Sentences with phrase «exhibiting in commercial galleries»

In 2000, Zimmermann became the first American artist to exhibit in a commercial gallery in Sofia, Bulgaria.

The show at Alan Avery is his first solo exhibit in a commercial gallery.

Not exact matches

Since then, Seth has developed a career as a Lifestyle Pet Photographer, accepting commissions and commercial assignments, collaborating with dozens of publishers and exhibiting his artwork in galleries around the world.

Following exhibits in Connecticut, Montana, Seattle, San Francisco, New York, and, most recently, in Santa Barbara's Patty Look Lewis Gallery, Michael Armour — award - winning writer / director of documentaries and commercials, author of two best selling children's books and the soon - to - be-published novel «Creek» — will finally be showing his work in his home town of Santa Barbara again.

Diena Georgetti (b. 1966, lives and works in Kooralbyn, Australia) has exhibited widely in Australia and New Zealand at commercial venues such as Darren Knight Gallery, Sydney; Hamish McKay Gallery, Wellington; Michael Lett Gallery, Auckland; and Sarah Cottier Gallery, Sydney.

In 1957 he joined the St Ives - based Penwith Society of Artists; he exhibited regularly, and with great success, in commercial and public galleries from 1959; was selected in 1963 for the fourth John Moores exhibition; and was the subject of several filmIn 1957 he joined the St Ives - based Penwith Society of Artists; he exhibited regularly, and with great success, in commercial and public galleries from 1959; was selected in 1963 for the fourth John Moores exhibition; and was the subject of several filmin commercial and public galleries from 1959; was selected in 1963 for the fourth John Moores exhibition; and was the subject of several filmin 1963 for the fourth John Moores exhibition; and was the subject of several films.

Jessica Meuninck - Ganger and Nathaniel Stern's collaborative print and video work has been exhibited in group and solo exhibitions at commercial and experimental galleries and public museums across Africa, Europe and the Americas.

About the Artists Jessica Meuninck - Ganger's prints, artist's books and large - scale mixed media works have been exhibited in museums and both experimental and commercial galleries near her home in Milwaukee, Wisconsin, nationally and internationally.

[6] When no commercial gallery in New York would show the series, Semmel rented space in SoHo and exhibited the work herself, attracting attention from critics.

Uniquely positioned among commercial galleries and major art establishments, our nonprofit organization provides a local venue that advocates and exhibits innovations in art - making.

Created in 1997, Wedge evolved from a commercial gallery into a nonprofit organization, exhibiting photo - based work with a strong focus on exploring black identity and the African diaspora.

Fleming has exhibited internationally in public spaces, non-profit galleries, commercial galleries, and art institutions including Massachusetts Museum of Contemporary Art, Borusan Contemporary of Istanbul Turkey, National Film Museum of Frankfurt Germany, San Francisco Symphony, Colburn School of Music Los Angeles, University of California at Los Angeles, Hammer Museum Los Angeles, Creative Time New York City, University of Austin Texas, and 356 Mission Road Los Angeles.

It was in the fall of that year we began the Hammer Projects to give local, national, and international emerging and lesser - known artists opportunities to exhibit in a museum context outside of the constraints of the commercial gallery system.

Her ambitious project Androgyny, which has been exhibited in both commercial gallery and university settings, uses still photography, video and installation to bring distinct aspects of gender identity to the viewer.

Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much exhibition - making in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to websites such as Contemporary Art Daily that tend to privilege the flattened picture surfaces of post-minimalist paintings, which look good filtered through the even light of a laptop screen.

Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much exhibition - making in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to

His art has been exhibited in Barcelona, New York, California, Dublin, Stockholm and London and streamed seamlessly into the commercial world where he has collaborated successfully in projects with Hypebeast, Red Bull, NVIDIA, Edwin Jeans and Saatchi Gallery.

Exhibiting extensively in regional and national competitive and invitational exhibitions, as well as solo shows in Michigan and Chicago, Whitaker received regional attention from the media, museum curators, and commercial galleries immediately out of graduate school.

The significant commercial galleries are still those that have been in business since the 1990s: Buchholz, Neu, Barbara Weiss and Esther Schipper; and although they are now exhibiting clutches of young Americans, their core programmes remain German.

By 1924, Edward Hopper had taken up watercolor painting and begun to exhibit at the Frank K. M. Rehn Gallery in New York, where he would enjoy his first significant commercial success.

Within less than a year of leaving the Academy Richter was already exhibiting in two commercial galleries.

While smaller and mid-sized commercial galleries struggle to find the elusive «new models» for renting and exhibiting, London's studio project spaces like ASC, Assembly Point, Cell, Cubitt and Kingsgate Workshops are taking up the slack in providing the ambitious and experimental exhibitions the city needs.

Leila Heller Gallery, which has spaces in New York and Dubai and is the region's largest commercial gallery space, is exhibiting at the fair for the firsGallery, which has spaces in New York and Dubai and is the region's largest commercial gallery space, is exhibiting at the fair for the firsgallery space, is exhibiting at the fair for the first time.

In 2001, Hart opened lemon sky: projects + editions, a commercial gallery space and editions publisher, located on Wilshire Blvd in L.A. Solo exhibits were presented by Cindy Bernard, Jessica Bronson, Steven Criqui, ChanSchatz, Dara Friedman, Tim Hailand, Violet Hopkins, T. Kelly Mason, Dwayne Moser, Kim Schoenstadt, Alyson Shotz, Joe Sola, and Bruce Yonemoto among otherIn 2001, Hart opened lemon sky: projects + editions, a commercial gallery space and editions publisher, located on Wilshire Blvd in L.A. Solo exhibits were presented by Cindy Bernard, Jessica Bronson, Steven Criqui, ChanSchatz, Dara Friedman, Tim Hailand, Violet Hopkins, T. Kelly Mason, Dwayne Moser, Kim Schoenstadt, Alyson Shotz, Joe Sola, and Bruce Yonemoto among otherin L.A. Solo exhibits were presented by Cindy Bernard, Jessica Bronson, Steven Criqui, ChanSchatz, Dara Friedman, Tim Hailand, Violet Hopkins, T. Kelly Mason, Dwayne Moser, Kim Schoenstadt, Alyson Shotz, Joe Sola, and Bruce Yonemoto among others.

Having initially studied Photography at London College of Communication and Anglia Ruskin University, she continued her photographic career gaining experience by working in commercial studios, galleries and exhibiting her fine art photography in Cambridge and London.

An active artist, Laura has exhibited in numerous public, commercial and artist - run galleries across Canada including the Art Gallery of Hamilton, the Art Gallery of Windsor, La Centrale, the Edmonton Art Gallery and the Kenderdine Gallery at the University of Saskatchewan.

Currently based in San Francisco, California, Erik has exhibited internationally in alternative spaces, commercial galleries and museums in Berlin, Brazil, Los Angeles, London and New York.

She has exhibited throughout Canada and the UK in both public and commercial galleries and in artist - run centres and regularly performs throughout Europe, North America and in Japan.

Tift has exhibited at commercial and public galleries and museums in London, Paris, Tokyo, New York, Athens and Santa Fe and has work in many public and private collections including, the National Portrait Gallery (London), The Smithsonian Institution (Washington D.C), The House of Commons (London), The Frissiras Museum (Athens), The New Art Gallery - Walsall, Birmingham Museum and Art Gallery, Sunderland Museum and Art Gallery.

He has since exhibited in public and commercial galleries in Canada and abroad, including the Queens Museum of Art, in New York City, and Carrie Secrist Gallery, in Chicago, Il.

King's work has been exhibited internationally in both commercial galleries and institutions; he has also produced several books including Anxiety & Depression (2009), Art Works (2010), Anish & Antony Take Afghanistan (2014), Public Art (2016) and Britlins (2017).

Price's work has been much talked about, though not widely exhibited until relatively recently (and then only in group shows or in commercial gallery presentations).

Over the last 25 years, I have exhibited in university, non-profit and commercial gallery spaces here in New York and throughout the US and internationally.

But it seems vaguely disgraceful and unquestionably absurd that such a minor artist has such a big Tate exhibit when Richard Serra, who really could fill the Tate Turbine Hall authoritatively, and has created masterworks of imposing weight and scale in comparable public spaces in America and Europe, is kept waiting in the wings with yet another exhibition at the commercial Gagosian gallery.

His colossal ambition is palpable even in these early pieces, most of which were made for museums or major commercial galleries such as Hauser & Wirth, and which are exhibited here alongside his detailed instructions for their future conservation.

The Sobey Art Award, created by the Sobey Art Foundation in 2002, is presented to a Canadian artist aged 40 and under who has exhibited in a public or commercial art gallery within 18 months of being nominated.

In the same year, he also opened his own commercial photography studio in New York City and exhibited his photographs in a solo show at the Julien Levy GallerIn the same year, he also opened his own commercial photography studio in New York City and exhibited his photographs in a solo show at the Julien Levy Gallerin New York City and exhibited his photographs in a solo show at the Julien Levy Gallerin a solo show at the Julien Levy Gallery.

This is Roysdon's first exhibition with Higher Pictures and marks the first time she is showing her work in a commercial gallery context after nearly a decade of exhibiting internationally.

The Sobey Art Award, established in 2002 is awarded to a Canadian artist, age 40 or under, who has exhibited in a public or commercial gallery within 18 months of being nominated.

His work continues to be exhibited extensively in museums and commercial galleries in the United States and abroad.

Though Wright did not exhibit his work in a commercial gallery until he was 40 years old, he steadily thereafter won favour with the international art establishment.

Though she declined to exhibit her work at commercial galleries for nearly 30 years, she has earned enough of a reputation to be honored with a retrospective at the Hammer Museum in Los Angeles.