Sentences with phrase «exhibition come as you are»

Break out your ripped jeans and flannel for the Montclair Art Museum's (MAM)»90s Dance Party Saturday, March 7, 8 p.m. — 1 a.m. Inspired by the Museum's current exhibition Come as You Are: Art of the 1990s, the first major Museum survey of art from this pivotal decade, this party will take you back in the day.

Artist Michael Nesline and Blanton curator Evan Garza talk about artists» responses to the AIDS crisis as depicted in the exhibition Come as You Are: Art of the 1990s.

Artist Byron Kim talks about his practice and his work Synecdoche, which is included in the current exhibition Come as You Are: Art of the 1990s.

Drop by to further explore the current exhibition Come as You Are: Art of the 1990s through self - guided art activities and tactile objects.

Not exact matches

He saw eschatology (the announcement that ordinary things were ending) as the heart of the gospel, but his eschatology was not a description of the world's history to come, and its preaching was not a visible exhibition.

Organised by the PPMA Group of Associations, the UK's leading trade association comprising the Processing and Packaging Machinery Association (PPMA), British Automation & Robot Association (BARA) and UK Industrial Vision Association (UKIVA), the exhibition is expected to welcome more than 8,000 attendees who will come together to see the latest machinery in action, find inspiration and new suppliers, as well as learn about the latest industry trends at the Learning Hub and enjoy light entertainment with RoboKeeper — the «World's Best Goalie» — and Titan the Robot.

As the British Library's new exhibition shows, when it comes to propaganda the ridiculous - and our own politics - are never far away.

NOW WE CLEARLY UNDERSTAND THE EXTENT OF DEMENTIA IN AMERICA Dale Benjamin Drakeford 8-31-12 When Clint Eastwood, a self - proclaimed «conservative» (who has lived more like a Joseph Smith liberal spurning nine children with four different women, sporting a clinch fisted personae in his private exenterates over public exhibitions) talks vulgar to an empty chair, Marco Rubio (a small government advocate who loss his roots somewhere between caffeine - free tea and a caffeine rich Cuban cigar) slips Freudian to advocate «large government» in a failed attempt to wax brilliant but came off bane (pun intended) to the capitalization of the nation, Paul Ryan can lie and demonize his role against the truth until his nose is a foot long and not one member of his audience will notice, and Mitt Romney can anecdote on his personal family, business and church goings on as oppose to his solutions for unemployment, banking corruption, housing displacement, militarism, planetary illness and international human rights unrest, we can clearly understand the extent of dementia in America.

Film Comment was joined by Apichatpong at the exhibition on its final day to discuss how this unique project came to be, the influences behind the look and feel of the hotel, and how dreams function as a very particular and personal form of cinema.

«Over the coming ten years the rise in visitors to Qatar will be driven largely by the business sector as the Gulf state continues to put in place world - class infrastructure for the World Cup, and also beyond for its 2030 vision,» said Mark Walsh, portfolio director, Reed Travel Exhibitions.

Sadly, as I came closer, I realized this was not actually a new arcade, but rather just an exhibition for Sega to show off their upcoming game releases.

You will still be able to find all of the modes that you have come to love in the series (Exhibition, Coach Mode, One - Button Mode, Mascot Mash Up, Dynasty, Online Dynasty, Road To Glory, and Online), as well as the newest additions (Nike Skills Trainer and Ultimate Team).

The game modes are sparse but serviceable — exhibition matches for quick play, «Tournament Mode» for a sense of progression as you play across various playgrounds in the world, and Online which is sadly not available on day one for the Switch but coming «in a few days» after launch.

After a long development cycle and many exhibitions at events such as the Perth Games Festival and PAX Australia, BrambleLash is scheduled to be released September 13th, 2017 on PC / Mac, with a console release on Xbox One / PS4 coming in 2018.

His significance is widely acknowledged when it comes to music, music videos, dance, choreography and fashion, but his impact on contemporary art is an untold story; one that has not been recognised with an international loan exhibition such as this.

The lecture - like format made it clear that my feedback wasn't going to be welcome, but as the visit started to wind down, I was asked a question for the first time that morning: «So, what exhibitions do you have coming up that you might want to put our artist into?»

Publishing on the Web is good for an artist's creative vision, as it allows him or her to «hear instant feedback from readers, meet and collaborate with other artists, disseminate their work and see their creative visions through to the end,» says Sarra Scherb, curator of «Morning Serial: Webcomics Come to the Table,» a current exhibition at Seattle's Henry Art Gallery (www.henryart.org).

The Museum of Broken Relationships is an entity that first came to life as a temporary exhibition that travelled around the globe.

I hope that the exhibition will prompt visitors to consider not only how far we as a society have come but also, crucially, what still needs to be done to combat prejudice and realise true equality.»

Artist Walead Beshty, who authored the essay for the exhibition's illustrated catalogue, explains, «Just as the ritual object accrues meaning incrementally and over time through a repetitive process of investment and stewardship, DeFeo came to favor producing paintings through a process of slow accumulation in lieu of the explosive and loose gestural compositions that were common at the time.»

This event celebrates the publication of Come as You Are: Art of the 1990s and the exhibition by the same title, on view at the Montclair Art Museum this spring before embarking on a national tour.

The exhibition is Bradford's first in Washington and it is among many new announcements that have come from the Hirshhorn since Melissa Chiu took over as director in September 2014.

Born in Alabama, Roger Brown first came to prominence as an artist when his work was included in the 1969 exhibition, «Don Baum Says: Chicago Needs Famous Artists,» at Chicago's Museum of Contemporary Art.

Local History takes its name from an exhibition review Judd wrote in 1964, which came to be interpreted as a manifesto for a new kind of art removed from the prevailing concerns of medium specificity and expression.

After being shown at prestigious museums such as Moderna Museet in Stockholm, and the Hamburger Bahnhof in Berlin, the exhibition comes to Museo Picasso Málaga, presenting for the first time in Spain the work of this unusual artist, with more than 200 works that summarize her complex, consistent and radical career.

A group of portraits by Nicole Eisenman, for example, came across as rather middling despite the artist's otherwise sizeable intrigue, particularly because, at the time, there was a much better painting by Eisenman up the road in a Seder - themed exhibition at the Jewish Museum.

As critical responses to the exhibition emphasized, New York has long been an important source of inspiration and material for the artist, who first came to the city in 1960; the exhibition included the work I Love New York, Crazy City (1995 — 1996), a three - volume scrapbook of architectural photographs, maps, hotel bills, receipts, flyers, and other souvenirs that Genzken began composing during a stay of several months.

In the 1990s, Turk came to prominence as one of Britain's infamous «Young British Artists» and was included in the influential Sensation exhibition in 1997.

Before Winer came to New York in 1975, she was the college's gallery director and presented exhibitions of artists such as William Leavitt, Bas Jan Ader and Allen Rupersberg.

Perdo Wirz «s «Dials» (2014), a rubber hose meant to be used as a pipe of sorts to be shared at the exhibition opening but turning out to be toxic is chained to the outer front window as a means to be taken, only to have the gallery roller - door down, blocking the potential for artefact and appropriator to come into contact.

The title of the exhibition, Electric Bathing, comes from Rem Koolhaas's Delirious New York in which, speaking of Coney Island, he writes: «Bright lights are placed at regular intervals along the surf line, so that now the sea can be enjoyed on a truly metropolitan shift system, giving those unable to reach the water in the day time a manmade, 12 hour extension -LSB-...] false daytime is not regarded as second rate.»

To highlight the importance of exchange for Rauschenberg, this exhibition is structured as an «open monograph» — as other artists came into Rauschenberg's creative life, their work comes into these galleries, mapping the play of ideas.

He's also been fascinated by Mr. Koons's work for nearly 20 years, since, as a teenager, coming across an exhibition catalog of his art.

«It's been a long time coming, and I am delighted to be able to point to this for the public to actually see the exhibition space today, what we refer to as Ruby City,» said Rick Moore, president of the Linda Pace Foundation.

Intuition comes as the logical successor to the previous exhibition, Proportio: «The concept of studying proportions is something that humans invented to give body to their intuition.

Curating comes naturally, but to work with the artists as a facilitator of the exhibitions was a way to escape my cave.

«With the 25th anniversary of Robert Mapplethorpe's exhibition, we wanted to revisit the past as it is the basis of history; it reminds us of where we come from and who we have become,» says FotoFocus Artistic Director and Curator, Kevin Moore.

«This coming year we are placing a strong focus on American art with exhibitions featuring artists like Ufer and Hennings, as well as Fritz Scholder and Andrew and Jamie Wyeth,» said Christoph Heinrich, Frederick and Jan Mayer Director of the DAM.

So although I did several group exhibitions at Thread Waxing Space that I feel really proud of, exhibitions that were in conversation with exhibitions that had come before, such as Christian Leigh's I am the Annunciator, I wanted to talk back to certain curatorial strategies.

This would not be notable otherwise, but it comes as a glaring contrast to Jackson's exhibition, which also features a table of his large poster - sized works for viewers to handle.

This exhibition is centered around her 2012 travels to Burma with a close look at Burmese daily life, the historical issues in Myanmar and the improvement that came after military dictatorship ended in 2011 when Aung San Suu Kyi took over as Prime Minister.

The exhibition will comprise a focused selection of large - scale paintings by these artists from the late - 50s to the early - 70s, covering the first wave of stained canvas techniques that would come to be referred to as «Color Field.»

These two projects are presented here as work - in - progress and will both be realised as full exhibitions and publications in the coming years.

And while the exhibition may be relatively small, especially given Diebenkorn's prodigious output, it is undeniably huge in impact: there's a wow - factor as soon as you enter the first gallery, and those wows, as they say, just keep coming.

Coming of age alongside Andreas Gursky, Candida Hoffer and Thomas Struth in what was to become known as the Düsseldorf School, Ruff's work explores the technologies of the camera and image production — from satellite cameras to digital lenses, from the analogue negative to the JPEG — to reflect on the picturing of our built environment, current affairs, pornography, disaster, the cosmos, exhibition making — and unlock what images tell us about modernity.

-- Nirvana, «Come As You Are» The Jepson Center turns back the clock with «Come As You Are,» a new exhibition focusing on art...

Many of the works in this exhibition were made as side pieces while working on other main bodies of work, thus the literal and conceptual idea of marginalia comes into play.

While, over the last year, working toward this exhibition my dialogue with each artist has been autonomous and distinct, and my intention for the exhibition was as much to create a context to highlight each artist's independent vision, I have also come to confirm my intuitive feeling that Will and Pope.L have uncanny overlaps.

By showing him alongside his many imitators, this exhibition cast Caravaggio in a league of his own, and was a rare instance of a female painter — in this case Artemisia Gentileschi — being acknowledged as one of the very few who came close to matching the great master.

Indeed, it was as a result of this last exhibition, held with great aplomb in Berlin that Suprematist Composition came to form part of the extraordinarily influential group of Malevich's paintings that remained in the West and which served as almost his sole creative legacy for much of the Twentieth Century.