Sentences with phrase «exhibited abstract works»

After grad school, he exhibited abstract works and taught at various universities and public schools.

Since 2005, she has regularly exhibited her abstract works in France and Belgium.

Following a hiatus from painting from 1941 to 1945 to support the war effort, Tworkov began exhibiting his abstract work at Charles Egan's Manhattan gallery in 1945.

Marc Bijl will exhibit his abstract works in Corten steel for the first time in the Netherlands.

She would make friends among artists, conduct love affairs with several women (according to a biography published last year by Nancy Princenthal), and exhibit her abstract works.

Several galleries are exhibiting abstract works from the greats.

Not exact matches

The gallery will present exhibits of contemporary abstract artists working locally and beyond.

The exhibit will include stunning hyper - realistic work by Churchill - Johnson — stark political statement contrasted with delicate, minimalist abstraction by Uyesaka — deeply engaging abstract oils by Scorzelli — dynamic and powerful ceramic insights by Rosenberg - Dent — fanciful, abstract adventures by Lehrer — an unsettling mixed - media installation with video by auto - expressionist, Metrov — striking figurative vs abstract works by Ferris — a lively «abolish blandness» painting by Lytle contrasted with fabulous yarn work from the early 90's — and a pair of McCracken's, always delightful, miniatures.

Wayne Mok's abstract acrylic paintings caught the eye of London's Saatchi Gallery, which recently featured his work in the emerging artists exhibit «Burning Bright.»

By far the most intriguing portion of her art is her abstract work, which will be on exhibit this June in Los Angeles.

By the mid-1940s, Seliger had become the youngest artist exhibiting with the abstract expressionists, although his place in the movement is sometimes overlooked in part because of the scale of his work.

Put together a body of work of abstract paintings and had a solo exhibit in April.

I was made aware of this helpful piece of writing by renowned photographer Carl Chiarenza, whose work is included in a small group exhibit of abstract paintings and photographs currently on view at Main Street Arts Gallery.

While the first exhibition in 2008 * focused on the iconic Estate Paintings, White Abstracts and History Paintings which established Coventry's reputation in the 1990s, Works 2002 - 2009 will include an extraordinarily wide range of work, much of it overtly figurative, including major new works that have never before been exhibWorks 2002 - 2009 will include an extraordinarily wide range of work, much of it overtly figurative, including major new works that have never before been exhibworks that have never before been exhibited.

With almost 40 works, this exhibition proposes a complete view of the artist's aesthetic development, starting with his figurative works, when he exhibited in Barcelona in the early 30's, until his latest abstract paintings of the 90's after going through the abstract expressionist stage that became so relevant in the United States during the 40s and 50s.

Work by Rory MacArthur May 14 — June 8, 2009 Carol Jazzar is pleased to present New Abstraction, an exhibit of new abstract paintings rooted in gesture, space and the qualities of the paint.

In 1954, he held his first exhibition at Galleria La Bussola in Turin, where he exhibited works clearly influenced by his knowledge of informal art and American abstract expressionism.

While his work bears similarities to that of American abstract expressionist painters such as Mark Rothko, Jules Olitski and Barnett Newman, Hoyland was keen to avoid what he called the «cul - de-sac» of Rothko's formalism and the erasure of all self and subject matter in painting as championed by the American critic Clement Greenberg.1 The paintings on show here exhibit Hoyland's equal emphasis on emotion, human scale, the visibility of the art - making process and the conception of a painting as the product of an individual and a time.

If works of abstract art like Ellsworth Kelly's Blue Black, Richard Serra's Joe and Cy Twombly's Hero and Leander — previously exhibited at the Pulitzer — are notable for giving form to the interior life of the individual, the reconstructed house in the Pulitzer stands as a visible form addressing the interior life of the city.

Whatever else they may or may not have in common with the work of abstract painters and sculptors from elsewhere, the artworks shown here were made to be exhibited as such.

Having built a diverse body of work since her early career ranging from portraits to abstract paintings of the universe, today Cindy's works exhibit a more impressionistic technique.

These quandaries started as soon as Kline, having abandoned decades of working in realism, first exhibited his black - and - white «abstract» paintings in New York galleries.

Guston, whose work was widely exhibited during this period, achieved critical success as an abstract painter.

DUBLIN — John Cronin, an abstract painter in his late 40s, who has been exhibiting his work regularly in Ireland since the late 1980s, was — for this viewer — a wonderful revelation.

Some of those prominent «uptown» galleries included: the Charles Egan Gallery, [30] the Sidney Janis Gallery, [31] the Betty Parsons Gallery, [32] the Kootz Gallery, [33] the Tibor de Nagy Gallery, the Stable Gallery, the Leo Castelli Gallery as well as others; and several downtown galleries known at the time as the Tenth Street galleries exhibited many emerging younger artists working in the abstract expressionist vein.

In the works exhibited this year she explores alignments of olychrome abstract watercolor monotypes with monochrome photographic imagery printed from polyester plate lithos.

Curated by Christina Mossaides Strassfield, the exhibit is engagingly diverse in its balance between representational and abstract works.

After visiting Piet Mondrian's studio in 1930, Calder began experimenting with abstract constructions, exhibiting his first non-objective works in 1931.

Perhaps artists, like Mr. Kreimer, by exhibiting both realist and abstract works of art, are moving the subject of painting away from presentation of an image and toward the act of perception.

A selection of sculptures, reliefs and paintings by artists working in the area will be exhibited to complement the Gallery's major spring exhibition, Victor Pasmore: Towards a New Reality, which illustrates Pasmore's controversial move from figurative to abstract art.

Indeed, a recent Netflix documentary about Herrera titled The 100 Years Show saw the Cuban - American abstract painter recall how she was told by gallery owners — female themselves — that she couldn't exhibit her work at their venues because she was a woman.

He worked in series, completing sets of abstract and figurative paintings that he often exhibited together in order to explore the assumptions connected with each mode of painting.

She has exhibited in context of gay rights and Judaism, although the work remained largely abstract.

Interestingly, despite the gallery's stated preference for abstract and non-objective work, a few of the artists exhibited actually lean on representational imagery before taking the work in interesting directions away from mere figuration.

Many of the Cubo - Expressionist works are exhibited in finished form, but most are completely obscured beneath the opaque surfaces of paintings featuring abstract radiant designs.

This exhibit features 59 abstract drawings from six series or bodies of work dating from 1998 to the present.

Connie Fox, a descendant of America's abstract traditions, has exhibited her work in museums and galleries across the country, among them the Parrish Art Museum in Water Mill, NY; the American Academy of Arts and Letters, NY; Weatherspoon Gallery at the University of North Carolina in Greensboro; the University of Florida in Gainsville and at numerous other venues.

Jenkins's diaphanous streaks and gentle, fluid fields of color positioned him as an important figure in abstract expressionism, and he often exhibited in the same venues as Jackson Pollock and Willem de Kooning — artists who shared his instinctual working method.

In 1953 a group of nonobjective painters in Toronto, inspired more by abstract expressionism in New York than their contemporaries in Montréal, formed Painters Eleven as a means of exhibiting their work.

In the 1990s Drapell was widely exhibited in the United States and Europe, where he was recognized by American critic Kenworth Moffett and Parisian gallery owner Gérald Piltzer as a leading figure among the «new new painters,» a grouping of abstract artists in Canada and the northeastern United States whose work is characterized by high - keyed, glossy colour and built - up surfaces.

In the 1940s, Pousette - Dart exhibited at the Willard Gallery, Betty Parsons Gallery, and Peggy Guggenheim's Art of This Century, and his work was included in several of the important group shows that shaped the parameters of abstract expressionism and defined American modernism.

Alison Raimes, an abstract painter herself, does not exhibit in this particular group exhibition, but she surely takes the idea from what has long driven her own work.

And Ann Cathrin November Høibo, exhibiting at Standard, stopped me in my tracks with a delicate abstract painting, all faint marks and craquelure, made in a decidedly indelicate fashion: she painted the work in acrylics, then soaked the canvas in acid.

Seven influential abstract painters from the 1970s exhibit works demonstrating a reductive and disciplined articulation of the sensations of light, form, sound, colour and space at Flowers Gallery, London, in Seven from the Seventies.

Many of the exhibited pieces display a relationship with the concept of windows which in the work of the Portuguese artist is amplified, not merely by the Renaissance structure of the frame / window itself — a technique ready to open new abstract perspectives on the concept of space — but in that particular use of materials tied to the construction of a window.

Korean artist Byung so Choi, showing with Arario Gallery, exhibits another powerful abstract work by saturating newspapers with ball point pens until the pages themselves seem to flake as paint chips.

Lyrical abstraction, a term connected to a number of abstract artists working between 1945 - 1960s, was used to describe the work of Meyer along with others painting all - over compositions (with no singular focal point) that exhibited a nearly patterned organization with vibrational movement.

Conceiving of the exhibition as a series of conversations on and around abstract painting, curator Gary Garrels invited Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl and Christopher Wool to each exhibit one or two of their paintings alongside their own selection of works that have informed their practice.

However I was regarded as a traitor for this because I was already a known artist, known for exhibiting my abstract oriented works.

At 39, Turiya Magadlela from Soweto might not qualify as a newer artist but nonetheless she exhibits standout abstract paintings and constructions at the Blank Projects gallery from Cape Town, which has mounted a solo booth of her work.