Sentences with phrase «exhibition cultural production»
Opening reception: Friday, February 10: 6 - 8 p.m. Andrea Rosen Gallery is pleased to announce the exhibition Cultural Production, featuring work by a multigenerational selection of artists including Hanne Darboven, Josephine Meckseper, Allen Ruppersberg, and Alexandre Singh.
http://www.andrearosengallery.com/ Not exact matches
CONVENING After an initial gathering in 2013, Theaster Gates convenes a second Black Artists Retreat in Chicago (Aug. 21 - 23), an inter-generational dialogue exploring Black cultural production and opportunities for collaboration via research, advocacy, criticism and exhibition, and curates «Retreat,» a complementary show at Valerie Carberry Gallery and Richard Gray Gallery.
A new biennial exhibition series that explores contemporary art from Nunavut to Tierra del Fuego July 20, 2014 — January 2015 Opening Festivities July 17 - 19 SITElines: New Perspectives on Art of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and cultural production of the Americas.
With a focus upon contemporary art since the 1960s, MUMA seeks to establish the museum as a dynamic site for cultural production, pedagogy and participation — through exhibitions, collection development, curatorial research, publishing, and academic and community engagement.
The exhibition surveys the remarkable artistic production of women in Paris during the second half of the 19th century, a time of great social, cultural and artistic change, revealing the breadth and strength of their achievements.
The allusion is one of many in Huffman's exhibition that indicate his fixation with the popular nodes that drive contemporary cultural production, particularly, the profundity and cultural insistence of hip - hop in a world that often refuses to acknowledge the omnipresence of racism and anti-Blackness.
V - A-C is committed to the international presentation, production and development of Russian contemporary art and cultural practise — across a multitude of forms and within the framework of an invigorated and informed exhibition, educational and publishing programme.
As you will see in the exhibition, each of these artists successfully melds formal aesthetics and personal experiences with cultural production.»
Our graduates are leaders in cultural production throughout the world.Located within the School of Art + Design, the Richard & Dolly Maass Gallery presents exhibitions that provide professional context for students and interact with their daily classroom experience.
The project is part of SITE Santa Fe's biennial exhibition series Unsettled Landscapes, exploring the work of contemporary art and cultural production in the Americas.
Earlier exhibitions included Wood: The Cyclical Nature of Materials, Sites, and Ideas at the Het Nieuwe Instituut, Rotterdam (2014), which explored links between wood in design and architecture and the economic, politi ¬ cal, natural, and cultural cycles that surround its production, circulation, and consumption.
Taking over all four floors of the Vancouver Art Gallery, this groundbreaking exhibition will offer an international survey of mashup culture, documenting the emergence and evolution of a mode of creativity that has grown to become the dominant form of cultural production in the early 21st century.
Recently, Yonemoto has pursued international production, exhibitions and peer - reviewed residencies, focusing on post colonial remnants imbedded in popular cultural forms.
This exhibition ultimately examines the role and responsibility of artists to marry intellectual discourse to an open ended experience and asks: How does one reconcile the symbolic and monetary values of cultural production?
Her work has been exhibited in the US and internationally including: The Banff Center for the Arts, The Cultural Center in Arusha Tanzania, Fourth Ward Gallery, Logan Exhibitions, Southside Hub of Production, and Hyperlink Exhibitions in Chicago, The Mills Gallery in Iowa, and Helen Day Art Center in Vermont.
Politics & The Production of Space: The Written City, a Group Exhibition at Bruges Cultural Centre, Belgium
Highlights of Broad MSU exhibitions in 2014 include: Future Returns: Contemporary Art from China — an exhibition featuring the response of over 20 contemporary Chinese artists to the country's rapid development and cultural transformation; Land Grant: The Flatbread Society, a commissioned site - specific work and series of public programs to explore food production, distribution, and farming methods; and the continuation of Broad MSU's Global Focus exhibition series — an initiative showcasing international emerging and mid-career artists.
The exhibition foregrounds the relationship of printed ephemera to cultural and artistic production, and marks the curatorial debut for Printeresting.org.
Founded in Beirut in 1993, Ashkal Alwan is committed to the production, research, and circulation of contemporary artistic and intellectual practices, through initiatives such as Home Works: A Forum on Cultural Practices (2002), a multidisciplinary platform bringing together artists, writers, thinkers, filmmakers, and choreographers, for a public program of exhibitions, panel discussions, film screenings, and performances, as well as the Home Workspace Program (2011), an annual tuition - free art - study program.
The three practices in the exhibition, two artistic and one curatorial, represent three modes of creative production as well as different generational ideas on working in the cultural sphere.
The show forms part of a strew of exhibitions conceptualised by Pick Up Production and artist Kazy Usclef for the Voyage à Nantes cultural project.
The edgy contemporary art gallery pushes artists and their viewers to consider cultural production that goes beyond the confines of nationality and discipline through progressive, ambitious and well - researched exhibitions.
Since 1979, Mercer Union has provided a forum for the production and exhibition of Canadian and international contemporary art and related cultural practices.
The Studio Lab Curatorial Residency provides curators and cultural workers with research, development, production, and exhibition space and resources.
Centre Cultural La Nau - Sala Martínez Guerricabeitia, Valencia Curated by Santiago Pastor The exhibition project focuses on his most recent artistic production.
Funded by the Hong Kong Arts Development Council (HKADC) and private donations, it seeks to establish and maintain a platform for artists and other art practitioners to realize their vision in relation to their immediate and extended communities through the production of artistic works, exhibitions and curatorial projects as well as through dialogue, critical analysis, publications, research, education and cultural exchange.
Expanding the involvement of CAPACETE with the cultural production in Brazil, the exhibition at Portikus presents new works that reflect on this unique history while creating a multilayered comment on the current situation in Brazil.
The exhibition highlights these individual artists who worked exclusively within the margins, borders, and edges of cultural production systems.
Selected by Site's Artistic Director, Laura Sillars, Curator of a Making Ways Sheffield exhibition, Jeanine Griffin and Head of Exhibitions at Museum's Sheffield, Kirstie Hamilton, Holmes's project, Dot Dot Dit Dit Dot Dot Dash investigates black British cultural production, unspoken coded languages and the history of black personae in popular culture.
SITElines: New Perspectives on Art of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and cultural production of the Americas.
Influenced by contemporary production in Nicaragua the exhibition's central subject is the background, to comment on the global, natural, social and cultural schemes of today.
As part of the joint residency programme, the exhibition will be accompanied by research, production and cultural exchange through educational sessions.
Court works with selection, formatting and narration as modes of expression in relation to exhibition as a genre of cultural production.
Grouping Beuys, Flavin, and Judd in a new exhibition from the Walker's collection provides «a snapshot of a vital moment in postwar cultural production,» says assistant curator Yasmil Raymond, and allows viewers to trace the influence of their ideas in contemporary art.
Capturing an exhilarating year of cultural production and the furious pace of the fig - 2 programme creating 50 projects hosted at ICA Studio in 2015, in association with Outset Contemporary Art Fund and Art Fund — the publication includes curatorial texts, excerpts from artists interviews, preparatory drawings, images of commissioned artworks from the exhibition programme, talks, events as well as offsite projects at Bicester Village.
The exhibition focuses on the figure of the lighting designer as a means to discuss the invisible labor and precariousness that exists behind the theatrical production format, forming a scale model of the artistic cultural apparatus.
4 years experience working in an artist - centered organization, art gallery, museum, performance venue or other cultural organization on exhibition and performance planning and production
The exhibition brings together, for the first time, various bodies of work produced by Bonilla over the past decade that trace interactions between nature, politics and cultural production.
NOME enables artists are to deepen their research and further their artistic potential by collaborating with various cultural institutions and facilitating the production of new works for each exhibition.
From a cultural studies perspective I therefore believe it is crucial — in addition to curating monographic exhibitions — to investigate the reciprocal effect of artistic production and society and to visualize these intersections in the form of thematic exhibitions.
Before we begin, while everyone settles in the auditorium, we will broadcast a series of video clips featuring interviews with artists about exhibitions and cultural producers that have impacted their artistic production.
With a focus on conceptual, site - specific, research -, and time - based art and a particular interest in the cultural - anthropological contexts of artistic production, she develops independent exhibition projects with international artists and writes texts and essays for various publications.
Integrating these international productions, we had a unique Caravaggio and Modigliani exhibitions, and important reviews as Adriana Varejão in Museum of Modern Art São Paulo (mam - sp) and Lygia Clark at Itaú Cultural, also in São Paulo.
PNCA's exhibition department is the Center for Contemporary Art & Culture (CCAC), which is a platform for cultural production including exhibition, lecture, performance, and publication.
Describing the exhibition, FRONT Artistic Director Jens Hoffmann said, «Over the course of the year leading up to the opening, FRONT will work to examine the local, regional and global influences that have shaped a 21st century American city located outside the traditional centers of cultural power and production in the United States.»
The project — conceived in collaboration with Kuwaiti architect and artist Aziz Al Qatami, founder of the architecture firm Atelier Aziz Al Qatami and member of the artist collective GCC, who was commissioned to create the Grand Opening Reception exhibition design — questions the role of «artistic positions in contemporary institutional marketing and the eventisation of cultural production in the form of local identity creation».
This format of the exhibition will be held over a long period, providing space for reflection and on - going discussions, inviting artists not only to produce and exhibit their works but also to slow down and provide the time needed to reflect on our current cultural conditions and the over production so common in the art field today.
Fondazione Sandretto Re Rebaudengo provides the young curators with a historical exhibition space located in the township of Guarene d'Alba, near Turin (a major cultural center in northern Italy), for the production of exhibitions, performances, and presentation of contemporary visual arts through a series of publications and events — a valuable instrument for the development of their professional careers.
A cultural complex for the production of art exhibitions, research, education and archives, Luma Arles is scheduled for completion in 2018.
More than a space for exhibitions, experimentation and reflection, the Centre is also a site for art, energy, storytelling and cultural production.