon but obviously we never saw it, but that's what this documentary is and although it's not spectacular or anything, it gives another look at the work of the actor and it becomes an excellent companion to the film and especially serves as a testament of one of Jim Carrey's best acting jobs.

Mostly it's the excellent presentation of vampires - as - normal - people that makes for plenty of comedic - fodder and is what makes the film work so effortlessly.

People trust the brand, that builds early buzz and a lot of faith in the film, then the excellent marketing does the rest, and the quality of the film itself ends up paying off big time.

The film is good to excellent in every way except morally, and there it's questionable more often than it should be, not because it's an evil film, or because the filmmaker or actors are bad people, but because the interplay of means and ends has been under - thought or misjudged, to the point where the film becomes a catalog of obscenities: a horror thrill - ride drawn from life, a thing for viewers to test themselves against while feeling just awful about Agu and his country, whatever its name is.

The box set's excellent making - of documentary makes it clear that the people who made this film went into the project knowing next to nothing about their subject.

With so many characters to juggle, the film does an excellent job of making it clear who these people are without filling us in with backstories or exposition and without resorting to unimaginative stereotypes.

If you're going to make a film about two people falling in love, having two likable lead actors is an excellent place to start.

Included is an excellent new audio commentary by the always informative film historian / author Troy Howarth; an additional audio commentary by director Peter Duffell and author Jonathan Rigsby; a new 10 - minute interview with second assistant director Mike Higgins; A-Rated Horror Film, a 17 - minute vintage featurette about the film featuring interviews with director Peter Duffell and actors Geoffrey Bayldon, Ingrid Pitt, and Chloe Franks; the English and Spanish theatrical trailers for the film, both in HD; 4 radio spots; an animated image gallery with 68 stills containing on - set photos, promotional materials, and advertisements; and a collection of Amicus radio spots and still galleries for Asylum, At the Earth's Core, From Beyond the Grave, Madhouse, Scream and Scream Again, Tales from the Crypt, The Beast Must Die, The Land That Time Forgot, The Mind of Mr. Soames, The People That Time Forgot, and Vault of Horror.

However, just as it's a predictable response that the majority of people who saw Up were viscerally impacted by the first 10 minutes, the reaction to the film as a whole has also become slightly stereotypical, summed up as follows: the so - called «Married Life» montage, in which we watch the lead character, Carl Fredricksen, and his wife, Ellie, as they live their lives over multiple decades, culminating in her death at an old age, is excellent.

But while many people may think that the action scene has moved on to other parts (mostly Thailand and South Korea, plus a mini-boom of excellent American direct - to - video films like «Universal Soldier: Day of Reckoning» and its ilk), there's still a lot to offer from the once reigning king of cinematic punches and gunshots.

Jonathan Demme's buoyant mid-Eighties yuppie road movie is, in retrospect, maybe the key American film of its era along with Blue Velvet (also 1986, but Blue Velvet was more popular), but despite excellent reviews very few people went to see it.

But people of all ages will enjoy this excellent film that lives up to its name.

Between Funny People and the truly excellent Punch Drunk Love, Sandler has proven he has chops but these crappy little films he makes are geared by the studios to steal money from who they consider to be their large and unsophisticated audience.

But then again, glancing at his C.V. you will see that his films which consist of mainly people talking and talking and talking have won pretty much every major world cinema prize imaginable, BAFTA, Oscar, Palm D'Or, Golden Lion, you name it, so the run - of - the - mill Mike Leigh film is pretty fucking excellent.