Sentences with phrase «exhibition afro»

Albion Africa, African Albion is an exhibition of work created and curated by a group of young people and inspired by the artists in Tate Liverpool's current special exhibition Afro Modern: Journeys through the Black Atlantic.

Afro modern: journeys through the Black Atlantic 410.174 AFR Edited by Tanya Barson, Peter Gorschlüter London: Tate Liverpool, 2010 Published on the occasion of the exhibition Afro Modern: journeys through the Black Atlantic at Tate Liverpool 29 January until 25 April 2010.

Press release announcing programs at the Dallas Museum of Fine Arts, including a lecture in conjunction with the exhibition Afro — American Arts from the Suriname Rain Forest, February 4 — March 15, 1981.

Press release announcing the exhibition Afro — American Arts from the Suriname Rain Forest, February 4 — March 15, 1981 at the Dallas Museum of Fine Arts.

Invitation to a preview of the exhibition Afro — American Arts from the Suriname Rain Forest, February 4 — March 15, 1981 at the Dallas Museum of Fine Arts.

Paul was Consultant Curator for the international exhibition Afro Modern: Journeys Through the Black Atlantic at Tate Liverpool (Jan — April 2010) and programmed the Global Exhibitions symposium that accompanied the exhibition.

Not exact matches

· Arts Fund Gallery: Drift x Fixation exhibition + Pop - Up Artist Booths, UCSB's Afro - Brazilian Ensemble, The Burger Bus, McConnell's Ice Cream Truck, Ice Cold Kombucha on Draft, Pure Order Brewing Co, & Water for Life

Coinciding with his exhibition On Guard, at Harvard University's Hutchins Center for Afro - Latin Studies and Context Art New York, Pier 94, May 4 - 8, 2016.

Chris Ofili @ New Museum, New York Oct. 29, 2014 - Jan. 15, 2014 (extended to Feb. 1) One of the most anticipated exhibitions of the season, «Night and Day,» Chris Ofili's first major solo museum show in the United States opens Wednesday, Oct. 29 and will feature more than 30 large paintings, watercolor portraits, Afro Margin drawings, and sculpture produced over the past two decades.

CHICAGO — Curated by John Corbett, Anthony Elms, and Terri Kapsalis, and opening at the Hyde Park Art Center in October 2006 (5020 S. Cornell Avenue Chicago), this unique exhibition showcases a diverse, brilliant, provocative and by - and - large never seen range of materials related to pianist, bandleader, mystic, philosopher and Afro - Futurist Sun Ra.

The title of the exhibition refers not only to Walker's record of his experiences, but also to the antiquarian text on which he draws — a 17th century document of the Dutch Colonial empire of Brazil — which in turn becomes the theater in which the Afro - Brazilian women Walker befriended emerge from and dominate within the history of colonization and enslavement.

Anderson's work in the exhibition dwells on his Jamaican heritage and features his paintings of barber shops, which celebrate their role in Afro - Caribbean communities.

Highlighting the forthcoming sale is the masterpiece Afro Apparition by Chris Ofili (b. 1968)-- who will be the subject of a major survey exhibition of his work early next year at Tate Britain — which is this Contemporary Art Auction's catalogue cover lot.

Pace is pleased to present Fred Wilson: Afro Kismet, an exhibition featuring the artist's most recent body of work originally conceived for the 15th edition of the Istanbul Biennial on view in fall 2017.

1969 New American Painting and Sculpture, Museum of Modern Art, New York, NY Posters by Artists, Finch College Museum, New York, NY Sixth Biennial National Religious Art Exhibition, Cranbrook Academy of Art, Bloomfield Hills, MI Centennial Exhibition, Lincoln University, Lincoln, PA Ten Afro - American Artists, Mount Holyoke College, South Hadley, MA The First Generation, Museum of Modern Art, New York, NY Homage to Martin Luther King, Museum of Modern Art, New York, NY Contemporary American Painting, Whitney Museum of American Art, New York, NY

1971 Rebuttal to Whitney Museum Exhibition, Acts of Art Gallery, New York, NY 8 artistes afro - americains, Musée Rath, Geneva, Switzerland The Martha Jackson Collection, Seibu Department Store, Tokyo, Japan

1967 The Evolution of Afro - American Artists: 1800 - 1850, City College of New York, New York, NY The Portrayal of the Negro in American Painting, Forum Gallery, New York, NY Protest and Hope: An Exhibition of Contemporary Art, Art Center, New School for Social Research, New York, NY

Exhibitions showcase subject matter that reframes and uncovers previously overlooked or underrepresented histories — including those of Southern African American artists, Afro - Caribbean / Afro - Latina women, and residents on the United States - Mexico border — and narratives of materials and labor.

Upcoming exhibitions and projects include Afro - Modernism: Journeys through the Black Atlantic at the Tate Liverpool; commissioned works for Locust Projects Miami and a monograph to be published by Name Publications.

As part of the exhibition historic issues of the Afro - American magazines Ebony and Jet will be bound live at the Kunsthaus Bregenz to become books, in collaboration with the Vorarlberg bookbinders Otto Hofer and Manfred Keckeisen.

In her current role at the Studio Museum, Golden's exhibitions include «Chris Ofili: Afro Muses 1995 - 2005,» «Black Romantic,» «Freestyle,»» Glenn Ligon: Stranger,» among others.

Fred Wilson: Afro Kismet is an exhibition featuring the artist's most recent body of work originally produced for the 15th Istanbul Biennial in the autumn of 2017.

David Adika, group exhibition, «Regarding Africa: Contemporary Art and Afro - Futurism» at Tel Aviv Museum of Art

White Cloud Gallery and Osengwa host Afro Frontal, a pop - up art exhibition and auction.

While at the Studio Museum, she has organized exhibitions including Chris Ofili: Afro Muses 1995 - 2005; Black Romantic: The Figurative Impulse in Contemporary Art; Freestyle; Frequency; Glenn Ligon: Stranger; and Gordon Parks: A Harlem Family 1967.

He participated in the recent Stop Asking: We Exist exhibition of African - American craft art at the Society for Contemporary Crafts in Pittsburgh and curated the popular and groundbreaking exhibition Uncommon Beauty in Common Objects: The Legacy of African American Craft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural Center in Wilberforce, OH.

[1] Alma Thomas, quoted in HE Mahal, «Interviews: Four Afro - American Artists — Approaches to Inhumanity,» Art Gallery 13:7 (April 1970): 36, quoted in Jonathan Binstock, «Apolitical Art in a Political World: Alma Thomas in the Late 1960s and Early 1970s,» Alma W. Thomas: A Retrospective of the Paintings (Fort Wayne, Indiana: Fort Wayne Museum of Art, with Pomegranate Communications, 1998), exhibition catalog, 63.

With topics such as luxury objects in the pre-Columbian Americas, 20th - century Afro - Brazilian art, alternative spaces in Mexico City, and boundary - crossing practices of Latino artists, exhibitions will range from monographic studies of individual artists to broad surveys that cut across numerous countries.

1980 Islamic Illusions, Alternative Museum, New York, NY Retour Aux Sources, Une Exposition en Afrique D'Artistes Afro - Americains 1980, Galerie D'Art Mitkal, Abidijan, Cote D'Ivoire Afro - American Abstraction: An Exhibition of Contemporary Painting and Sculpture by Nineteen Black American Artists, Institute for Art and Urban Resources - PS 1, Long Island City, NY; Everson Museum of Art, Syracuse, NY; Los Angeles Municipal Art Gallery, Los Angeles, CA; Oakland Museum of California, Oakland, CA; Memphis Brooks Museum of Art, Memphis, TN; Art Center, South Bend, IN; Bellevue Arts Museum, Bellevue, WA Dialects, Franklin Furnace, New York, NY Color and Surface, Touchstone Gallery, New York, NY The Nineteen Seventies: Prints and Drawings, Museum of the National Center of Afro - American Artists, Boston, MA 10 + 10: An Invitational, Miami - Dade Public Library, Miami, FL

He has independently curated exhibitions as well, including: Pathways to Unknown Worlds: Sun Ra, El Saturn & Chicago's Afro - Futurist Underground, 1954 - 68 (with John Corbett and Terri Kapsalis); Interstellar Low Ways (with Huey Copeland); Can Bigfoot Get You a Beer?

Approximately Infinite Universe is an exhibition featuring contemporary artistic thought experiments, exploring ideas surrounding aliens and others, bodily mutations, disorientation and weightlessness, reproductive technologies, utopia and dystopia, cities of the future, Afro - futurism, and meta - histories, among others.

Another force was the founding of the Studio Museum in Harlem in 1968 and pioneering exhibitions that began to change the conversation, like one Mr. Gaither organized at the Museum of Fine Arts in 1970, «Afro - American Artists: New York and Boston»; and «Two Centuries of Black American Art,» curated by the scholar David C. Driskell in 1976 for the Los Angeles County Museum.

His work has been featured in numerous group exhibitions including Afro - Modernism: Journeys through the Black Atlantic, Tate Liverpool (2010); Greater New York 2010, P.S. 1 Contemporary Art Center, Long Island City, New York (2010); Intense Proximity, La Triennale, Palais de Tokyo, Paris (2012); Alphabets / Heaps of Language, The Museum of Modern Art, New York (2012); Radical Presence: Black Performance in Contemporary Art, Walker Art Center, Minneapolis (2014 — 15); the Belgian Pavilion at the Venice Biennale (2015); The Revolution Will Not Be Grey, Aspen Art Museum, Colorado (2016); and the Gwangju Biennale, South Korea (2016).

Alongside the exhibition is planned an intervention by Hélène Jayet with photo portraits shooting sessions on the theme of Afro hair open to the public, as well as an exciting programme of public events organised by Amal Alhaag, independent curator and co-founder of The Side Room, a space for intersectional feminist, queer and anti-colonial discourses and art.

1975 Exhibition of Afro - American Art Collection, California State Museum of Science and Industry, Los Angeles, CA

Fred Wilson: Afro Kismet @ Pace London Historical works are brought together in this museum-esque exhibition that brings together linkages between African and Ottoman societies, a link we rarely ever hear about.

Rituals since 1851, Fondazione La Triennale di Milano, Milan, Italy Self: Image and Identity, Turner Contemporary, Kent, UK Chercher le Garçon, MAC / VAL, Paris, France In Search of Meaning, Museum de Fundatie, The Netherlands Staying Power: Photographs of Black British Experience 1950s - 1990s, Victoria and Albert Museum, London, England Making Africa: A continent of Contemporary Design, Vitra Design Museum, Weil Am Rhein, Germany Unravelling Identity: Our Textiles, Our Stories, Textile Museum, The George Washington University Museum, Washington DC, USA Heartbreak Hotel, presented by the Vanhaertens Collection, Venice Biennale, Italy 10th Anniversary Exhibition, Museu Afro Brasil, Sao Paulo, Brazil The Inverted Worlds, BPS 22, Charleroi, Belgium La vida es esto, DA2, Salamanca, Spain

Following the important retrospectives dedicated to the Italian masters Emilio Vedova, Alberto Burri and Afro, Mazzoleni is pleased to present an exhibition devoted to Enrico Castellani, one of the major figures in the artistic landscape of the last century, at the renovated exhibition space in Piazza Solferino, Turin.

-- The week's art shows in pictures guardian.co.uk — This week's exhibitions previews: Tim Etchells Afro Modern Toby Paterson Amanda Beech Sonia Boyce Chris Ofili Michael Landy Basil Beattie guardian.co.uk — The Upper East Side gallery scene NYT — California Gleaming And other shows worth viewing WSJ

Kicking off MASP's year of programming devoted to elevating Afro - Atlantic stories, this exhibition presents over 80 works by the self - taught midcentury artist Maria Auxiliadora.

This large - scale group exhibition (9 December 2016 - 22 April 2017) presents art being made today in, or about, Africa, from an Afro - futurist perspective that challenges traditional divisions: fantasy, imagination and cosmology, usually associated with past mythology, are incarnated into science fiction and futurist representation.

The title of the exhibition «New Suns» derives from an epigram of an unfinished book by the Afro - American science - fiction writer Octavia Butler, which captures the cosmic tension between optimism and pessimism and touched Joseph's soul in depth.

1989 The Appropriate Object, Albright - Knox Art Gallery, New York, NY; Detroit Institute of Arts, Detroit, MI; San Jose Museum of Art, San Jose, CA; J.B. Speed Museum, Louisville, KY The 1960s: A Cultural Awakening, Afro - American Museum, Los Angeles, CA Forty Years of California Assemblage, Wight Art Gallery, UCLA, Los Angeles, CA; San Jose Museum of Art, San Jose, CA; Fresno Art Museum, Fresno, CA; Josyln Museum of Art, Omaha, NE Secrets and Shadows, California State University, San Luis Obispo, CA Women's Caucus for Art 10th Annual Exhibition, Vorpal Gallery, San Francisco, CA Making Their Mark: Women Artists Move into the Mainstream, Cincinnati Art Museum, Cincinnati, OH; New Orleans Museum of Art, New Orleans, LA; Denver Art Museum, Denver, CO; Pennsylvania Academy of Fine Art, Philadelphia, PA African American Artists 1880 - 1987: Selections from the Evans - Tibbs Collection, Smithsonian Museum of American Art, Washington, DC; Terra Museum of American Art, Chicago, IL

This exhibition continues Firelei Báez's longstanding interest in representations of women, particularly Afro - Caribbean / Afro - Latina women in visual culture and history.

To inaugurate the 2010 season, Mazzoleni presents an exhibition dedicated to the lyric genius of Afro Basaldella.

His work was also featured in many important group exhibitions, such as L'art vivant aux États - Unis (1970, Fondation Maeght, Saint - Paul, France), Contemporary Black Artists in America (1971, Whitney Museum of American Art), Lamp Black: Afro - American Artists, New York and Boston (1973, Museum of Fine Arts, Boston), Another Generation (1979, The Studio Museum in Harlem, New York), Afro - American Abstraction (1981, P.S. 1 Contemporary Art Center, Queens), and The Appropriate Object (1989, Albright - Knox Art Gallery, Buffalo), among others.

And for the most part, their work linked with remarkable clarity to the exhibition's curatorial themes, which connected in different ways to the history, demographics, and hybrid culture of New Orleans: diasporic people, with an emphasis on African - American and Afro - Caribbean cultures; the legacies of colonialism; carnival culture; music, especially jazz; and the impact of climate change.

The exhibition was curated by Richard J. Powell, guest curator and John Spencer Bassett Professor of American, Afro - American and African Art and Art, Art History & Visual Studies at Duke.

Home» Gallery Openings and Events» White Cloud Gallery and Osengwa Present Afro Frontal Group Exhibition

In 1975, the High Museum of Art in Atlanta presented four subseries from «The Bicentennial Series;» the exhibition traveled to the Herbert F. Johnson Museum in Ithaca, NY and the National Center of Afro - American Artists in Boston.