Sentences with phrase «exhibition address at»

Richard Rezac solo exhibition Address at The Renaissance Society, Chicago.

Specifically, how are you considering the installation for your upcoming exhibition Address at The Renaissance Society?

Not exact matches

Its aim is to address the on - going skills shortage, helping to tackle short and long - term recruitment needs through its educational outreach programme, including its upcoming STEMs day at the Manchester Science Museum on the 15th November as part of the museum's Robots Exhibition.

The film opens at the at the 1925 Empire Exhibition in Wembley Stadium, as the Duke of York (Firth) takes to the microphone to deliver the closing address.

Speaking at a sensitization workshop on 2017 Water Technology and Environmental Control Exhibition and Conference (WATEC) held at Ikeja, Governor Ambode identified the need for residents to adopt a willful approach to the payment of taxes as a means of addressing fundamental challenges confronting the State and accelerating development in all sectors and sections.

The Minister was addressing a group of African Water, construction and building experts at this year's three - day Water Africa and West Africa Building and Construction Trade seminar and exhibition.

Strong, who recognised the potential of travel and tourism to make a contribution to mainstream green growth transformation, will receive the award at the World Green Tourism conference and exhibition, taking place at Abu Dhabi National Exhibition Centre (ADNEC) from December 5th - 7th, where he will be invited to deliver the valedictorexhibition, taking place at Abu Dhabi National Exhibition Centre (ADNEC) from December 5th - 7th, where he will be invited to deliver the valedictorExhibition Centre (ADNEC) from December 5th - 7th, where he will be invited to deliver the valedictory address.

Earlier in the conversation, Bruguera had asked Ai to address the rumors surrounding Maximo Caminero, the artist who smashed a vase in Ai's exhibition at the Pérez Art Museum Miami in 2014.

BOSTON - Diane Simpson's exhibition at the Institute of Contemporary Art, Boston is addressed by Kate Nesin.

Curated by Vicente Todolí, the exhibition will take place at the gallery's 537 West 20th Street location and will present a selection of works by the artist that address an expanded notion of travel.

For his exhibition at the Greater Reston Arts Center, Bailey will address his family's history in Virginia, and the history of the Underground Railroad in the state's Great Dismal Swamp.

Hilma af Klint is represented at the Group Exhibition L'emozione dei COLORI nell» arte at GAM Address: Gallerie Civica d'Arte Moderna e Contemporanea Via Agenta 1 101 28 Turin Italy Dates: March 14 — July 23, 2017 Curators: Carolyn Christov - Bakargiev, Marcella Beccaria, Elena...

San Francisco, Calif., February 14, 2017 — On view at CCA Wattis Institute for Contemporary Arts from March 16 through May 14, 2017, the exhibition Black Light converts the gallery space into a forum for conversation with a series of free public events that address the relationship between cultural institutions and black artists.

In January, addresses the Massachusetts Board of Education at the statehouse to request increased support for arts in the public school system and to propose several approaches to arts in the core curriculum; during summer, collaborates with Townsend and guest artists Richard Rosenblum, Richard Baker, Paul Bowen, James Balla, George Marsh, and Varujan Baghosian at the New Provincetown Print Project; solo exhibition: Monotypes by Michael Mazur for the Inferno, University of Iowa Museum of Art, Iowa City (travels through 1997 with Mazur and Pinsky giving lectures on their collaboration at eight venues).

The prints in Leah Beeferman's recent exhibition, «Cold Color,» at New York's Rawson Projects update time - honored conventions of landscape painting and photography to address our increasingly mediated relationship with nature.

(An issue also addressed in an exhibition of Stanley Whitney's paintings at the Studio Museum last year and in an Alma Thomas retrospective opening at the Tang Museum upstate next month.)

In her third exhibition at Locks Gallery, Pat Steir shows works that address the history of painting.

The roster is surely multigenerational; Claude Viallat, born in France in 1936 shows a 1970 work characteristic of his signature painters on fabric; the wall piece by Dena Yago, born in 1988 in the US, lends the exhibition its name «Human Applause,» also the title of a 1800 poem by Friedrich Hölderlin that «addresses a poet artist subjectivity and market valuation explicitly» written at the turn of the 20th Century.

The autumn show is a group exhibition that's looking at work from the late»60s to the present: sculpture that directly addresses the space around it.

This is the same type of address cited in the title of Nicole Eisenman's recent exhibition, Dear Nemesis, which just closed at the Contemporary Art Museum (CAM) St. Louis and will soon be travelling to the ICA Philadelphia — a survey collection of over 120 works, primarily paintings and some sculpture, since the early 1990s.

Throughout his brief and influential career, Palermo executed paintings, «objects,» installations, wall drawings, and works on paper that addressed the contextual and semantic issues at stake in the construction, exhibition, and reception of works of art.

The exhibition, Forrest Bess: Seeing Things Invisible, currently on view at the Hammer, addresses the ways Bess's personal life and critical exploration of gender affected his artistic practice.

The works on view at the exhibition evokes conversations between abstract forms and a variety of human or animal protagonists, as locations strike up to have a conversation with the people, recognizable images chat with paint smears while looping gestures address spectators within his imageries.

Through hand - drawn sketches, interactive sculpture, immersive video, and a lineup of more than 30 structural models at 1:500 scale, the exhibition gives insight into SOM's practice, past and present, as it seeks to address physical and environmental challenges with concise and honestly expressed solutions.

Nearby, as an extension of the exhibition, Mathias Poledna addresses an object on view at the Metropolitan Museum of Art, just neighboring Galerie Buchholz.

On view September 21 to December 9, 2018, the Frances Lehman Loeb Art Center at Vassar College will present Past Time: Geology in European and American Art, an intersectional exhibition that addresses the wide impact of geology and its field - study customs on artists during the Enlightenment and Romantic eras.

The artist Christopher D'Arcangelo — another mythic figure that Garcia Torres has addressed in earlier work — created another challenge in this regard, opting in 1978 to remove his name from the announcement and printed materials associated with an exhibition that he was asked to take part in at Artists Space in New York.

We invite artists we encounter through the network to conceive solo exhibitions and collaborative projects at TRANSFER, offering them the possibility of openly addressing our walls.

Beers.Lambert Contemporary Art is proud to curate an exhibition for Gift Gallery, at its extraordinary address on London's primary gallery row, Vyner Street.

The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman joins other exhibitions at the Broad MSU examining work by living artists from the U.S. and around the globe who are addressing a range of social and political issues through their practice — including recent exhibitions of South Asian artists Naiza Khan, Imran Qureshi, and Mithu Sen.

Please take a look at our website for further details: http://www.momentaart.org/momenta-art-past-projects-2015.html Reviews of our exhibitions or events in a traditional sense are welcome, but we also encourage cross-disciplinary approaches that expand and engage with the themes explored by artists and other participants through our programs, possibly addressing broader socio - political phenomena of the year.

Looking specifically at Raymond Pettibon's explicit repurposing of found language and references to modern literary texts, Valinsky's gallery talk, «The Fictions of Raymond Pettibon,» will address the artist's repertoire of sources and strategies for writing images and drawing language within a relatively small selection of works on the first floor of the exhibition.

First and foremost, we must thus express deep gratitude to Neal Benezra, Helen and Charles Schwab Director at SFMOMA, and to Ruth Berson, deputy museum director of curatorial affairs, for embracing the idea behind Soundtracks and suggesting the exhibition's timing and scale as a way to address our new building.

Sunil Gupta will be leading a walk and discussion of works on display in the exhibition Sixty Years at the Tate Britain that crucially addressed race, gender, homosexuality and AIDS in the 1980s.

The conference will expand upon the ideas addressed in the exhibition through comparisons with practices at the other contemporary art museums, such as the Van Abbemuseum in Eindhoven, the Tate Modern in London, and the The Pontus Hultén Study Gallery at the Moderna Museet, Stockholm.

The question addressed behind the exhibition at KADIST is «could a non-profit art institution born into a region of crisis be considered as a sovereign entity?»

Overall, No Lemon No Melon at Flowers offers a refreshingly intelligent summer exhibition bringing together eight interesting artists who utilize layering techniques to address the physicality of their surroundings, both on their own and in conversation with the other works on view in the gallery.

An exhibition that directly addresses the notion of crossing boundaries is Drifter, a meticulously curated show, at Hionas Gallery, and organized by the artist and writer David Rhodes.

This site was the first address for The New Museum, where curator Marcia Tucker, at the invitation of Vera List, a lifetime trustee of The New School, was given space to mount her first exhibitions.

McShine taught widely and held senior curatorial roles at the Jewish Museum and MoMA, where he organised several landmark exhibitions including «Information» (1970), one of the first exhibitions in a major American museum to address Conceptual art.

The exhibition «Vanitas vanitatum omnia vanitas» opens at the new address and runs from 6 October — 4 November.

For the public symposium keynote address given on November 18, 2016, in conjunction with the exhibition Los Angeles to New York: Dwan Gallery, 1959 — 1971 at the National Gallery of Art, Pamela M. Lee revisits the history of the Dwan Gallery as a negotiator of two distinct but converging art cultures and the formative role Virginia Dwan played in bringing them closer together.

«I, YOU, WE» at the Whitney Museum addresses finality in several ways: it is not only a survey of art of the 1980s and 1990s, just as the AIDS crisis was ravaging the art world, but it also marks the museum's last permanent - collection exhibition before leaving its Marcel Breuer building in 2015 for the Meatpacking District.

Sheri Rush's first solo exhibition at Hyde Park Art Center, Portals of Discovery, features large - scale paintings which address the diminishing experience of nature, and specifically, the layers through which landscape is now viewed.

The second in a series of exhibitions presented at Kemper at the Crossroads, The Center is a Moving Target addresses the evolving rhythm and elusive modern definition of «regionalisms» in contemporary art.

In an interview from 1971 undertaken for an exhibition at the Pasadena Art Museum, John Coplans addressed the radical break that Judd had made with the tradition of sculpture, noting that the works in his 1963 Green Gallery exhibition demonstrated this rupture, stating: «The Green Gallery show was in 1963.

Bryce's most recent exhibition, at Alexander and Bonin in New York this past fall, addressed the discourse of universal values during the 1940s and 1950s with three major works: The Book of Needs, Arte Nuevo, and ARTnews 1944 — 1947.

The exhibition at Fondation Beyeler addresses all the main themes and the most important ideas and innovations found in Redon's oeuvre.

«UNEASY ANGEL / IMAGINE LOS ANGELES, Artists from Los Angeles Addressing Intersections Between Reality and Fiction» is an exhibition opening tonight in at Monika Spruth Philomene Magers and Spruth Magers Projekte both in Munich, Germany.

Her solo exhibitions include «To the Son of Man Who Ate the Scroll» at Fondazione Prada, Milan (2016); «Public Address: Goshka Macuga Tapestries» at Lunds konsthall, Lund, Sweden (2014); «Exhibit, A» at the Museum of Contemporary Art, Chicago (2012); «Untitled» at the Zachęta National Gallery of Art, Warsaw (2011); «It Broke from Within» at the Walker Art Center, Minneapolis, MN (2011); «The Nature of the Beast» at Whitechapel Gallery, London (2009); and «I am Become Death» at Kunsthalle Basel, Switzerland (2009).