Sentences with phrase «exhibition blackness»
And opening 23 June just three blocks north of Dia at PACE Gallery, the exhibition Blackness in Abstraction explores monochromatic black works curated from an «international and intergenerational» group of artists.
http://www.ideelart.com/
CULTURE TYPE: The title of the exhibition Blackness in Abstraction naturally conjures the concept of black identity and representing it in abstraction, but that is not necessarily what you are trying to do.
Lorraine O'Grady and Jack Tworkov included in the exhibition Blackness in Abstraction curated by Adrienne Edwards, at Pace Gallery, New York.
Not exact matches
Outside of her work for museums and biennials, Edwards has independently curated exhibitions at galleries, most notably «Blackness in Abstraction,» an expansive survey of the color black in non-figurative work, for New York's Pace Gallery in 2016.
Featuring 28 works by 19 artists — both black and white — the exhibition explores how visual perspectives of blackness «have been influenced at particular historical moments by specific political, cultural, and aesthetic interests, as well as the motives and beliefs of the artists.»
Featuring works — over a third of which are newly created — by an international and intergenerational group of artists, the exhibition explores blackness as a highly evocative and animating force in various approaches to abstract art.
Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv
EXHIBITION «Blackness in Abstraction,» a group exhibition curated by Adrienne Edwards, opens at Pace Gallery in New York oEXHIBITION «Blackness in Abstraction,» a group exhibition curated by Adrienne Edwards, opens at Pace Gallery in New York oexhibition curated by Adrienne Edwards, opens at Pace Gallery in New York on June 22.
New York, NY — Pace Gallery is pleased to present Blackness in Abstraction, an exhibition curated by Adrienne Edwards tracing the persistent presence of the color black in art, with a particular emphasis on monochromes, from the 1940s to today.
For his first exhibition in American in ten years, he has completed fourteen big paintings of unrelenting blackness since late 2012 alone, with a single date assigned to every one.
The exhibition considers how color — as spectra, chroma, saturation, and vessel — is a utility of / on blackness.
«Black: Color, Material, Concept» continues the conversation around blackness initiated by Thelma Golden, director and chief curator of the museum, who introduced the term «post-black» into the cultural conversation almost 15 years ago with the exhibition «Freestyle.»
Built around three large new sculptural commissions, the exhibition takes as its starting point Buckley's investigations into the space between blackness and Britishness.
LeWitt, Nevelson, Pendleton extends Pace's ongoing series of group exhibitions that initiate conversations between artists working across time periods, geography, and media, following such significant exhibitions as Blackness in Abstraction (2016), Sol LeWitt and Zhang Xiaogang (2016), Alfred Jensen / Sol LeWitt: Systems and Transformation (2012), Light, Time and Three Dimensions (2007), Dubuffet and Basquiat: Personal Histories (2006); and Grids: Format and Image in 20th - Century Art (1979).
They are both invested in art's revolutionary possibilities for social change as evinced in Rainer's anti-war protest dances in the 1970s and the feminist dimensions of her radical choreographic style and films, as well as in Pendleton's Black Lives Matter flag for the Belgian Pavilion in the 2015 Venice Biennial and his latest series of paintings entitled Untitled (A Victim of American Democracy), which debuted this past summer as part of Edwards» Blackness in Abstraction exhibition at Pace Gallery and are now on display in Pendleton's first show with Galerie Eva Presenhuber, Zurich named Midnight in America.
She most recently curated the exhibition and published the catalogue Blackness in Abstraction for Pace Gallery.
Her scholarly and curatorial work focuses on artists of the African Diaspora and the Global South, including the Blackness in Abstraction exhibition and catalogue for Pace Gallery and 1:54 PERFORMS for the 1:54 Contemporary African Art Fair.
In this lecture, recorded at the National Gallery of Art on March 4, 2012, Professor Cooks presents research from her book Exhibiting Blackness: African Americans and the American Art Museum, in which she analyzes the curatorial strategies, challenges, and critical reception of the most significant museum exhibitions of African - American art in the United States.
The exhibition coincides with Pace New York's presentation of Blackness in Abstraction, a major exhibition organised by Adrienne Edwards, a curator at Performa and curator - at - large at the Walker Art Center.
She organized the «Blackness in Abstraction» exhibition and catalogue, presented at Pace Gallery.
«Rifts,» is an exhibition of recent drawings by Richard Serra.The Rifts get their name from the distinctive white shapes — elongated triangles — that punctuate their otherwise unrelenting tarmac blackness, and perhaps from the geological term for a rent in the earth's surface caused by moving tectonic plates.
The exhibition examines Black Dada — the artist's term for a broad conceptualization of blackness — as the animating force of his work.
In this way, the culture of blackness no longer remains a category, acknowledged only during Black History Month or in special exhibitions, but becomes instead the ground from which perception itself unfolds - thereby setting on its ear the view which privileges a white point of view.
The Wandering / Wilding: Blackness on the Internet group exhibition at London's IMT Gallery opened on November 4 and is running until December 11.
Coinciding with the symposium, Liquid Blackness is requesting proposals for artwork for exhibition, online publication, and panel discussions.
The Wandering / WILDING: Blackness on the Internet group exhibition is on at London's IMT Gallery, opening November 3 and running to December 11.
Wilson's work will be included in Blackness in Abstraction, a group exhibition at Pace opening June 24th.
New York — Pace Gallery is pleased to present Blackness in Abstraction, an exhibition curated by Adrienne Edwards tracing the persistent presence of the color black in art, with a particular emphasis on monochromes, from the 1940s to today.
Even more than the pervasive «Black is beautiful,» this curiously ambiguous phrase hints at the multitude of meanings, voices, and questions surrounding blackness in the exhibition.
His solo exhibitions include Awesome things you can do with blackness at Kenny Schachter Rove in London, Five Ways to Say the Same Sadness at the University Art Museum at the University of Albany, and the eRacism touring retrospective.
Invisible Man, the inaugural exhibition in the new downtown Manhattan gallery, mounts painting, installation, and sculpture by Torkwase Dyson, Kayode Ojo, Pope.L, and Jessica Vaughn, four black artists who address aspects of blackness in abstract and conceptual forms that imply bodies unseen.
In contrast to my own experience, when it turns to matters of personhood, the art in the exhibition tends to show blue blackness as a source of pride, or pain inflicted not by colorism, but by white racism.
«The exhibition puts forth an experience of diverse approaches to blackness through specific works of art,» writes Edwards.
Exhibition Partners The State of Blackness: From Production to Presentation OCADU Student Union Dr. Kenneth Montague of Wedge Curatorial Projects
READ Culture Talk interview with Adrienne Edwards about «Blackness in Abstraction» exhibition
CARRIE MAE WEEMS, «String Theory,» 2016 (archival pigment print on textured rag paper), is featured in the exhibition «Blackness in Abstraction,» curated by Adrienne Edwards.
The artist's largest solo exhibition to date explores blackness as a color, an idea, an identity, a method, and a political movement.
Conspicuously missing in much of the discourse of queer abstraction is discussion of those projects that have tied race to questions around abstraction, whether they are philosopher Édouard Glissant's notion of the «right to opacity,» or curator Adrienne Edwards's lauded Blackness in Abstraction exhibition at Pace Gallery last year.
Yet, one of the things you write in the exhibition catalog is that the show explores blackness as «a way of being in the world.»
Edwards curated «Blackness in Abstraction» at Pace Gallery in 2016, and contributed to the new Ellen Gallagher catalog documenting the artist's «Accidental Records» exhibition at Hauser & Wirth Los Angeles earlier this year.
This includes «Ease of Fiction,» a group exhibition that features work by four African artists exploring the fine line between the invented and the real and the debut museum exhibition of Los Angeles artist Genevieve Gagnard, whose photographs question notions of blackness and whiteness.
The pair will discuss Gallagher's practice referencing her work in the context of the Broad collection, and her participation in Edwards» recent Blackness in Abstraction exhibition, among other topics.
In 2015, he co-curated (with Kelli Morgan) Black Like Who: Exploring Race and Representation, an exhibition that considered who renders imagery of blackness in American art and contemplated the various reasons why.
Exhibitions of their collaborative work include In Practice: Another Echo at Sculpture Center, New York (2018), Loving Blackness and A More Perfect Union at the Asian Arts Initiative, Philadelphia (2017), Ornate Activate at the Villa Terrace Decorative Arts Museum, Milwaukee (2017) and Shirin Gallery, New York (2015).
Recent exhibitions include UnIFixed Homelands, Aljira Contemporary Art Centre in New Jersey; New Found Lands, Eastern Edge Gallery in St. John's, Newfoundland; blur, Franklin Gallery in Chicago; Performing Blackness I Performing Whiteness, Allegheny Art Galleries in Meadville, Pennsylvania; Mohammeds, Alice Yard in Port of Spain, Trinidad and Tobago; and 28 Days, Georgia Scherman Projects in Toronto.
The groundbreaking exhibition introduced him alongside 27 other emerging African American artists as part of a generation of «post-black» artists who sought to transcend the simplistic label of «black artist», while still deeply exploring and re-defining the complex notions of blackness.
For the most part, the exhibition at Grey Art Gallery frames Blackness according to the oppositional politics of identity, establishing a fixed position from which to argue for the significance of black performance art but falling short of a truthful representation of the black experience.
«Blackness in Abstraction» a group exhibition curated by Adrienne Edwards, opened at Pace Gallery in New York.
The exhibition's accompanying notes inform visitors that this body of work is intended as an exploration of formal and philosophical notions of «blackness».
For Artforum's 500 Words column, artist Wangechi Mutu wrote about «Throw,» 2016, her site - specific action painting that is featured in the exhibition «Blackness in Abstraction,» curated by Adrienne Edwards at Pace Gallery in New York.