Sentences with phrase «exhibited at salon»

Cesar Baldaccini (1921 - 1998) Achieved a scandalous success and international notoriety with the sculptures made from crushed cars, exhibited at the Salon de Mai in 1960.

During this time Scott exhibited at the Salon d'Automne in Paris, and in 1939, he was elected Societaire du Salon d'Automne.

In 1824, his View on the Stour (1819) and The Hay Wain (1821; National Gall., London) were exhibited at the Salon in Paris, winning gold medals.

Fauvism Originally a derogatory term (Les Fauves) meaning «wild beasts», used of a group of painters who exhibited at the Salon d' Automne in Paris in 1905, including Matisse.

In 1912 he exhibited at the Salon National des Beaux - Arts and the Salon d'Automne.

John Constable (1776 - 1837) met success when he exhibited at the Salon in 1824.

Dalmau organised Miró's first one - man show in Paris, at the Galerie de la Licorne in 1921, and his work was exhibited at the Salon d'Automne in 1923 and in the first Surrealist show at the Galerie Pierre in 1925.

Her work was previously exhibited at Salon 94, alongside friend and fellow artist Nate Lowman.

The following year he again exhibited at the Salon d'Automne and Indépendants with the Cubists, and joined with several artists, including Le Fauconnier, Metzinger, Gleizes, Francis Picabia and the Duchamp brothers, Jacques Villon, Raymond Duchamp - Villon and Marcel Duchamp to form the Puteaux Group — also called the Section d'Or (The Golden Section).

Form defined by colour and its purification has been a central characteristic of Herrera's work since she exhibited at the Salon des Réalités Nouvelles between 1949 and 1953.

By 1946, having rejected formal art training before the war, Soulages established a studio in Paris and exhibited at the Salon des Indépendants in 1947, having his first solo exhibition at the Galerie Lydia Conti in 1949.

In 2010 she exhibited at the Salon de la Culture at the Louvre in Paris, France.

After his historical painting exhibited at Salon in 1865 attracted little attention, Degas decided to focus on scenes of modern life.

This painting was first exhibited at the Salon of the Section d'Or of October 1912, which introduced the Cubist artists to the general public.

Last year, London gallery Marlborough Fine Art exhibited at the Salon for the first time with the work of the French - Israeli artist, Avigdor Arikha (1929 — 2010)-- one of only two galleries to offer a solo - artist presentation.

His work has been exhibited widely in Mexico and California, including exhibits at the Salon de la Plastica Mexicana in Mexico City, the Cinco de Mayo Show at the Los Angeles Civic Center in 1975, and the San Diego Art Institute, among others.

In France and England in the mid 1700s, public interest in art began to become widespread, and art was regularly exhibited at the Salons in Paris and the Summer Exhibitions of London.

He exhibited at the Salons d'Automne et des Indépendants and took part in the La Section d'Or group.

After seven years of exhibiting at the salon her paintings were in 1877 rejected and, invited by Degas, she instead exhibited with the Impressionists.

NEW YORK — Unless you know what to expect, the Jon Kessler exhibit at Salon 94 «s Bowery location is unexpected.

In 1826 he was awarded a gold medal by the Society of Fine Arts, Lille, France, following exhibits at its Salon.

Not exact matches

The Bright Stylish model is the commercial version of the «Bright Stylish Concept,» a customized reference exhibit at the Tokyo Auto Salon 2005 that received a favorable reaction from the public.

While the aristocracy has always provided the lion's share of the patronage and the audience for art — as, indeed, the aristocracy of wealth does even in our more democratic days — it has contributed little beyond amateurish efforts to the creation of art itself, despite the fact that aristocrats (like many women) have had more than their share of educational advantages, plenty of leisure and, indeed, like women, were often encouraged to dabble in the arts and even develop into respectable amateurs, like Napoleon III's cousin, the Princess Mathilde, who exhibited at the official Salons, or Queen Victoria, who, with Prince Albert, studied art with no less a figure than Landseer himself.

A brief survey of representations of life - drawing sessions reveals: an all male clientele drawing from the female nude in Rembrandt's studio; men working from male nudes in 18th - century representations of academic instruction in The Hague and Vienna; men working from the seated male nude in Bailly's charming painting of the interior of Houdon's studio at the beginning of the 19th century; Mathieu Cochereau's scrupulously veristic Interior of David's Studio, exhibited in the Salon of 1814, reveals a group of young men diligently drawing or painting from a male nude model, whose discarded shoes may be seen before the models» stand.

A brief survey of representations of like - drawing sessions reveals an all male clientele drawing from the female nude in Rembrandt's studio; men working from male nudes in 18th - century representations of academic instruction in The Hague and Vienna; men working from the seated male nude in Boily's charming painting of the interior of Houdon's studio at the beginning of the 19th century; Mathieu Cochereau's scrupulously veristic Interior of David's Studio, exhibited in the Salon of 1814, reveals a group of young men diligently drawing or painting from a male nude model, whose discarded shoes may be seen before the models» stand.

Wile the aristocracy has always provided the lion's share of the patronage and the audience for art — as, indeed, the aristocracy of wealth does even in our more democratic days — it has contributed little beyond amateurish efforts to the creation of art itself, despite the fact that aristocrats (like many women) have had more than their share of educational advantages, plenty of leisure and, indeed, like women, were often encouraged to dabble in the arts and even develop into respectable amateurs, like Napoleon III's cousin, the Princess Mathilde, who exhibited at the official Salons, or Queen Victoria, who, with Prince Albert, studied art with no less a figure than Landseer himself.

Vehabović is among the most highly regarded young artist in Croatia having won First Prize for Zagreb Salon 2010, The International Association of Art Critics (AICA) Award 2010, as well as an Essl Award in 2007, (Emerging Artists in Southeast Europe) 2010, and with solo exhibits in 2011 and 2013 at Lauba Museum in Zagreb, Kranjcar Gallery, Zagreb (2011).

Although Braque did not exhibit frequently during World War II, in 1943 he was honored with a special room of recent works at the Salon d'Automne in Paris.

She exhibited them at that year's Paris Salon, where the masterly abstractionist Hans Arp saw them and persuaded her to let him put them on exhibition at Peggy Guggenheim's Paris gallery and later in her short - lived London gallery.

Croatian artist Zlatan Vehabović is likely the most highly regarded young artist in Croatia having won First Prize for Zagreb Salon 2010, The International Association of Art Critics (AICA) Award 2010, as well as an Essl Award in 2007, (Emerging Artists in Southeast Europe) 2010, and with a solo exhibit in 2011 at Lauba Museum in Zagreb, and inclusion in many important group shows.

SALON at Saatchi Gallery will partner with major international galleries to present a wide platform dedicated to exhibiting work by established artists as well as artists» estates in selling exhibitions.

2015 «A Foot in the Door», Exhibition of Small Works, Washington ArtWorks, Rockville MD Artomatic, Arts Festival, Hyattsville, MD Washington Project for the Arts, ArtNight 2015, Exhibit and Fundraiser Awagami International Print Exhibition, Tokushima, Japan Patricia Ladd Carega Gallery, Sandwich NH, Group Exhibition 10 x 10 Invitational, Print exhibition, Pyramid Atlantic Art Center «Transformations» Exhibit at Pyramid Atlantic Art Center Pyramid Atlantic Juried Members Print Exhibition, Second Place Award LA Center for Digital Art, Juried Salon Exhibition Studio Gallery, OpenStudioDC's Screenprint Exhibit Washington Printmakers Gallery, Monthly Member Group Exhibit

EXHIBITIONS 2014 — Bourque, Bondgren and bourbon (Two - Person Collaborative Exhibition with Loretta Bourque), Linda Warren Projects, Chicago 2014 - Diverse Expressions, Human Thread Gallery, Chicago, IL 2014 - Gaze, Azimuth Projects, Chicago, IL (two - person exhibition with Ivan Lozano) 2013 - Gay Straight Alliance LGBT History Month Exhibit, Governors State University, University Park, IL 2012 - The Great Refusal: Taking on New Queer Aesthetics, SAIC Sullivan Galleries, Chicago, IL 2011 — All That Glitters, Linda Warren Gallery, Chicago, IL (solo) 2010 — Glimmer, Peregrine Program, Chicago, IL (solo) 2009 — The Cockamamie Show, North Lakeside Cultural Center, Chicago, IL 2008 — Made Flesh, Center on Halsted, Chicago, IL (solo) 2008 — summergroup08, Estudiotres, Chicago, IL 2008 — 21st Annual McNeese National Works on Paper Exhibition, McNeese State University, Lake Charles, LA 2008 — Thaw, Estudiotres, Chicago, IL 2007 — Better Days Ahead, The Finch Gallery, Chicago, IL (solo) 2007 — Creative Convergence, Center on Halsted, Chicago, IL 2007 — Collection Show, Estudiotres, Chicago, IL 2007 — Salon 07, Energy Gallery at Lennox Contemporary, Toronto, Canada.

Liden has been exhibited internationally, including exhibitions at Maccarone, New York (2014), Galleria Lorcan O'Neill, Rome (2013), MDC Carlson Gallery project space in Paris (2012), Salon 94, New York (2010), Gewerbemuseum, Winterthur, Switzerland (2010), Palais de Tokyo, Paris (2009), Museo d'Arte Contemporanea, Rome (2008), the 2006 Whitney Biennial, Whitney Museum, New York, and Rivington Arms, New York (2004).

Restaurant de la Machine at Bougival was first exhibited at the third Salon d'Automne, where it was hung amongst the works of artists soon to be known as Les Fauves («The Wild Beasts»)-- thanks to the critic Louis Vauxelles who was shocked, certainly in a positive way, by their wild and daring palette and passionate brushstrokes.

During this year, he exhibited his sculptures for the first time at the Salon des Tuileries in Paris and in Switzerland at the Galerie Aktuaryus in Zurich.

Widely respected by his avant - garde contemporaries, Maurer exhibited in 1909 at Alfred Stieglitz's Gallery 291 in New York, in the 1913 New York Armory Show, and was an associate member of the modernist Salon d'Automne in Paris.

In 1938, Scott exhibited at the Paris Salon d'Automne, and was elected Sociétaire that same year.

He exhibited at the Exposition du Cinquantenaire in the Salon des Indépendants of the Grand Palais in Paris, without taking account of the opinion of the rest of the surrealists, who had decided not to participate in it, which nearly led to Dalí being expelled from the group led by Breton.

A series of ceramic goddesses sculpted by Judy Chicago in 1977 were exhibited at Frieze Masters in London by Jeanne Greenberg of Salon 94 gallery.

Chillida exhibited his early work in 1949 in the Salon de Mai at the Musée d'Art Moderne in Paris, and the next year took part in «Les mains éblouies», a show of postwar art at the Galerie Maeght.

In 1956 Peláez exhibited with Sánchez and Soldevilla in a group show at the Galería Cubana, and again with Sánchez at a special exhibition of female painters at the VIII National Salon organized by the Ministerio de Educación of the Instituto Nacional de Cultura.

Assiff has also exhibited in Tears on My Spider Roll at Violet's Cafe in New York, Tulipomania curated by Jay Ezra Nayssan at Balice Hertling in Paris, Playlist at Galerie Antoine Ertaskiran in Montreal, Tiger Tiger at Salon 94 Bowery and Land Lords with Alessandro Agudio & Bradford Kessler at monCHÉRI in Brussels.

In her debut exhibition at Salon 94 Bowery, Betty Woodman presents her monumental Roman Fresco / Places and Pleasures, originally created for and exhibited at the American Academy in Rome, Italy in 2010.

Grannan exhibited Boulevard at Fraenkel Gallery and Salon 94, New York in 2011.

Lluís Barba was shortlisted in The Young Masters Art Prize, 2009 and as part of the on - going support of the prize he was invited to exhibit at The Courtauld Institute of Art, Somerset House, WC2 displaying works relating to the history of academic painting and the space of the salon (hosted by East Wing IX.

Over this period Caziel exhibited alongside Vasarely, Manessier and Hartung at the Salon de Mai, annually submitting works which show reverence for the early cubist innovations of Braque and Picasso through which he arrived at his own personal brand of abstraction.

She moved frequently between France and Cuba throughout the 1930s and 1940s; having started studying architecture at the Universidad de La Habana, Havana, Cuba (1938 — 39), she trained at the Art Students League, New York, NY, USA (1942 — 43), before exhibiting five times at the Salon des Réalités Nouvelles, Musée d'Art Moderne de la Ville de Paris, France (1949 — 53).

This piece — a virtuoso «swagger - portrait» of the artist's brother, who died two years later of meningitis — was exhibited to acclaim at the Paris Salon in 1848, winning a Second Class medal.

In 1954 she exhibited for the first time in Venezuela at the XV Salón Oficial Anual de Arte Venezolano (XV Annual Official Salon of Venezuelan Art) at the Museo de Bellas Artes (Museum of Fine Arts), Caracas, and earned her first solo show in 1958.