Sentences with phrase «exhibiting contemporary practice»
We are seeking to initiate new platforms for making, writing and exhibiting contemporary practice.
http://www.plasticpropaganda.co.uk/ Not exact matches
Specifically, the exhibit will «chronicle a pivotal moment in the artist's career when his contemporary artistic practice converged with his Native American heritage,» according to the Museum.
He returned to his artistic practice in 2005, and has since exhibited in several group exhibitions including State of Mind: New California Art Circa 1970 co-organized by the Berkeley Art Museum and the Orange County Museum of Art; Ends of the Earth: Art of the Land to 1974 at the Museum of Contemporary Art, Los Angeles; and Afterlife: A Constellation, curated by Julie Ault as part of the 2014 Whitney Biennial.
As the contemporary practice of painting continues to expand exponentially, with many artists becoming less concerned with the physical medium of paint itself, Cain's practice — a combination of control, happenstance, and environmental information — is made unique through its reliance on space and the structural conditions of the locations in which her work is exhibited.
By exhibiting artists across multiple generations and continents, the gallery establishes a discursive critical voice in addressing diverse perspectives of art within a broader context of contemporary artistic practices.
Recent projects such as Crash Pad for the 8th Berlin Biennial, Every End is a Beginning at the National Museum of Contemporary Art in Athens and Fin de Siècle at Swiss Institute will be used to highlight aspects from Angelidakis's exhibition practice where the artist becomes curator, the exhibition becomes a medium and the exhibition device an exhibited object.
Common among the exhibiting artists and contributors to our program is an attention to contemporary social currents, responsible production practices, and meaningful community partnerships.
The Mumbai Art Room is registered public charitable trust that exhibits contemporary art, design, and visual culture from India and foreign countries, this organization provides a non-commercial platform for artistic and curatorial practice, one that is experimental, educational, and as accessible as possible to all audiences.
Taking advantage of a relocation of the school, and new empty walls in the teaching rooms, he put all his enthusiasms into levering the Courtauld into exhibiting the work of contemporary painters on temporary loan - a practice which continues to this day, entitled The East Wing Biennial.
While Location One seeks to nurture a critical awareness of the implications of technology for contemporary society in both our artists - in - residence and our audiences, and on a practical level, to introduce artists to the possibilities of new media in their art practice, the work we exhibit covers a full spectrum: painting, sculpture, video, digital, audio, installation and performance.
«As the only institution in the world exclusively dedicated to collecting, exhibiting, and researching modern and contemporary sculpture, the Nasher Sculpture Center is uniquely positioned to investigate this growing aspect of practice of sculpture in the public realm.
Since 1983 he has developed an interdisciplinary art practice and exhibited internationally, and his curatorial projects have included innovative collaborations with visual artists, designers, and contemporary dance.
The exhibit, created in response to Woolf's conclusion that «a room of one's own» is implicitly needed for creative production, co-curators, uses contemporary art to explore ideas of an artist's creative space in contemporary practice.
Site: Brooklyn Gallery is dedicated to exhibiting the current practice of contemporary artists.
As the 2016 Armory Show was coming to a close, Ato and I got a chance to catch up and discuss her invitation to participate in Focus: African Perspectives, her experience of exhibiting at one of the largest commercial fairs for contemporary art, and the vision for the next phase of her artistic practice.
The gallery is dedicated to exhibiting Asian contemporary artists and fostering cultural practices through their quality programming.
Applying the Golden Bough theme as underlining support structure for showcasing significant art practices, Dublin City Gallery The Hugh Lane has invited distinguished contemporary artists to exhibit in Gallery Eight of Charlemont House.
She / he / they will exhibit a wide knowledge of Contemporary Art, including of artists, and artistic and curatorial practices.
Cooper Union's latest exhibit, Image of the Studio: A Portrait of Graphic Design in New York, does just that by examining how living and working in New York shapes contemporary studio practice on the level of scale, geography, and day - to - day organization.
The Foundation values the contribution these organizations make to artists and audiences and to society as a whole by supporting, exhibiting, and interpreting a broad spectrum of contemporary artistic practice.
He has also exhibited in major museum group shows, including Thingworld — International Triennial of New Media Art, National Art Museum of China, Beijing, China (2014); ON / OFF: China's Young Artists in Concept & Practice, Ullens Center for Contemporary Art, Beijing, China (2013); Image History Existence, TAIKANG Life 15th Anniversary Art Collection Exhibition, National Art Museum of China (2011); Reflections of Minds — MoCA Shanghai Envisage III, MoCA Shanghai, Shanghai, China (2010); China China China!
He has also exhibited in group shows including After Party: Collective Dance and Individual Gymnastics, Blindspot Gallery, Hong Kong (2017); New voices: a dslcollection story, Klein Sun Gallery, New York, NY (2016); We - A Community of Chinese Contemporary Artists, K11 Art Museum, Shanghai, China (2016); 28 ° 00 ′ N 120 ° 42 ′ E, How Art Museum, Wenzhou, China (2015); The System of Objects, Mingsheng Art Museum, Shanghai, China (2015); Cinematheque, K11 Art Museum, Shanghai, China (2015); Performance and Imagination: Chinese Photography 1911 - 2014, Stavanger Art Museum, Stavanger, Norway (2014); My Generation: Young Chinese Artists, Tampa Museum of Art & Museum of Fine arts, St. Petersburg, FL (2014); 28 Chinese, Rubell Family Collection / Contemporary Arts Foundation, Miami, FL (2013); Rising Dragon: Contemporary Chinese Photography, San Jose Museum of Art, San Jose, CA (2013); ON / OFF: China's Young Artists in Concept & Practice, Ullens Center for Contemporary Art, Beijing, China (2013); The First «CAFAM Future» exhibition, CAFA Art Museum, Beijing, China (2012); and Reflection of Mind: MoCA Shanghai Envisage III, Museum of Contemporary Art, Shanghai, China (2010).
Site: Brooklyn is a gallery dedicated to exhibiting the current practice of contemporary artists.
A compendium of the staggering breadth of contemporary arts practice, the exhibit consists of a dizzying array of video, sculpture, installation, so - called «junk art» composed of found objects, and photography.
It has made a decentralizing impact on the presentation of contemporary art and is dedicated to exhibiting critically - engaged artists whose practices represent a breadth of significant movements in the field.
Once again, the materiality of paper is the subject of the exhibit and additionally, many of these Chinese artists re-contextualised their practice within the contemporary Australian art scene.
As a practicing artist, his works are included in numerous private and academic collections, and he has exhibited extensively with recent exhibitions at Gallery nine5, Heiner Contemporary Art, Arlington Arts Center, Aqua Art Miami, Conner Contemporary Art, and the Runnels Art Gallery, among others.
Exhibited together at the New Museum, the two works introduced a sense of monumentality hitherto unseen in his practice, which most recently found its zenith in Bradford's installation for the U.S. Pavilion at the 2017 Venice Biennial, and Pickett's Charge, currently on view at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. Bradford was first catapulted onto the contemporary art scene in 2001, following the inclusion of his multi-layered collage paintings in Thelma Golden's Freestyle exhibition at the Studio Museum in Harlem.
Rather than focusing on national histories, the exhibition endeavors to excavate and make visible the variety and depth of contemporary art practiced and exhibited in Southeast Asia since the 1980s.
Subsequent exhibitions include Inter + Vista, an exploration of contemporary vignettes via figurative and formalist practices, shown at L + M Arts, Los Angeles in 2013 and most recently «Colony», a series of paintings depicting the conditioned movements of a group of young adults ensconced in the setting of anonymous apartments, exhibited at Galerie Haas in Berlin in 2016.
For six weeks, the 33rd floor of 1500 Broadway will be transformed into a space for US audiences to discover the activities of the London ‐ based Zabludowicz Collection, which supports emerging artists and innovative curatorial practice by collecting and exhibiting contemporary art, as well as through an extensive education and events programme.
«Acquiring and exhibiting this work speaks to our mission and collection on many levels: through our support of the Artpace International Artist - in - Residence program, through continuing Linda's practice of sustaining the work of artists — especially women artists, and through our espousal of contemporary art that is challenging in both form and substance.
Launched in 2007, two years after Hurricane Katrina had devastated large areas of New Orleans and the Louisiana gulf region of the United States, Prospect New Orleans was conceived as an international biennial — by founder and former director Dan Cameron, who had curated the 8th Istanbul Biennial (2003) and 10th Taipei Biennial (2006)-- to exhibit contemporary artistic practices, while contributing to the city's cultural and economic recovery.
His work has been exhibited and preformed at KW Institute for Contemporary Art, Trans Art Triennial, Spike, Center, Import Projects and Motto Distribution (Berlin), Proxy Gallery and Brown University (Rhode Island), as part of Poetry as Practice online exhibition hosted by Rhizome and the New Museum (New York), Contemporary Art Centre (Vilnius), French Riviera (London), Toves (Copenhagen).
Aim is to create connections between art and cutting - edge visual culture by publishing and exhibiting projects by international artists who have advanced contemporary and interdisciplinary art practice, forming a point of convergence where design is engaged in conversation with contemporary art.
Exhibiting artists Tom Lovelace, Sophy Rickett and Ryan L. Moule will be present to discuss the themes and processes behind their practice and the role of abstract photography within contemporary art.
It is interesting how the diversity and multiplicity that has existed in Kallat's own practice, from materials and media to ideas and meanings, is also evident in both the Museum's centuries - old exhibits as well as the artist's works on display — thereby making «Earth Families» a befitting stage to showcase the oeuvre of one of India's most significant contemporary artists, whose work is part of several public and private collections across the world.
Auerbach's practice also includes photography, self - published zines, and the Tract House, an ongoing project which has been exhibited at the Contemporary Museum, Baltimore and Philagrafika 2010, Philadelphia.
The theory and practice of video art is now taught as a Minor degree subject in many of the best art schools in America, and is exhibited in all the best galleries of contemporary art.
Creating the New Century offers an opportunity to explore aspects of contemporary art practice firsthand and presents the accomplishments of a number of artists whose work has not previously been exhibited in Southwest Ohio.
The Jewish Museum exhibit in which it was featured is a compact and focused show, curated by a talented young Jewish Museum curatorial assistant, Rachel Furnari, featuring work by seven contemporary artists whose wide - ranging explorations of the complicated intersections of national, ethnic, and sexual identities are central to their artistic practice.