A new art
exhibit featuring pieces from three different Chicago artists commenting on daily life will open August 10 at the Evanston Art Center.
The exhibit features pieces that take a traditional stance on this theme, such as «The Great Wave off Kanagawa» (1830), a multicolor woodblock print by Katsushika Hokusai, juxtaposed against modern pieces such as Christian Marclay's «Bottled Water» (1990), a glass bottle filled with un-spooled audiotape recordings of dripping water.
Not exact matches
Behind the Lens is an
exhibit featuring three to five
pieces from both amateur -LSB-...]
Behind the Lens is an
exhibit featuring three to five
pieces from both amateur and professional photographers alike.
Its vast anthology
features American, European, and African - American
pieces displayed in sunlit
exhibit halls.
A few very early
pieces that have never been
exhibited will be on view — but mainly, Wachtel will
feature two current bodies of work: one of which employs the silkscreens in two strains, landscape paintings and celebrity paintings.
Flood Gallery: The Modern Day Hero
Exhibit features two
pieces from each artist, one depicting a national hero, and another
featuring a local hero.
The
exhibit itself, Murakami's first museum retrospective in North America in 10 years, not only
features some of the easily recognized
pieces that's influenced pop culture such as Mr. Dob and Kanye Bear, it also
features never - before - seen monumental masterpiece.
With an emphasis on new and recent works, including some
exhibited for the first time, the exhibition «Sean Scully: Standing on the Edge of the World»
features a number of
pieces from the past thirty years, selected and arranged by curator Alfredo Cramerotti.
The
exhibit featured a number of mixed - media
pieces.
This is the Strathmore's 27th annual juried
exhibit, and
features works such as Game of Quills by Caroline Lewis, as well as
pieces from over 40 other artists.
Several of the
featured works from the collection will be
exhibited for the first time, including
pieces by major artists like Robert Barry, Mel Bochner, Lutz Mommartz, Bruce Nauman, and John Wesley.
The international
exhibit featuring 75 contemporary artworks from the 1960s to today, includes
pieces by Chuck Close, Ai Weiwei, Jasper Johns and Andy Warhol, and was organized by the Walker Art Center in Minneapolis.
This experience provided him with a strong understanding of how the medium of sculpture can be pushed beyond its limitations — a
feature which massively helped Marc when he began to
exhibit his
pieces in the early 1990s.
«Altered States: A Psychedelic Legacy,» which is on
exhibit at David Richard Gallery through January 28,
features contemporary interpretations of psychedelic art alongside
pieces from the 1960s through the 1980s.
The
exhibit is currently
featuring 80 selections of politically charged
pieces for and by women in response to the political climate regarding women's rights in America.
The latest in a series of shows highlighting works from private collections, the
exhibit features 96 objects by 71 artists from 30 private collections, including
pieces by nationally and internationally known artists such as Keith Haring, Donald Judd, Jeff Koons, Leonardo Drew and Yoshitomo Nara.
Ne Plus Ultra relates to Swenson's important earlier
pieces that also
feature the deer figure, including Untitled from 2000 with a young deer balancing on one hoof with a black and red drapery billowing above its head (in the permanent collection of the Modern Art Museum of Fort Worth) and Untitled, 2001, with an adolescent deer rubbing the velvet off of its newly developed horns on an antique rug (
exhibited in the Whitney Biennial in 2004).
The
exhibit was also not without its usual dose of «creepiness», as in
pieces like Tayler Brown's silicone double - headed Chimera, John Haley III's alienesque steel works, William Hand's monstrous mutated figure trapped in a jar, and Chet Zar's own titular
piece,
featuring two conjoined human heads in the shape of a skin - toned heart.
Indeed, EMIT can feel like a fully - formed marketing push toward the inevitable
feature film,
exhibiting costumes, plush dolls, action figures, drawings resembling concept and storyboard sketches, as well as a video
piece that serves like a movie trailer.
Zina Saro - Wiwa showed video
pieces that address the performance of grieving: Mourning Class: Nollywood which is
exhibited as a video sculpture
featuring multiple TV screens and Sarogua Mourning.
Magnetic Fields
features early - and later - career works,
pieces from specific series, several
exhibited for the first time, and the long - awaited reappearance of iconic works such as Mavis Pusey's large - scale painting Dejygea (1970) from the Whitney Museum of American Art's 1971 exhibition Contemporary Black Artists in America.
Painted in 2000, the
piece has been
exhibited in laterStuckist shows, and
featured on placards in Stuckist demonstrations against the Turner Prize.
The
exhibit will
feature a variety of photographs Harvey made during a monthlong trek from Chicago to Los Angeles and back to Tulsa along Route 66, including black - and - white and color prints, as well as slide images that will be projected on gallery walls, along with objects she collected along the way, from daily newspapers to
pieces of petrified wood.
The
exhibit titled «Overburden»
featured new work on paper as well as his sculptural relief
pieces.
PULSE's consistently strong showing of international exhibitors include GALERIE STEFAN ROEPKE of Cologne, Germany, who will be
featuring photographic landscapes by Sharon Harper and abstract paintings by Julie Oppermann; Nieves Fernandez Gallery of Madrid, Spain, offering works from artists such as Jordi Alcaraz, Danica Phelps, Jeff Cohen, and more; Purdy Hicks Gallery of London, UK, displaying contemporary photographs and drawings from Susan Derges, Bettina von Zwehl, Claire Kerr, and Andrzej Jackowski; Lawrie Shabibi of Dubai, UAE, presenting mixed - media
pieces by local artists Nadia Kaabi - Linke, Sama Alshaibi, Driss Ouadahi, and Shahpour Pouyan; and Zemack Contemporary of Tel Aviv, Israel,
exhibiting a group show with Phellippe Pasqua, Ofer Lellouche, Yuval Yairi and others.
He has
exhibited internationally, and his
pieces were
features in several respected publications, including The New York Times, The Times of India, Vogue India and others.
The Katy Prairie Conservancy collaborated with the museum as part of a past
exhibit featuring prairie art
pieces as well as programming for children, said Mary Anne Piacentini, the conservancy's executive director.
MAKE x RePopRoom is
featuring a Damien Hirst print provided by Malcolm Hearn who earned the mystery
piece after traveling the world, visiting eleven galleries showing Hirst's Complete Spot Paintings
exhibit.
My most recent encounter with his works was during his two simultaneous
exhibits: Works: 1968 — 1977 (Petzel, March 2 — April 29) consisting of the artist's early unstretched,
pieced - together canvases and paper works made of unconventional materials in serial forms; and Lost Objects (curated by Piper Marshall at Mary Boone Gallery, March 4 — April 29), which
features his installation of a smaller reconfiguration of 240 of the 750 cast concrete bone replicas from the fossil collection of the Carnegie Museum of Natural History (1991) along with a cooperative video work May I Help You?
In its Statements booth, Tracey Williams is
exhibiting works from the artist's first show of new work made after the accident — in 2001 —
featuring a small video of a woman in a dress pirouetting surrounded by photographs in smashed glass frames and broken ceramic vessels that were repaired with gold seams according to a Japanese tradition, with the fixed
pieces held in the highest esteem.
This linked screening series includes videos, films, and documentation from artists of the era and
features many
pieces not on view in the
exhibit.
This
exhibit will
feature video artists such as Kalup Linzy, of the squeaky - voiced soap operatic set - ups, and Dario Robleto, a Texas - based conceptual artist whose cut - paper
pieces often reference music and dance.
There was also a good amount of art not for sale: a pop - up
exhibit off - site at Pivot Art + Culture curated by Juxtapoz Magazine and Takashi Murakami, and a video exhibition
featuring an archive of public access television
pieces and works by contemporary artists curated by project space Public Fiction in Los Angeles and the Henry Art Gallery in Seattle.
The
exhibit is the first of its kind for the west coast,
featuring some of the movement's most memorable
pieces by artists and their manufacturers.
Featuring Danielle Estefan, Nicole Salcedo, Nicole Salgar, Cinthia Santos, Amliv Sotomayor and Tatiana Suarez as Las Ilustres, the
exhibit consists of seven individual diptychs (two adjacent 8 × 10
pieces per artist) reflecting their particular style of illustration.
The Main Gallery
exhibit features 23
pieces that include a broad range of materials, such as woven, printed and painted textiles, skins, cane, felt, plastic, glass, various metals and woods by furniture artists across the United States and Canada.
Permanent
exhibits feature books, rare documents, newspapers, early printing equipment and
pieces of early printing.
It was one of the
pieces featured in the
exhibit «Manufractured: The Conspicuous Transformation of Everyday Objects» at the Museum of Contemporary Craft in Portland, OR.
Online
Exhibit of Innovative Projects The exhibit of Briceño's work, «Millions of Pieces, Only One Puzzle,» debuted online June 1 on the United Nations Environment Programme and Art Works for Change websites, and will be featured in the business magazine Fast C
Exhibit of Innovative Projects The
exhibit of Briceño's work, «Millions of Pieces, Only One Puzzle,» debuted online June 1 on the United Nations Environment Programme and Art Works for Change websites, and will be featured in the business magazine Fast C
exhibit of Briceño's work, «Millions of
Pieces, Only One Puzzle,» debuted online June 1 on the United Nations Environment Programme and Art Works for Change websites, and will be
featured in the business magazine Fast Company.
The
exhibit featured a number of mixed - media
pieces.