Installation view of Nice Style: The World's First Pose Band, showing (left to right): Fibreglass cast of Robin Fletcher's head for
the exhibition End of an Era (1975, Robin Fletcher collection) «High Up On A Baroque Palazzo» poster (1974, Tony Stokes collection) Photo by Craigie Horsfield of «High Up On A Baroque Palazzo» (1974, Bruce McLean collection)
Not exact matches
The
exhibition features nine paintings
of cinematic
endings, dated from the venerable, anti-establishment
era of 70's film, and credited to L Butler Pictures.
The broad scope
of the
exhibition touches on a web
of themes, all interconnected through the art and personal history
of Curtis within the
era of the late 1930s to the
end of World War II.
The
exhibition consists
of three series
of portraits, in a broad sense
of the term — one titled Hope Chest, The Brave Ones and The
End of An
Era, the first two series presenting a stronger narrative and a broader selection
of works.
Recent group
exhibitions include Focus Beijing, De Heus - Zomer Collection, Museum Boijmans Van Beuningen, Rotterdam (2014); the groundbreaking show ON OFF: China's Young Artists in Concept and Practice, Ullens Center for Contemporary Art, Beijing (2013), a comprehensive survey
of the generation
of Chinese artists born at the
end of the Cultural Revolution and at the dawn
of the country's
era of reform; as well as the 2013 California - Pacific Triennial, Orange County Museum
of Art, Newport Beach, CA, showcasing the most innovative art produced throughout the Pacific rim.
Via email, I asked her about the genesis
of the
exhibition: «As a child, I had wondrous and strange experiences at Coney Island... My family and I still go there and we believe in its never -
ending potential for magic... [This is the] first
exhibition to look at the site's enduring status as a muse for artists, from its rise in popularity as a seaside resort in the Civil War
era through the closing
of its space - age amusement park, Astroland, after decades
of urban decline.»
Those images still look outrageous today but, like the rest
of the show, also seem like products
of a bygone
era — one
of excess that
ended last September with Damien Hirst's
exhibition - sale at Sotheby's London.
A solo
exhibition of Zwelethu Mthethwa's photographs from three new series
of work including The Brave Ones, Hope Chest and The
End of An
Era.
Zwelethu Mthethwa's sixth solo
exhibition at the gallery consists
of photographs from three new series including The Brave Ones, Hope Chest, and The
End of An
Era.
The solo
exhibition of Marc Bijl contains industrially made paintings and a video installation about the
end of the industrial
era.
D * Face presents New World Disorder.This
exhibition, showing a new body
of work, marks the
end of an
era at StolenSpace before we relocate to a new location.
The
exhibition takes its title, «
End of an
Era,» from the central sculpture
of the
exhibition: a severed bull's head with golden horns and a solid gold circular disc cast in formaldehyde and encased in a gold vitrine on a marble pedestal.
This
exhibition, showing work from the last seven years, marks the
end of an
era at StolenSpace before we relocate to a new location.