Sentences with phrase «exhibit space this year»

Not exact matches

This year's show is taking up more than 2 million square feet of exhibit space, with more than 160,000 attendees expected.

Automaker technology will take up more than 200,000 square feet of exhibit space, up 25 percent from last year.

This year, there will be at least 27 (a record), which will cover more than 25,000 square feet of exhibit space, a 200 percent increase over the 2015 show.

This year's event will feature the Unmanned Systems Marketplace, with 6,500 square feet of exhibit space specifically for companies and their drones.

The Great American Trucking Show is a trucking convention with over 500,000 feet of exhibit space that happens in Dallas in August each year.

Last year's show hit record exhibit space at more than 637,000 square feet, growing by more than eight percent and exceeding the previous NRA Show record of 629,878 set in 2000.

This year's show will cover 240,000 sq / ft of exhibiting space.

This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits

Along with 15 permanent exhibits and programming spaces, CCM presents a variety of changing exhibits and companion programs each year.

With greater exhibit space and more modern features, they say, the Buffalo Niagara Convention Center would qualify to host hundreds more events each year.

«If astronauts are exhibiting these changes after only 100 days in space, what will happen on a three - year flight to Mars?»

Exhibit space is currently 12 percent higher than this time last year, making the 2013 SEMA Show on track to include more than 2,400 exhibiting companies - the highest in the SEMA Show's 47 - year history.

The exhibit space selection order is determined by a company's seniority, and companies typically earn one seniority point for each year they exhibit.

«We're pleased to see an increase in exhibit space sales this year.

At the end of June, there were 1,541 companies signed up for nearly 800,000 sq. ft. of exhibit space, up more than 100,000 sq. ft. from the same time last year — and more on the way.

Exhibit space is currently 12 % higher than this time last year, making the 2013 SEMA Show on track to include more than 2,400 exhibiting companies — the highest in the SEMA Show's 47 - year history.

«Exhibit space is currently 12 % higher than at this time last year, making the 2013 SEMA Show on track to include more than 2,400 exhibiting companies — the highest in the SEMA Show's 47 - year history,» said McGillivray.

Officials from the American Pet Products Association (APPA), which presents Global Pet Expo with the Pet Industry Distributors Association (PIDA), say that this year an international model will replace the International Pavilion — where multiple countries exhibited together in one space.

Demand is so high, the exhibit hall show floor sold out booth space for the fifth consecutive year for the 2018 event.

Over 30 years later, the University of Greenwich will be showcasing the work of 20 of the studio's artists across three gallery spaces, many of which have not met the public's eye since they were first made or exhibited at Stockwell.

AM NY / Trump presidency focus of «One Year of Resistance» exhibit at The Untitled Space in TriBeCa / January 2018

She went on to describe how, for Manchester, Castlefield Gallery is that very Culturefield — where for the past 30 years it has been exhibiting early - career artists alongside artists of international standing, and providing artists with the support, time and space necessary for them to develop experimental and risk taking art.

ABOUT CURATOR INDIRA CESARINE Indira Cesarine's work as a curator for The Untitled Space gallery includes exhibitions (HOTEL) XX for SPRING / BREAK Art Show 2018,» Secret Garden,» presenting the female gaze on erotica; «SHE INSPIRES,» a group show of 60 artists exhibiting works honoring inspirational women; the internationally - celebrated group shows «UPRISE / ANGRY WOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhibitions.

Also featured in this year's Art Walk is an exhibition presented by Girls» Club, a non-profit alternative space exhibiting contemporary art by women.

Dagley made the works in William S. Burrough's Bunker space on the Bowery in NYC, exhibited them later that year at Tony Shafrazi Gallery in Soho, and subsequently put them into storage.

With a career spanning over 30 years, Piper has exhibited widely, making interventions into arts and non-arts spaces both in the UK and internationally.

Fast - forward 73 years... the CAA currently maintains two gallery spaces for exhibits, as well as 5 less traditional satellite spaces.

Her work has been exhibited nationally, including recent solo shows at the Greater Reston Arts Center in Reston, Virginia, and Hillyer Art Space in Washington, D.C., with an upcoming solo show at the Arlington Arts Center in Arlington, Virginia, where she is completing her six - year fellowship.

In over twenty years, Carving Studio and Sculpture Center programs have grown to include seasonal weeklong and weekend workshops in most sculptural media, college level courses for area institutions, community and high school classes, artistic residencies, international exchange programs with Peru and exhibits in our gallery space.

This year the ground floor of their 45,000 - square - foot space will exhibit solo works by six contemporary artists (Will Boone, Mark Flood, Lucy Dodd, Aaron Curry, David Ostrowski and Kaari Upson); the second level will show off highlights from the couple's fifty years of collecting including works by Jeff Koons and Cindy Sherman.

Featured images: ONE YEAR OF RESISTANCE Exhibit Installation — The Untitled Space, courtesy the gallery.

That's changing this May, when the world - renowned but rarely exhibited Keir Collection of Islamic Art — assembled by the late Edmund de Unger (1918 — 2011)-- arrives at the DMA on a 15 - year renewable loan agreement that requires the DMA to create both gallery space and the first digital archive for the collection.

The work of Alfredo Jaar has been exhibited extensively in institutions and public spaces worldwide for 30 years.

Next year, when the Whitney Museum vacates its 1966 Breuer building to move to a new building downtown, the Met will take over the Madison Avenue landmark as its own exhibit space, with an eight - year lease and the possibility of a longer run.

Diana Casanova, «Enraged» Artwork Featured at The Untitled Space ONE YEAR OF RESISTANCE exhibit, January 2018

Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Opspaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum OpSpaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings

SIGNE PIERCE, «Control» Artwork Featured at The Untitled Space ONE YEAR OF RESISTANCE exhibit, January 2018

Touba Alipour, «America» Artwork Featured at The Untitled Space ONE YEAR OF RESISTANCE exhibit, January 2018

The Art League is featuring a special exhibit of photographs taken by this year's SOHO («Space of Her Own») class through February 6, 2012 in The Art League Gallery.

Stephanie Hanes, «Beholder» Artwork Featured at The Untitled Space ONE YEAR OF RESISTANCE exhibit, January 2018

ANNA RINDOS, «Altar» Artwork Featured at The Untitled Space ONE YEAR OF RESISTANCE exhibit, January 2018

Panteha Abareshi «Plague» Artwork Featured at The Untitled Space ONE YEAR OF RESISTANCE exhibit, January 2018

Anya Rubin, «Evoking the Spirit of Maat» Artwork Featured at The Untitled Space ONE YEAR OF RESISTANCE exhibit, January 2018

Annika Connor, «Blind Faith» Artwork Featured at The Untitled Space ONE YEAR OF RESISTANCE exhibit, January 2018

Anya Rubin «Has Human Nature Evolved» Artwork Featured at The Untitled Space ONE YEAR OF RESISTANCE exhibit, January 2018

Leah Schrager, «Flash Burn» Artwork Featured at The Untitled Space ONE YEAR OF RESISTANCE exhibit, January 2018

They created most of these ones in 2007, and exhibited them the following year in the shiny corporate halls of London's Bloomberg Space at the height of the financial crisis.

First came the announcement that he would exhibit work at this year's Venice Biennale in the Pinault Collection's two spaces — the first time both the Palazzo Grazzi and Punta della Dogana will be dedicated to a single artist.

All the work exhibited in the three gallery spaces will have been made over the past year, and the pièce de résistance will be Smith's 11 - metre long painting called This Artist Is Deeply Dangerous, based on an article written by the Guardian's sports correspondent Steve Bierley about an exhibition he saw of the art of Louise Bourgeois.

We exhibit artists» work in our main gallery eleven months a year, and often in our two other public spaces as well.