Sentences with phrase «exhibition dreamlands»
His collaborative work with Jayson Musson, Easternsports, originally commissioned for the Institute of Contemporary Art in Philadelphia in 2014, was recently included in the group exhibition Dreamlands: Immersive Cinema and Art, 1905 — 2016 at the Whitney Museum of American Art.
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The artist's immersive work with Jayson Musson, Easternsports, 2014, was in the Museum's 2016 exhibition Dreamlands: Immersive Cinema and Art, 1905 — 2016.
Curated by Microscope Gallery in collaboration with the Whitney as part of the exhibition Dreamlands: Immersive Cinema and Art, 1905 — 2016
We are happy to announce that Alex Da Corte is part of the exhibition Dreamlands: Immersive Cinema and Art, 1905 - 2016, opening at Whitney Museum of American Art, New York, US, October 28.
Da Corte's work was also included in the group exhibition Dreamlands: Immersive Cinema and Art, 1905 — 2016 at the Whitney Museum of American Art, New York.
Not exact matches
The historical importance of McCall's work has been recognized in such exhibitions as «Into the Light: the Projected Image in American Art 1964 - 77,» Whitney Museum of American Art (2001 - 2); «The Expanded Screen: Actions and Installations of the Sixties and Seventies,» Museum Moderner Kunst, Vienna (2003 - 4); «The Expanded Eye,» Kunsthaus Zurich (2006); «Beyond Cinema: the Art of Projection,» Hamburger Bahnhof, Berlin (2006 - 7); «The Cinema Effect: Illusion, Reality and the Projected Image,» and Hirshhorn Museum, Washington DC (2008); and «Dreamlands», Whitney Museum of American Art (2017).
Recent exhibitions include Techne and the Decency of Means at the Künstlerhaus Stuttgart (2017), Dreamlands at the Whitney Museum of American Art (2017), the Gwangju Biennial (2016), the Berlin Biennial (2016), the Bucharest Biennial (2016), Bread and Roses at the Museum of Modern Art Warsaw (2016), and On Sweat, Paper and Porcelain at CCS Bard in Annandale - on - Hudson, New York (2015).
by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Stepexhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, StepExhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!
The interaction of art and cinema throughout the 20th and 21st centuries progresses fitfully across «Dreamlands: Immersive Cinema and Art, 1905 - 2016,» an ambitious sprawl of an exhibition that has taken over the Whitney Museum of American Art's vast fifth floor — a space whose flexibility is once more impressively demonstrated.
The popular inaugural show, Coney Island: Visions of an American Dreamland, 1861 — 2008, is the first exhibition to look at the site not only as a strip of sand in Brooklyn but also as a seminal place in the American imagination — a muse for artists for more than one hundred and fifty years.
«It's the trip to the beach that we've all been waiting for throughout this brutal winter,» said David W. Dangremond, board president, of the gala that celebrates the museum's current special exhibition «Coney Island: Visions of an American Dreamland.»
She recently curated «Dreamlands: Immersive Cinema and Art 1905 - 2016», a large thematic exhibition addressing issues of the immersive cinematic experience in relation to the body and technology.
We're looking forward to Chrissie Iles's Dreamlands exhibition, a survey of immersive moving image works over the last century, opening at the Whitney this fall.
This two - part lecture program taught by teaching fellow Elizabeth Buhe will provide art historical context for the exhibitions Carmen Herrera: Lines of Sight and Dreamlands: Immersive Cinema and Art, 1905 — 2016.
Recently Budor took part in institutional group exhibitions «Dreamlands: Immersive Cinema and Art, 1905 — 2016» at The Whitney Museum of American Art (New York), «Streams of Warm Impermanence» at David Roberts Art Foundation (London), «9th Berlin Biennial» at KW (Berlin), «Fade In: Int.
Just beause «Everything you can think of is true», as he claims, the artworks in the exhibition entitled «Video Portraits of Lady Gaga», although they seem to balance in the dreamland, containing elements from the art history, with the help of technology transfigure into modern fairy tales and they are: Extremely Truly...
The major exhibition Coney Island: Visions of an American Dreamland, 1861 — 2008 organized by the Wadsworth Atheneum Museum of Art in Hartford, Connecticut, is first to look at the site's enduring status as inspiration for artists throughout the ages, from an elite seaside resort in the mid-19th century, to its evolution into an entertainment mecca for the masses, with the eventual closing of its iconic amusement park, Astroland, in 2008.
Join us for a conversation inspired by the exhibition Coney Island: Visions of an American Dreamland, 1861 — 2008, on view at the Wadsworth Atheneum Museum of Art, and accompanied by the Yale University Press publication of the same title.
Dreamlands: Immersive Cinema and Art, 1905 — 2016, Whitney Museum of American Art, New York Moving Image Department, 6th Chapter: Inner Lives (of Time), National Gallery of Art, Prague Arts Council 40th Anniversary Exhibition, Night at the Museum, The Gas Hall, Birmingham Cloud Cover, Kresge and Pascal Galleries, Ramapo College, Mahwah Alfonso Artiaco 30th Anniversary, Alfonso Artiaco, Naples
2016Dreamlands Expanded, Microscope Gallery, Brooklyn as part of Whitney Museum of American's Art's «Dreamlands» Exhibition, Curated by Chrissie Iles Art Night, Institute for Contemporary Art, London, UK, curated by Kathy Noble Folkeobservatoriet (People's Observatory), Norsk Teknisk Museum, Oslo, Norway On the Verge of An Image: Reconsidering Marjorie Keller, LAND, Los Angeles, CA Stratographic Fiction, Berman Museum, Philidelphia Fuck Newton, KARST, Plymouth, UK NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection Museum, Miami, FL Active Ingredient, Lisa Cooley Gallery, New York, NY First Films, Marc Foxx Gallery, LA, CA
His work has been the subject of three solo exhibitions at Life on Mars Gallery, and was featured in Coney Island: Visions of an American Dreamland at the Brooklyn Museum.
An expanded special exhibition space also opened in 2015, then featuring Coney Island: Visions of an American Dreamland, 1861 — 2008 — the first exhibition to use visual art as a lens to explore the lure that Coney Island exerted on American culture over a period of 150 years.
In the museum's exhibition «Visions of an American Dreamland,» Coney Island is a fun house mirror in which much of America, its psyche and dreams, its brash beauties and troubling realities, stands reflected.
SOLO EXHIBITIONS 2016 Superstar, Halcyon Gallery, London 2015 Forever Young: A Retrospective, Polk Museum of Art, Lakeland, Florida 2015 Wanted Dead or Alive, 212 Gallery, Aspen, Colorado 2015 Jackie O, Tagliatella Gallery, New York 2015 Rock n» Roll Works on Paper, Long - Sharp Gallery, Indianapolis, Indiana 2015 Young, Burkhard Eikelmann Galerie, Dusseldorf and Galerie Hafenrichter, Nurnberg, Germany 2014 SUPERSTAR, Long - Sharp Gallery, Indianapolis, Indiana 2014 Spring Show 2014, Mead Carney Fine Art, London 2014 Wild at Heart, Imitate Modern, London 2013 Dreamland, Bankrobber, London 2013 The Fight of the Paso Del Mar, Bankrobber, London 2013 Kate Moss, Collectors Contemporary, Singapore 2013 Suicide, Bankrobber, London; Galerie G. Hartinger Fine Arts, Vienna and Vertes Modern Art, Zurich 2012 Russell Young, Vertes Modern Art, Zurich, Switzerland 2012 Entertainment for Men, the Playboy Club, London 2012 Private Show, Goss - Michael Foundation, Dallas, Texas 2012 A Working Class Hero is Something To Be, Long - Sharp Gallery, Indianapolis, Indiana 2012 A Retrospective, Goss - Michael Foundation, Dallas, Texas 2012 Only Anarchists Are Pretty, Goss - Michael Foundation, Dallas, Texas 2012 The Queen is Dead, Guy Hepner, Los Angeles, California 2012 The Last Picture Show, Galerie G. Hartinger Fine Arts, Vienna and Long - Sharp Gallery, Indianapolis, Indiana 2011 The Last Picture Show, Guy Hepner, Bal Harbour, Florida and Guy Hepner, Los Angeles, California 2011 American Envy III, Long - Sharp / Curis Modern + Contemporary 2011 American Envy I, Scream Gallery, London 2011 Diamond Dust, Galerie G. Hartinger Fine Arts, Vienna 2011 Icons, Galerie de Bellefeuille, Montreal 2010 Russell Young, Tagliatella Gallery, Paris 2010 Icons & Iconoclasts, Karl Hutter Fine Art, Beverly Hills, California 2010 Pig Portraits, Guy Hepner, Los Angeles, California 2010 Russell Young, Robinsons Art Gallery, Knokke - Zoute, Belgium 2010 Diamond Dust, Russeck Gallery, San Francisco, California 2010 New Paintings, Guy Hepner, Los Angeles, California 2010 Dirty Pretty Things, Collectors Contemporary Singapore; Scream Gallery, London and Tagliatella Gallery, Palm Beach, Florida 2010 Selected Works, Karl Hutter Fine Art, Beverly Hills, California 2010 Fame + Shame, Aberson Exhibits, Tulsa, Oklahoma 2010 Russell Young, Doyle Devere, London 2009 Dirty Pretty Things, Guy Hepner, Los Angeles, California; Valentino, New York; Russeck Gallery, San Francisco and Nikolai Rukaj Gallery, Toronto 2009 The Last Picture Show, Sims Reed Gallery, London 2008 Russell Young, Karl Hutter Fine Art, Beverly Hills, California 2008 Rebel Rebel, Art of Elysium at Milk Gallery, New York 2008 Russell Young, Collectors Contemporary, Singapore 2008 Punk + Graffiti, Milk Gallery, New York 2007 Russell Young, Altermann Modern, San Francisco, California 2007 Horsepower, Milk Gallery, New York 2007 Works on Paper, Sims Reed Gallery, New York 2007 Storm, Vanina Holasek Gallery, New York 2007 Fame + Shame, Bankrobber, London 2007 Los Angeles, Galerie Adler, Paris 2006 White Rabbit, The Art of Elysium, Beverly Hills, California 2006 Russell Young, Sims Reed Gallery, London 2005 Fame + Shame, Vanina Holasek Gallery, New York and The Art of Elysium, Los Angeles 2003 Pig Portraits, SP Gallery, London, and The Art Of Elysium at Don O'Melveney Gallery, Los Angeles, California
It is presented in conjunction with the exhibition Coney Island: Visions of an American Dreamland, 1861 — 2008.
Dreamlands is a group exhibition inspired by the landscapes of our dreams, real and imagined.
Budor is currently working on a new installation for the exhibition «Dreamlands: Immersive Cinema and Art, 1905 — 2016» at The Whitney Museum of American Art, New York, 2016.
Lynn Hershman Leeson (b. 1941), who was just awarded a 2016 United States Artists (USA) Fellowship, is also featured in the current Whitney Museum exhibition, Dreamlands: Immersive Cinema and Art, 1905 - 2016 (until February 6, 2017), and her first comprehensive U.S. retrospective, Civic Radar — originally curated by ZKM, Karlsruhe, Germany — will open at Yerba Buena Center for the Arts on February 10, 2017.
The resulting piece was most recently shown in New York as part of the Whitney Museum exhibition of video work, Dreamlands: Immersive Cinema and Art, 1905 — 2016.
General admission $ 15 Students & Members $ 10 — About «Dreamlands: Immersive Cinema and Art, 1905 - 2016» This fall, the Whitney Museum of American Art presents Dreamlands: Immersive Cinema and Art, 1905 — 2016, a landmark exhibition that focuses on the ways in which technology has created new forms of immersive experience using the moving image.
Coney Island: Visions of An American Dreamland: 1861 — 2008 Jan. 31 — May 31, 2015 Exhibition Press Release Publicity Images & Captions Exhibition Checklist
The Huntington Gallery, Susan Morse Hilles Gallery and Colt mezzanine (along with the exhibition «Coney Island: Visions of an American Dreamland, 1861 - 2008») were to open on Jan. 31 at the Wadsworth Atheneum Museum of Art, 600 Main Street, Hartford, Conn..