Character motivation and story drive the film forward — not a needless
excess of violent, antisocial behavior.
Both sides of the debate have stated that their mission is the same — to protect people from
the excesses of violent, disturbed individuals.
Not exact matches
He concludes that more attention to the Bible did not necessarily mean more virtuous action; that personal engagement with the Bible did result in self - sacrificing service, but also in divisive hubris, mistaken interpretations (such as the identification
of America with ancient Israel), and blindness to social evils; and that Protestant spiritual individualism undercut corrupt hierarchies and supported democracy, but also promoted political
excesses and
violent anti-Catholicism.
There are a variety
of ways in which this is so, but, at the same time, it's clear that certain aspects
of pagan familial virtue are not exactly incompatible with the Biblical sacred order that can check or overcome their
excesses and pathologies — just as the Biblical order imposes powerful interdicts, not to be confused with taboos, against the kind
of violent desires that, to the morbid fascination
of the ancient Greeks, deconstructed and destroyed the identities
of family - bound individuals.
There were, it is granted, some «
excesses» on the fringes
of the protest movement, such as the
violent activities
of the Weathermen, that marred an otherwise glorious chapter
of American history.
This is because we are simply fed up with the sheer barbarity and cruelty
of powerful and well - armed ethnic militias like the Fulani herdsmen, terrorist organizations like Boko Haram, aggressive,
violent, intemperate and intolerant land - grabbing settlers like the Hausa Fulani communities dotted all over the Middle Belt and the south and the
excesses and genocidal tendencies
of our northern - led security agencies and Armed Forces.
From the
excess of the Capitol to the claustrophobic hive
of District 13 to the
violent scenes
of civil war, you have taken the ball and run with it in fabulously detailed and thoughtful ways, grounding the fantastical, and fusing disparate elements into a cohesive reality.
White balances tender moments with vicious acts
of war, and Radu's sensitivity is a worthy foil for the
violent excesses that are Lada's defining character trait.
Until the end
of the fifties, we had felt starved
of an intellectual and perceptual raison d'être for our work and were reacting against what we saw as the quasi-romantic English tradition; what we saw as compromise and also the
violent excesses of post de Kooning abstraction.