Sentences with phrase «exciting scenes in the film»

It's one of the more exciting scenes in the film, yet it comes far too late.

Not exact matches

Starting off rather poorly, with amateurish acting and murky plotting, the film gets a hell of a boost with a truly intense assassination scene reminiscent of the one in Clear and Present Danger, and almost every bit as exciting.

All the Money in the World release to home video (Blu - ray / Digital Copy) with the following supplements: - Eight Deleted Scenes - «Ridley Scott: Crafting a Historical Thriller» — Director Ridley Scott and the cast and crew discuss the fast - paced and exciting way he filmed this epic movie.

Fans will also hear from the team of talented visual effects artists on how they created one of the film's most exciting scenes in «Attack of the Rhinos!»

In one single scene - an exciting, unconventionally - filmed fight inside a glass high - rise - cinematographer Roger Deakins restores to 007's world a lush, rich color palette absent from the franchise since the»60s.

Back in 1996, Wes Anderson announced himself as an exciting new voice in America's burgeoning indie film scene, adapting his earlier short film into a feature - length heist caper starring the then - unknown Wilson brothers.

The look of the CGI vampires certainly hasn't been all that improved in a year, and none of the action scenes in the film really got me all that excited.

Another style over substance Hong Kong action film that has some pretty exciting fight scenes, but also some very flimsy and annoyingly romanticized back story to fill in between them.

A suspense - filled and ferocious battle of good versus evil, Dead Again in Tombstone on Blu - ray ™, DVD and Digital HD is loaded with exciting special features including a behind - the - scenes look at the making of the film, deleted scenes montage and feature commentary with filmmakers.

There's a definite aesthetic and thematic link running through these choices, and it's exciting to have a new player on the scene who seem so serious about getting these films in front of audiences.

But the concept of «Pirate Radio» — the pirate radio scene in England during the 1960s — combined with the director (Richard Curtis, «Love, Actually») and the stars (Bill Nighy, Philip Seymour Hoffman, January Jones, Chris O'Dowd, Rhys Darby, Rhys Ifans, and the list goes on) had been enough to get us excited about the film long before the invite was ever sent our way.

The effects team at Industrial Light and Magic came to Ant - Man well after filming was completed, called in to create the effects for two of the film's most iconic scenes: the battle between Ant - Man (Paul Rudd) and Falcon (Anthony Mackie), and the trippy «Quantum Realm» scene, which was an exciting prospect for veteran Russell Earl.

At a recent roundtable interview, Revolori talked about the atmosphere on set, working opposite Fiennes, his kissing scene with Saoirse Ronan, adapting to act in the Wes Anderson universe and the research he did beforehand, the physicality and pacing required on set, having fun being a part of the film's exciting adventure set pieces, being slapped repeatedly by Harvey Keitel in sub-zero weather, bowling with F. Murray Abrahams, his chocolate allergy, and his upcoming Bollywood film, «Umrika» which he just finished shooting in India with Suraj Sharma from «Life of Pi.»

In addition to sound bites speaking enthusiastically about the film and its messages, we get to be on location for various scene shoots that excite and challenge the down - to - earth production.

Returning director J. Lee Thompson manages to stage some exciting desert battle scenes, cutting on motion from one rapid horizontal tracking shot to another (reminiscent of his excellent 1958 WWII film ICE COLD IN ALEX, aka DESERT ATTACK), but the story is simply a routine

There are a few exciting moments in the bloated CGI set pieces like the Fast Five - inspired sequence and a scene involving a guillotine that proves to be one of the film's 3D highlights.

Skyfall doesn't forget it has to be an exciting spy film above all, but from its first scene, it ratchets up the drama in ways that have little to do with action.

The baseball scenes are hardly exciting and the action shows up far too late in the film.

Julian Clarke and Lee Smith's editing and Trent Opaloch's cinematography also deserve credit for helping to add to the grittiness and swiftness of the exciting action scenes in the film.