Sentences with phrase «exhibited color study»

Seriality, curated by John Pomara with essay by Eugene Binder, will feature a series of Vincent Falsetta's rarely exhibited color study works on paper.
In addition, a rich selection of Albers's rarely exhibited color studies will be on display.

Not exact matches

During this period, the study's subjects had to discriminate between the different colors being exhibited by the monkeys in the photos.
The study found that teachers are more likely to see academic challenges as disabilities when white boys exhibit them than when boys of color exhibit the same difficulties.
These materials place this epic exhibit in its historical context in five units: Observing the Urban American Scene; The Spirit of Modernism: A New Way of Looking; The Spirit of the Painting: Expressive Use of Color, Line, and Shape; Modernism in New York, 1913; and Armory Art in the Social Studies Classroom.
The show's more than fifty works included important canvases from private and public collections, but the most spectacular inclusions, in many ways, were the works on paper, ranging from intimate pencil studies with little or no color to pastel and crayon - enriched images, as complete as paintings; many of these had rarely — if ever — been exhibited before.
Meanwhile, Sorolla paid special attention to how he exhibited his oil sketches and «color notes» and gave both Sargent and William Merritt Chase studies for his important 1899 painting Sad Inheritance!.
When it opens next month, the Skidmore show will begin with a salon - style hanging of some 30 small studies and sketchbook pages working out color and form, about half of which have never been exhibited.
Dike went to New York in 1929 to study at the Art Students League, and also studied in the studio of artist George Luks and exhibited at the New York Water Color Club.
The small photograph Night Jam, 2013, is a study in color contrast, depicting gently creased strips of variously hued photographic paper arranged on top of a paper guillotine, bringing to mind series such as «Lighter,» 2005 — , for which Tillmans turns flat pictures into three - dimensional objects by bending, folding, or creasing photographic prints and exhibiting them in Plexiglas boxes; or the famous «paper drops,» 2001 — , for which he takes pictures of photographic paper gently furled into drop - like forms.
On the occasion of the current exhibit of his working drawings and color studies, which is showing for the first time at Peter Blum SoHo till March 6, 2010, the painter David Reed welcomed Art Editor John Yau to view the works at the gallery a day before the opening reception.
We will study the shift from Paris to New York as the center of the art world after 1945, and critically view works from the following styles that were created and / or exhibited in NYC: abstract expressionism, color field, conceptual art, site - specific, installation and minimalism.
In addition to the artist's other interview with Art Editor John Yau about his then current exhibit of working drawings and color studies at Peter Blum SoHo (January 13 - March 6, 2010), David Reed stopped by Art International Radio to talk further with Publisher Phong Bui about other issues concerning the growth of his paintings.
Works such as Color Study # 27 exhibit his signature winding, wrapping, rhythmic ribbon - like shapes, and lay the groundwork for the paintings.
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