Sentences with phrase «exhibition field notes»

What follows here is a conversation between artist Matthew Friday and Director of Arts and Senior Curator Jennifer McGregor about Friday's installation in the fall 2015 exhibition Field Notes.
Even the palms, dem bow, a collaboration with Ian Deleón, part of the program for the exhibition Field Notes, MoCADA, Brooklyn, NY.
What follows here is a conversation between artist David McQueen and Gabriel de Guzman, Curator of Visual Arts, about the artist's installation in the fall 2015 exhibition Field Notes.

Not exact matches

With exhibition play wrapped up, it is somewhat interesting to note that Christian Albelo did not see the field for the Golden Eagles.
Recent solo exhibitions include Super Impose at Baruch College New Media Artspace (New York, NY), Crevice Bouquet at Inside Out Museum (Beijing, China) and Field Notes, a mile - long installation, in Groton, Vermont commissioned by Burlington City Arts.
In 2005, the FotoMuseum Antwerp exhibited a major survey exhibition of his work with accompanying catalogue Field Notes.
The exhibition brings together journals, manuscripts, letters, books, and field notes from the Morgan Library & Museum in New York with the personal items of the Concord Museum's collections, which include the simple green desk on which Thoreau wrote «Walden» and «Civil Disobedience.»
In his diary — which will partly be published in the catalogue accompanying the exhibition and gives prime access to the artist's creative process — Kiefer notes: «This heavy lead bandage that can no longer be detached from the paint skin, these festering sores welling out from the still boiling lead when the pigment beneath it is not bone dry, the little straws on a field that I painted years ago and that appear as charred leavings on the solidified lead — all this reminds me of the Baudelaire poems I reread last year in Portugal.»
Solo exhibitions include; A Method for Writing / A Method for Making, BALTIC Center for Contemporary Art, Newcastle, (2014), Bildungsroman, The Bun House / Field Projects, (2011) and Notes on Reality, Le Garage Gallery, London, (2010).
Jeffrey Weiss, in his essay in the exhibition catalogue, notes that these bands, because they border the central field only on the left and right sides, allow «for a complex play of color and value in pictorial space, since the quality of being «in front» or «behind» is less dependent on what could have been a simple device: the color border as a stark optical frame.»
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