Sentences with phrase «exchanging with other artists»

As Venet remembers, «When I was young and my work had not sold yet, I was giving my pieces away and exchanging them with other artists.»

The idea is to promote an experience abroad and for exchanging with other artists from different backgrounds.

And so the exchange with other artists — and especially the collaboration with Lueg and Polke — matters a lot for me: it is part of the input that I need.

We actively seek out exhibition and project opportunities as well; in the past, these have included exchanges with other artist - run spaces across the country and participation in artist - run fairs.

Not exact matches

p.s. if artists can not transform society into a gift - exchange culture, then i expect the rich will continue to drive the poor into the ground, and continue to pollute the planet, until we degenerate into an abyss, and eventually go extinct as a species, with the other large mammals.

Cory's teachings were clear and practical, and allowed me to connect with many other artists, exchange with them and realize I was not the only one struggling.

Considering Moss» artistic relationship with Mondrian is a way of reconsidering her impact, but also the other conversations represented in the & Model exhibition, with British Construction and Systems artists such as Norman Dilworth, Anthony Hill, Peter Lowe, David Saunders, Jeffrey Steele, Gillian Wise and others, form part of a bigger and very necessary exchange artists are making now with modernist positions that are far from redundant.

«In Bed With...» is a series of intimate two - on - one encounters between the artist duo Gerard & Kelly and others taking place on mattresses dispersed throughout the research presentation for «P.O.L.E. (People, Objects, Language, Exchange)» in the Fifth Floor gallery.

Create an exchange, make connections with artist communities in other cities and towns, rather than badger galleries.

The gallery was transformed into a space of exchange, with both local and international artists participating, such as Gary Fisher and Gilda Manfring, Astro Amanda, Gracie Devito, Peter Harkawik, Sissi, Jim Krewson, Guiseppe Abate, Paola Angelini, Davide Spillari, FDM, Alberto Scodro, Kensuke Koike, Römer + Römer, Rainer Ganahl, and many others.

IMPULSE brings these artists» works together with those of their traditionally better - known peers — Noland and Louis — to reveal how the artists exchanged ideas and developed new methods and techniques in parallel with each other.

It's also great to interact with other artists, to exchange ideas, feelings and emotions.

Through the Phillips Collection's Center for the Study of Modern Art and other programs, Kosinski wants to continue that exchange and «ignite meaningful dialogues» with today's artists.

Other select projects include: Artistic Producer for the 4th annual Chicago Home Theater Festival, a 10 - day festival of artistic exchange within neighborhoods that have experienced systemic disinvestment featuring narratives by and about artists of color, women and femmes, migrants and immigrants, LGBTQ artists, and artists with disabilities (2016), and Project Coordinator for Our Miss Brooks: A Centennial Celebration, a national a year - long multidisciplinary celebration on the occasion of the 100th birthday of Pulitzer Prize winning poet Gwendolyn Brooks (2017).

The exchange wasn't only or even primarily with other art and artists.

Prior to the series of events at Studio Voltaire, the artists have developed the project with an exchange of open letters that reflect on each artist's queer and feminist identity, their relationship to each other, and how to present this set of relations to the public.

The student artist's growth is encouraged through experimentation, elective courses and exchange with other media and disciplines such as music, popular culture, science, literature, aesthetics, ecology and diverse cultural perspectives.

Others seek to keep up a program born out of subjective endeavours and shared with a worldwide community: such as LIFE SPORT in Athens, which sells «critical wearables» — the LIFE SPORT joggers — as an attempt to generate alternative arts funding in a time and place where there is none; Opening Times, which is an online - only exhibition platform; Peach, an exhibition space and home in Rotterdam; and I: project space, which fills a gap in the Beijing art scene by presenting video art and supporting artist exchange via residencies.

They have also established ArtEast, a not - for - profit organisation for art education in Bishkek in order that younger artists might experience and be able to exchange with others in the contemporary visual arts beyond Kyrgyzstan.

While serving as Assistant Curator at Art in General, Horisaki - Christens curated projects with artists including NYCU's Shana Moulton, Julia Oldham, Isola and Norzi, Guy Benfield, Dave Hardy, and Božena Končić Badurina, among others, and managed the organization's Eastern European Residency Exchange Program.

Britton Newell speaks of a triangular relationship between artist, scientist and other human actor (farmer, freediver, synaesthete, or person living with HIV), while Sonia Levy, and other artists I've spoken to, see successful collaboration as an «exchange».

In this video he talks about this period at Gasworks, where he could prepare more works for this major exhibition and also the benefits of exchanging ideas with other artists and the open studios.

As the title of this exhibition, this question, to be posed reciprocally, opens the doors to this home and invites the artists to reflect on mutual understanding as a creative activity produced when there's an engagement with unfamiliarity and transformation in exchanges with others and within our own mechanisms of adaptation.

He began in early adulthood to visit exhibitions, meet artists, exchange ideas with dealers and other collectors, and ultimately established a network of lifelong relationships that sustained an intimate, ever - growing understanding of artistic breakthroughs, revealed in a cache of hundreds of artworks in his holdings.

We began our project with the aims of hosting artists by providing them with accommodations, work place and cultural and ideas exchanges with the community and other artists.

Through playful exchanges created by artists, this series invites participants to interact with works of art, have a conversation, and explore how games illustrate the ways we communicate and reflect on the world around us and each other.

The symposium was proposed by Courthouse Studios as a way of developing links with other artists in a national and international context and exchanging experiences of art - making.

In this video he talks about this period at Gasworks, where he could prepare more works for this major exhibition and also the benefits of exchanging ideas with other artists and the open studios.We also listen in this video, Irene Bradbury, the curator of his exhibition at White Cube.

«Artists coded a specific assignment in a language of their choice and were asked to exchange the code with each other for comments».

The Visiting Artist will have the opportunity for informal exchanges with other Torpedo Factory artists.

The main cosmetology resume objective I have in mind is to secure a position as a senior makeup artist in a company or workplace that allows my creativity, knowledge and innovation to flourish and exchange experience and knowledge with other talented individuals working in this field.