Sentences with phrase «exhibited as art objects»

Often, the final compositions are exhibited as art objects — such as photographic prints and video installations — while others exist in a real - time software context.

Often, the final compositions are exhibited as art objects — such as photographic prints and video installations — while others exist in a real - time software context, such as «Rainbow Aggregator» (2013) which will be featured at the fair.

Not exact matches

This way of putting the connection would seem somewhat strange to those who promoted art as a substitute for religion at the turn of the century, however, for it exhibits a consciousness both about the art object and about the language of religion and art which had not yet informed criticism or religion.

As the folks at the Michael Kohn Gallery in L.A. explain it, the art exhibit that opened last Saturday «takes the idea of the object — in this case the seductive shape of the surfboard — and attempts to trap the image beneath the fiberglass and resin surface.

The online exhibit includes original artifacts and art objects, original documents, and reproductions of historic documents and images from the New York Historical Society as well as other repositories.

Recent projects such as Crash Pad for the 8th Berlin Biennial, Every End is a Beginning at the National Museum of Contemporary Art in Athens and Fin de Siècle at Swiss Institute will be used to highlight aspects from Angelidakis's exhibition practice where the artist becomes curator, the exhibition becomes a medium and the exhibition device an exhibited object.

Recommended reading The Art Newspaper carries a report on the opening of the Palestinian Museum, which as previously reported here, will not be exhibiting any objects for the time being.

Bernhardt is represented by CANADA, New York, and has exhibited extensively in New York and abroad at venues and institutions such as: the Modern Art Museum, Fort Worth, TX; Contemporary Art Museum, St. Louis; Xavier Hufkens, Brussels; Carl Freedman Gallery, London; Venus over Manhattan, NY; and China Art Objects, Los Angeles.

The exhibition will include 100 of his unfired clay objects in addition to two documentary films on his work: «Sonny Ford:» Delta Artist, made by William Ferris in Leland, Mississippi in 1969 and JAMES «SON FORD» THOMAS: ARTIST made by filmmakers Jeffrey Wolf and Zach Wolf, using footage shot of Thomas in 1982 while exhibiting his work as part of the seminal touring exhibition Black Folk Art in America, 1930 - 1980, which has been edited on the occasion of this exhibition.

Among the most vocal critics of the Bushwick 200 project are Anthony Rosado, the Bushwick - born artist who, during Bushwick Open Studios, objected to the Bushwick Art Crit Group as a «predominantly white space» and eventually teamed up with the organization to put on an exhibit dedicated to neighborhood natives.

The exhibit tried to break the barrier between the subject of painting and the art object itself, as with Dada.

For your degree show from the Royal College of Art last year, you bravely chose to exhibit your work in the art school's café area, filling it with bespoke tables, chairs and shelving units containing other textile, ceramic and wood objects as well as house plants poking out of a decoratively shaped hole in the waArt last year, you bravely chose to exhibit your work in the art school's café area, filling it with bespoke tables, chairs and shelving units containing other textile, ceramic and wood objects as well as house plants poking out of a decoratively shaped hole in the waart school's café area, filling it with bespoke tables, chairs and shelving units containing other textile, ceramic and wood objects as well as house plants poking out of a decoratively shaped hole in the wall.

LoVid has exhibited installations, videos, and media objects in venues such as The Jewish Museum, The Neuberger Museum, The Butler Institute of American Art, Exit Art, The New Museum of Contemporary Art, Institute of Contemporary Art (London), Urbis (Manchester), and Science Gallery (Ireland).

Exhibitions and Productions Bow Arts (2017), «Rhino», London (solo show) Bow Arts (2016), «Desire Caught by the Tail», London (solo show) Wimbledon Space (2016), «The Golden Face Lift» (solo show) Dyson Gallery (2016), «Act Natural», London (exhibiting artist) Riverlight Gallery (2015), duo exhibition, London (exhibiting artist) The Rag Factory (2014), «Love Kills», London (as Artistic Director of LUXE / performer) The Chelsea Theatre (2014), «Love Kills», London (as Artistic Director of LUXE / performer) Floating Island Gallery (2014), group show, (exhibiting artist) Spill Festival (2013), «PORN», Ipswich (exhibiting artist) Departure Foundation (2013), group show, «Unperforming» (exhibiting artist) Testbed Gallery (2013), group show, «acts of 2», (exhibiting artist and curator) Testbed Gallery (2012), group show, «acts of», (exhibiting artist and curator) Freud Museum (2011), group show, Objects of Desire, London (exhibiting artist) Battersea Arts Centre (2010), Accidental Festival, London (exhibiting artist) Blue Print (2010), group show, In Time, London (exhibiting artist) perFORM (2009), group show, Triangle Space, London (exhibiting artist) Live Art Lectures (2009), group show, London (exhibiting artist) Disconnected (2009), web - based group show, created and uploaded in London (exhibiting artist) Tate Modern (2008), The Living Currency, London (live performance) Home Sweet Home (2008), various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist) Climate of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performer)

One of Kings County's preeminent cultural New York attractions, the 560,000 - square - foot Brooklyn Museum made history as the first American art museum to exhibit African objects as artwork.

In addition to the five regular sections of the show (Establishes, Emergent, Generations, Decades and Object), the art fair has a new sector called On Demand, which is for galleries that exhibit context - based and site - specific works such as installations, performances, etc..

On occasion, this gallery will also exhibit pieces from CSU's Permanent Collection of more than 500 works of art and objects such as the Benno and Babette Rothschild New Guinea Collection.

The Art Center first exhibited her work in 1987 as part of a three - person exhibition also organized by Richard Born who then described her tapestries as «simultaneously utilitarian objects and works of independent beauty intended both for use and appreciation at the same time.»

Paintings created by Collective can be found at prestigious fairs like Stroke Art Fair in Munich, where the objects are exhibited alongside high - profile artists such as Banksy.

Sometimes referred to as «post-material art», the exhibit is composed of that de-emphasize the material art object: software and algorithmic art, sound art, video art, real time and dynamic data visualization, social sculpture, and time - based art.

The exhibit is organized by SDAI's Curator - in - Residence Andrew Horwitz as an extension of his blog «Ephemeral Objects: Art Criticism for the Post-Material World» for which he was awarded a prestigious Warhol Foundation Arts Writers Grant in 2014.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

During this time Duchamp began exhibiting «readymades» (everyday objects found or purchased and declared art) such as a bottle rack, and was active in the Society of Independent Artists.

For this exhibit, Powhida enlisted the assistance of other artists and fabricators to produce works that embody the worst art market tropes, such as the shiny object, the cool minimalist tower, and the incredibly bad painting of a skull.

The 120 exhibits, including antique vases, medieval sculptures, the finest works of old Italian and Netherlandish masters, as well as valuable applied arts objects dating from various periods, conjure up the atmosphere of the collector's homes thanks to the enterieur - like arrangement.

In the «Black» paintings (included in the Museum of Modern Art's 1959 Sixteen Americans exhibition) and the «Aluminum» paintings which followed (his earliest shaped canvases, exhibited in this first solo show at the Leo Castelli Gallery in 1960) the picture's surface echoed and reiterated its depicted shape, reinforcing modernism's notion of painting's flatness as it sought to establish the painting as an object.

During his study, he became associated with a group of radical young German artists, including Albert Oehlen, Martin Kippenberger, and Werner Buettner, whose work collectively challenged the meaning, status and value of the ubiquitously exhibited art object, as well as those who view and consume them.

Previously exhibited in the inaugural exhibition at the National Arts Center in Tokyo, Rorschach Accidental III (2006) consists of suspended silver plated objects such as candelabras, musical instruments, and pieces of cutlery that Parker has flattened using a 250 - ton industrial press.

Jeff Koons first exhibited at the Serpentine Gallery in 1991 as part of the group show Objects for the Ideal Home: The Legacy of Pop Art.

From the tiny aluminium tablets which were shown throughout the Christchurch Art Gallery in 2006 as a part of the Out of Erewhon exhibition, to the bi-chromatic square panels exhibited recently at le Pavé d'Orsay in Paris, the «reasons» consistently underline the comprehension that, above all, a painting is an object to be appreciated in relation to others, and in the context of the physical space of the showroom.

Opening in March, «Warhol by the Book,» an exhibit at Williams College Museum of Art, explores the way Warhol used books as objects and also made books that stretched the very idea of a book.

Duchamp's ready - mades — found objects that he exhibited as art — defied all traditional notions of art: they were not beautiful, they did not express anything personal about the artist, they were not original or unique objects, they had not been crafted by the artist.