Not exact matches
I clearly remember the negative body
language exhibited by the teachers upon receiving that message.
Getting that balance between the teacher - leadership role and the necessities of leadership and management is not an easy one but it is one within which that creative tension can be balanced
by positive, respectful
language, avoiding unnecessary confrontation when you're managing behaviour and also not easily buying into some of the behaviours that children
exhibit — like sulking and pouting, argumentation and so on.
(In the design of its own Core - aligned tests, New York State wisely pushes the envelope
by allowing test designers to use excerpts from books that «include controversial ideas and
language that some may find provocative» — but the actual passages used in the assessments can not themselves
exhibit those qualities.)
In this
exhibit by the International Board on Books for Young People (IBBY), wordless picture books from around the world can be enjoyed
by children speaking any
language.
Understanding the body
language exhibited by aggressive dogs is the key in preventing full blown attacks from occurring.
The orientation included discussion of our expectations of the volunteers, dog body
language, and an introduction to our behavior assessments, followed
by the types of behaviors a dog within the program might
exhibit.
The Sound of Silence has been
exhibited 25 times world - wide to date, in 18 countries and 10
languages; it was recently acquired
by the Philadelphia Museum of Art and the Museum of Contemporary Art in Chicago.
Sightings, curated
by Jeffrey Walkowiak Sculpture, photographs, and a video
by Tom Burr, D - L Alvarez, Dean Sameshima, and Michael Elmgreen and Ingar Dragset that reveals the specialized
languages of the different locations where anonymous sex occurs and contemporary art is
exhibited.
Among his most significant themes are: the relationship between art and
language (as in the film La Pluie, in which water runs down pages erasing the text written
by the artist); the status of the work of art and of criticism in the museum (il Musée d'art moderne — Département des Aigles of 1968 is a museum in which some of the works
exhibited are accompanied
by the warning «This is not a work of art»); and the play between reality and fiction.
The catalogue contains all
exhibited artworks and texts in German and English
language by Kito Nedo and Anka Ziefer.
The
exhibit reestablishes Prest's interest in the creation of structure - spaces, manufactured
by the charting and projection of
language, light, and sound.
Now 50 years later, the Hammer Museum brings the past to the forefront
by presenting two «great visionaries of art and
language» — Kerouac and artist Ed Ruscha (Chouinard 56)-- in its
exhibit Ed Ruscha on the Road.
TAREK ATRISSI (MFA 2003 Design) Designer; creative director and founder Tarek Atrissi Design, the Netherlands; formerly creative director for Meta Design; Arabic
language typeface designer behind some of the most visible branding fonts across the Middle East; included in the permanent design collection of the Affiche Museum, Hoorn, the Netherlands;
exhibited at the Guggenheim Museum, NYC, and The VCU Gallery in Qatar; Adobe Design Achievement Awards (2002); Dutch Design Award (2007); included in Area, a global overview of contemporary printed graphic design published
by Phaidon (2007); selected for Print magazine's 20 Under 30 (2005); clients include the Arab Museum of Modern Art, the BBC, MTV, Georgetown University and the V&A Museum in London.
The arbitral tribunal may order that any documents annexed to the statement of claim or statement of defence, and any supplementary documents or
exhibits submitted in the course of the proceedings, delivered in their original
language, shall be accompanied
by a translation into the
language or
languages agreed upon
by the parties or determined
by the arbitral tribunal.
On issues like this one, we are consigned to
exhibiting our policy priors
by the so - called «doctrines» of statutory interpretation and muddled statutory
language.