There are also some really fun and
exciting action sequences as well.
Not exact matches
Beck sees the music videos and animations
as steppingstones — proof that Riot can create
exciting action sequences, emotionally poignant moments, and any other building blocks needed to tell immersive stories in any medium.
However, the production values are fair,
as is the direction, and the
action sequences are often
exciting and comparatively realistic.
The little touches — every flame is the clear plastic Lego kind, every spilled glass of water turns into clear single pieces — also help bring personality to the
action sequences, which tend to be
as exciting as anything real people have managed to pull off recently.
I came into this movie having somewhat liked the first two and not totally
excited to see how Tom probably acts with Katie, but if you're like me, you'll drop that «tude
as soon
as the first
action sequence kicks into gear.
Audiences will be thrilled by the depiction of a ruined world, and the
action sequences featuring Harper in his flying machine are
as exciting as they come.
Director / series creator Craig McCracken and his animation team deliver exactly what they set out to offer, which is (
as the MPAA rating reasons rather amusingly put it) «non-stop frenetic animated
action,» and are there a number of genuinely
exciting sequences, all refreshingly done without the slightest hint of CG help.
There's a superb
sequence set around a dinner table (outdoors, of course), and the dialogue is so fresh and invigorating that the scene proves to be
as exciting as any
action set - piece involving costumed heroes (or if we're talking about Man of Steel, more
exciting).
The movie - which follows an ambitious young reporter (Justin Timberlake's Josh Pollack)
as he attempts to expose a den of corrupt cops and politicians - kicks off with a relatively
exciting action sequence involving a botched bank heist, and it goes without saying that the impressive cavalcade of familiar faces does prove effective in initially holding one's interest.
As Cale; ship captain Korso (Bill Pullman); pilot Akima (Drew Barrymore); and their alien cohorts Stith (Janeane Garofalo), Preed (Nathan Lane), and Gune (John Leguizamo) search for the Titan and evade the Drej, Bluth and Goldman stage some
exciting and inventive
action sequences.
The comedy scenes are not funny, the
action scenes are not
exciting and the one big attempt to blend the two, an extended fight
sequence in which numerous innocent people are tased and a guy with a shellfish allergy repeatedly has shrimp rubbed in his face and eyes, is
as ugly of a would - be set - piece that you will see this year.
Even
as yet another superhero origin story, there are some truly next - level visual effects and
action sequences in director Scott Derrickson's film, and opening the Marvel cinematic universe up to all the possibilities that come from the realms of the mystical is an
exciting prospect.
And the very ending is
as exciting as any
action sequence that has been put on a film this year.
The story still suffers from a weak supporting cast of characters, while the cinematic
action sequences are just
as exciting as they were before.
The original music particularly stands out for its energetic approach during
action sequences, making everything not only memorable and
exciting but fun
as well.