Sentences with phrase «exhibition ephemera»

Program 19:00 - Guided Tour / conversation with curator Peter Ole Pedersen and artist Lasse Krog Møller in the exhibition Ephemera Mundi 19:30 - Sound Piece: århus / højslev / tur / retur by William Kudahl incl.
The event is in relation to Lasse Krog Møller's exhibition Ephemera Mundi — The Overlooked World.
Exhibition announcement for the Betty Parsons Gallery from 1951, part of the Clyfford Still archives that includes exhibition ephemera, exhibition catalogues, installation photographs, and publications.
In relation to the exhibition Ephemera Mundi — Den oversete verden by Lasse Krog Møller, we invite you to a special night including a sound performance, film and a guided tour.
The Archives include: published and unpublished writings, correspondence, photographs, moving image material, drawings, museum, gallery and exhibition files, fabricator files, exhibition ephemera, and publications.
Much of the work in this book, including installation photos, exhibition ephemera and correspondence, is published for the first time.

Not exact matches

The exhibition will present six of these rooms as well as sculptures, paintings, works on paper, film excerpts, archival ephemera, and additional large - scale installations that span the early 1950s to the present day.
The exhibition includes posters, banners, videos, and lots of correspondence and ephemera from our very first press release in 1985 to our most recent poster calling out billionaire art collectors.
The Summer of Love Experience: Art, Fashion, and Rock & Roll will be an exhilarating exhibition of iconic rock posters, photographs, interactive music and light shows, costumes and textiles, ephemera, and avant - garde films.
The exhibition included ephemera such as invitations, texts, publications, and posters pertaining to Williams's work.
The exhibition brought together more than 300 works including ephemera and materials from Pettibon's personal archive.
Ten years after Robert Blanchon's untimely death from AIDS, the exhibition of this photo - based conceptual artist's works, writing, and ephemera marks the transfer of his papers to Fales Library at NYU.
The MoMA exhibition included a selection of the artist's sculptures, performance props, ephemera, and documentary footage of recitals, and featured live performances, reuniting the Corps for the first time since Adkins's death.
Vanessa Carlos is the founder and director of London gallery Carlos / Ishikawa, which, from early May through mid-June, hosts an exhibition by Lloyd Corporation, the collaborative duo offering a witty mash - up of DIY advertisements with street ephemera as commentary on current - day consumption.
Xippas Gallery Geneva is pleased to present Ephemera, a solo exhibition of new works by Jeremy Dickinson.
As well as their work, this exhibition examines their remarkable life, presenting clothing, accessories and other personal ephemera alongside their paintings.
Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.
The exhibition concludes with a selection of ephemera and some of Waters» earliest films presented in a peep - show format.
2006 — Curated and designed an exhibition of artworks, objects and ephemera from the Kinsey Museum in West Hollywood, CA in conjunction with the release of the film Kinsey starring Liam Neeson and Laura Linney.
Through audio interviews, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of over 130 spaces, elaborating on the significant contributions that these organizations have made to the cultural fabric of New York City.
As can be seen in the rash of exhibitions recently or currently on view, the digital revolution has been a double - edged sword for artists who work with or in the medium of ephemera and miscellany; on one hand, artists can easily manufacture their own work; on the other, some printed materials may soon be obsolete, changing the nature of the visual landscape and cultural communications.
Online, in the digital recreation of the original 1959 exhibition Paintings by Clyfford Still, at www.clyffordstill1959.org, users can explore all of the works in the original exhibition, materials used to plan the exhibition, such as diagrams and notes, vintage installation photographs, and other ephemera.
Ephemera installed throughout the exhibition by Allison Rudnick, the department's assistant curator, supplied a sense of material culture on the home front: a group of nine chromolithographic postcards from several nations shows zeppelins looming cartoonishly over iconic landmarks, and two examples of printed cotton toiles de guerre from 1916, combining French patriotic and military motifs with a classical ornamental vocabulary.
In the final gallery, selections from X Portfolio and ephemera from The Perfect Moment, the 1988 exhibition that cemented Mapplethorpe's notoriety, are presented on opposite walls.
The exhibition highlights a selection of 65 black and white exclusive prints as well as ephemera and personal items of the artist.
Clockwise from upper left: Marginal Utility exhibition posters (2010 and 2011), offset lithographs; Stephen Eichhorn, Orb III (2013), collage on acrylic - coated panel; Studio ephemera from the collection of Alex Lukas; in case at right: Alex Lukas, Untitled, offset lithograph; in case at left: Feminist ephemera from the collection of Susan Guggenheim.
The exhibition also highlights archival materials including event flyers by artists Keith Haring and David Wojnarowicz, as well as ephemera from clubs such as MEAT and the Clit Club that merged activism, art, performance and parties.
opened at NURTUREart in three exhibition cycles «featuring artworks, ephemera and publications that have been mostly conceived and produced to be freely distributed.»
Focusing on historical context and featuring more than 200 works (including paintings, photographs and ephemera), the exhibition represents an immense archival feat by curator Melissa Rachleff.
moniz pushed the boundaries of the exhibition guidelines, including works that re-purpose paper in addition to the strictly recycled ephemera.
There are also documentary photographs and other archival ephemera, books printed on campus by BMC poets and sound works of readings, and a stage and piano for performances to take place regularly during the run of the exhibition.
Featuring approximately 200 paintings, sculptures, works on paper, photographs, decorative arts, architectural and landscape designs, costumes, and popular culture ephemera — dating from the late 18th century to the present day — VMFA's landmark exhibition expands the chronological and geographic boundaries of the regionally diverse, multicultural revival.
In addition to pivotal works by Noguchi, the exhibition illuminates his relationships through personal photographs, exhibition - related ephemera and correspondence from The Noguchi Museum Archive, as well as sculptures, paintings and drawings by those who influenced his artistic practice.
The exhibition will feature Aguiñiga's «AMBOS (Art Made Between Opposite Sides)» series alongside seven other projects from her ongoing design and artistic practice in photographic documentation, radio broadcasts, ephemera, data and an installation.
Lippard's finest exhibition, then, was no exhibition at all, but hard - copy evidence of how one influential art historian had a finger on the pulse of the times and consequently turned the resulting ephemera into neo-Dadaist gold.
The exhibition will include hundreds of photographic works, along with additional materials including books, ephemera and objects - created by the artist in many formats and mediums of photography, allowing the viewers for a fuller understanding of the diversity of his output.
The exhibition includes major figures, such as Oscar Wilde, and features works by Simeon Solomon, John Singer Sargent, Gluck, Ethel Sands, Duncan Grant, Dora Carrington, Keith Vaughan, David Hockney and Francis Bacon, alongside ephemera and personal photographs.
The exhibition is further punctuated by documentary material including ephemera from famous actions, behind - the - scenes photos and secret anecdotes that reveal the Guerrilla Girls» process and the events that drive their incisive institutional interventions.
The exhibition surveys SOM's long tradition of collaboration with visual artists and showcases models, drawings, and ephemera from projects created by Pablo Picasso, James Turrell, Jaume Plensa, James Carpenter, Janet Echelman, and Iñigo Manglano - Ovalle.
Organized in close coordination with the artist, the exhibition brings together nearly 350 works that span the breadth of his career, featuring paintings, fabric works, multiples, installations, documentation, photography, and ephemera created between 1987 and the present day.
Artist and curator Marshall Weber, who oversees Brooklyn Artist Alliance's collection of ephemera, observes, «The past decade has seen the demise of mail art, exhibition catalogues, exhibition announcements, and political and gig posters... but the sticker, card, broadside, and flyer are on the rise.»
The animal - themed ephemera in one installation — sharing narratives of racism, species - ism and cruelty with a dark whiff of colonialism — are crowded together in a carefully arbitrary presentation reminiscent of Marcel Broodthaers's Musee d'Art Moderne, Département des Aigles «exhibitions,» installations of borrowed eagle - themed artworks organized alphabetically by lending institution.
As seen in the exhibitions on view, understandings and uses of printed ephemera have changed over time in response to cultural shifts.
This catalogue, published in conjunction with an exhibition at The Museum of Modern Art, New York, examines the evolution of artistic practices related to printmaking, from the resurgence of traditional printing techniques — often used alongside digital technologies — to the worldwide proliferation of self - published artist's books and ephemera.
Xtreme Archive: Project X 1992 - 1999 Concluding their curatorial residency at 18th Street Arts Center, Project X presents Xtreme Archive: Project X 1992 - 1999, an exhibition of ephemera, images, and audio recordings about the exhibitions of Project X in the nineties.
Thanks to developments in conceptual art in the 1970s, wherein artists, in the lineage of Joseph Kosuth, attempted to distill the artwork into the presentation of words and ideas rather than crafted objects — not to mention the recent vogue for archival ephemera as exhibition material — artists, curators, and museumgoers are well - acclimated to seeing pieces of text on display in museum galleries.
These mostly took the form and process of group exhibitions — complete with installation and curating of works, a private view, press release, documentation and all the rest of the ephemera that surround the public manifestation of art.
Together, these exhibitions offer insight into the changing role of ephemera in 21st century culture.
Boyce's exhibition «Scat: Sound and Collaboration,» presented by Iniva in 2013, focused on the significance of sound in art bringing together two immersive video works along with artefacts from the Devotional Collection, Boyce's archive of CDs, cassettes, vinyl records and other ephemera charting the history of black women in the music industry.
Works include a graphic score and inscribed Buddhist singing bowls by Biggers; process notations and studio ephemera by Lee Boroson; two edible drawings, a musical score, and instruments for preparing a piano by Cage; three instructional certificates of authenticity by Felix Gonzalez - Torres; an agreement for a living artwork by Paula Hayes; a reanimation of Lucy Lippard's reference materials from the exhibition catalogue for 955,000; a book of instructions by Yoko Ono; five artist books by Edward Ruscha; a photograph by Xaviera Simmons (Bard B.F.A. «04); a muster contract, field desk, Zouave rifle, and muster roll by Allison Smith; a recipe by Rirkrit Tiravanija; eight compositions by La Monte Young; and a realization of George Brecht's event score Motor Vehicle Sundown (Event) with Xaviera Simmons and members of The Surrealist Training Circus.
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