Sentences with phrase «exhibition figure drawings»

Ryan McGinness» exhibition Figure Drawings is on view at Pace Prints Chelsea through June 14, 2014.

Not exact matches

, Recession Art Project, Invisible Dog Gallery, New York, NY With / drawn, The Drawing Room, Budapest, Hungary Space / Place, 39th Street Gallery, Washington D.C KY7 Biennale, Lexington Art League, Lexington, KY Eye of the Beholder, Maryland Federation of the Art, Annapolis, MD Art Chicago, With Linda Warren Gallery, Chicago, IL Dis.place.ment, Urban Institute of Contemporary Art, Grand Rapids, MI Selections from the INDA 5, Manifest Gallery, Cincinnati, OH 2009 — 62nd Rochester Finger Lakes Exhibition, Memorial Art Gallery, Rochester, NY Art Chicago, With Linda Warren Gallery, Chicago, IL 2008 — Somewhere Elsewhere, Linda Warren Gallery, Chicago, IL Weekend Fling Series, All Rise Gallery, Chicago, IL Introductions 4, Irvine Contemporary, Washington D.C Paper New England II, The Bushnell, Hartford, CT 2007 — Viewing Registry, The Drawing Center of New York, New York, NY Summer Exhibition, New York Academy of Art, New York, NY CAA Exhibition, Hunter College, New York, NY 2006 — Place as Object Figure and Landscape, Janes Gallery, St. Barths 2004 — Doppelganger, Johnsonese Gallery, Chicago, IL

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

2002 - Exposed: Drawings of the Human Figure: Juried Exhibition, Creative Alliance, Baltimore - Art Bash, Gallery 2, Chicago - Collaboration project: LIPA Gallery, Chicago

The exhibition also draws attention to behind - the - scenes figures who worked on the project through archival materials shown publicly for the first time.

117 2014 — The Figure: Painting, Drawing and Sculpture — Contemporary Perspectives, Skira Rizzoli 2014 — Visual Intelligence, Catalog Essay, Accesso Galleria Pietrasanta 2014 — Review: David Humphrey, ARTPULSE, NO. 21, Vol 5, 2014 2014 — MFA Catalog Intro, New York Academy of Art 2013 — Living and Sustaining a Creative Life: Essays by 40 Working Artists, Intellect Books, p. 152-156 2013 — Urbanfuse Berlin, Catalog Essay, Janine Bean Gallery 2013 — From Beijing, Catalog Intro, New York Academy of Art 2013 — Wildscapes, Mario Davalos, Book Prologue 2006 — Low, Dishonest Times, In Conversation, Laurence Hegarty, Cynthia Broan Gallery 2006 — Uprising, Catalog Essay, LMCC / Parsons The New School For Design 2005 — Primed, Catalog Essay, Parsons The New School 2005 — Stories, Amy Bennett, Catalog Essay, Linda Warren Gallery 2003 — The Burbs, Catalog Essay, DFN Gallery 2003 — Articulation and Iconography, Bryan LeBoeuf, Catalog Essay, FishTank Gallery 2003 — Ceramics Art and Perception, Referencing, Susan Budge, Issue 53 2003 — Reconstruction, Space Invaders, Catalog Essay, FishTank Gallery 2001 — Manchildren, Mark Mennin, Catalog Essay, Howard Yezerski Gallery 1987 - 88 — Flash Art Magazine, NY Staff Critic, Two Exhibition Reviews Monthly 1986 — Flash Art Magazine, Published Interview with Ross Bleckner

That was when it opened the refurbished Building 7 with a 25 - year exhibition of 105 in - situ wall drawings by Sol LeWitt, an influential Minimalist - Conceptualist who doesn't figure as prominently in the Dia power grid as others.

Joan Mitchell Foundation will be showcasing our outstanding figure drawing class participants» accomplishments from the fall term in an Exhibition.

Innovative New England Printmaking: «First Impressions,» Carlson Gallery University of Bridgeport Bridgeport, CT Contemporary Figure Drawing Minneapolis College of Art and Design Minneapolis, MN Recent Monotypes University Gallery University of Massachusetts Amherst, MA Nine Printmakers and the Working Process Whitney Museum Fairfield County Stamford, CT Boston Arts Festival Boston, MA American Realism, Twentieth Century Drawings and Watercolors traveling exhibition San Francisco Museum of Modern Art San Francisco, CA Prints Recently Acquired Metropolitan Museum of Art New York, NY 15th Anniversary Exhibit Boston Visual Arts Union Gallery Boston, MA

1958 Scott was represented by two oils and three large charcoal figure drawings in the exhibition New Trends in British Art held at the Rome - New York Art Foundation in Rome.

Recent exhibitions include the artist's solo exhibition After Midnight at Jack Hanley Gallery and the group exhibitions 30th Anniversary Exhibition at Jack Hanley Gallery, Drawing Island at The Journal Gallery, Brooklyn, Horror Vacui, or The Annihilation of Space at Misako and Rosen, Tokyo, A Forest on the Edge of Time at The Pit, Los Angeles, The Great Figure Two at The Journal Gallery, Brooklyn, Imagine at Brand New Gallery, Milan, Let's Get Figurative at Nicelle Beauchene Gallery, New York, Tiger Tiger at Salon 94, New York, Undertonk and Friends at Undertonk, New York, Please Excuse Our Appearance at 247365, New York, and Immediate Female at Judith Charles Gallery,exhibition After Midnight at Jack Hanley Gallery and the group exhibitions 30th Anniversary Exhibition at Jack Hanley Gallery, Drawing Island at The Journal Gallery, Brooklyn, Horror Vacui, or The Annihilation of Space at Misako and Rosen, Tokyo, A Forest on the Edge of Time at The Pit, Los Angeles, The Great Figure Two at The Journal Gallery, Brooklyn, Imagine at Brand New Gallery, Milan, Let's Get Figurative at Nicelle Beauchene Gallery, New York, Tiger Tiger at Salon 94, New York, Undertonk and Friends at Undertonk, New York, Please Excuse Our Appearance at 247365, New York, and Immediate Female at Judith Charles Gallery,Exhibition at Jack Hanley Gallery, Drawing Island at The Journal Gallery, Brooklyn, Horror Vacui, or The Annihilation of Space at Misako and Rosen, Tokyo, A Forest on the Edge of Time at The Pit, Los Angeles, The Great Figure Two at The Journal Gallery, Brooklyn, Imagine at Brand New Gallery, Milan, Let's Get Figurative at Nicelle Beauchene Gallery, New York, Tiger Tiger at Salon 94, New York, Undertonk and Friends at Undertonk, New York, Please Excuse Our Appearance at 247365, New York, and Immediate Female at Judith Charles Gallery, New York.

Exhibition highlights include: a rare 1943 Jared French egg tempera on board of four ghostly figures entwined; a newly discovered Henry Koerner masterpiece, The Arcades (1950), depicting the bizarre on display at Coney Island's boardwalk; a haunting 1950 black ink drawing of two children by Charles White; and Robert Arneson's Black and White Mask (1983), an unforgiving self - portrait in glazed ceramic.

Though it is the artist's figure drawings, like the selection prepared for this exhibition, where we truly celebrate Tworkov's unique, intimate, and nuanced hand and where the artist's conflict between the real and the imagined, the abstract and the representational appears to resolve with some terrific intent.

Allan Stone Projects is pleased to announce an intimate Project Room exhibition of six early Wayne Thiebaud figure drawings, on view May 2014, during the first half of the exhibition Robert Mallary Sculptor (main gallery, April 24 - June 27, 2014), as a reflection on the long friendship these two artists maintained.

Drawing in Tintoretto's Venice will be the first exhibition since 1956 to explore the drawing practice of this major figure of the Venetian Renaissance and will offer an entirely new perspective on Tintoretto's evolution as a draftsman, his individuality as an artist, and his influence on a generation of painters in northernDrawing in Tintoretto's Venice will be the first exhibition since 1956 to explore the drawing practice of this major figure of the Venetian Renaissance and will offer an entirely new perspective on Tintoretto's evolution as a draftsman, his individuality as an artist, and his influence on a generation of painters in northerndrawing practice of this major figure of the Venetian Renaissance and will offer an entirely new perspective on Tintoretto's evolution as a draftsman, his individuality as an artist, and his influence on a generation of painters in northern Italy.

architecture, conceptualism, conflict, Daniel Birnbaum, drawing, exhibition, figure, innocence, installation, material, Matilda Olof - Ors, minimalism, Moderna Museet, monumental, power, puppet, scale, sculpture, speculative, Thomas Schütte

Pasmore was a leading figure among the British Constructivists; his work is included in this exhibition alongside works by artists such as Kenneth Martin, Mary Martin, Anthony Hill and Norman Dilworth, all drawn from the Catherine Petitgas Collection.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redFigure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redfigure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

They will be looking at drawings in the exhibition Noguchi's Early Drawings in order to parse how Noguchi's serial imitations of canonical Modernist approaches to abstracting the human figure helped him develop the values and strategies that became hidrawings in the exhibition Noguchi's Early Drawings in order to parse how Noguchi's serial imitations of canonical Modernist approaches to abstracting the human figure helped him develop the values and strategies that became hiDrawings in order to parse how Noguchi's serial imitations of canonical Modernist approaches to abstracting the human figure helped him develop the values and strategies that became his style.

Drawing Surrealism is similar to Inventing Abstraction, a concurrent exhibition at the Museum of Modern Art, wherein a bevy of inescapable figures is peppered with local heroes, dark horses, and bit players known primarily, if at all, to specialists of the genre.

Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collections

In her often mythic work, Schimert selects iconic figures - Ophelia, Sir Lancelot, Neil Armstrong, Nixon, and, for her MATRIX exhibition at the Berkeley Art Museum, Oedipus - and merges their stories with her own in an abstractly narrative space composed of drawings, sculpture, wall drawings, and film.

2014 American Academy of Arts and Letters: 2014 Invitational Exhibition of Visual Arts, NYC 2011 Carrie Haddad Gallery Hudson, NY 20th Anniversary Exhibit 2010 Brik Gallery Catskill, NY Painting, Drawing, Sculpture Crowell's Fine At Gallery Bedford, MA Recent Work 2008 Sideshow Brooklyn, NY 2007 Verdigris Art Hudson, NY Figurative 2006 Sideshow Brooklyn, NY War is Over 2004 The Painting Center NYC Recent Works on Paper 2003 Morris Arlos Fine Arts Gallery, NYC 2002 Morris Arlos Fine Arts Gallery, NYC 2001 Morris Arlos Fine Arts Gallery, NYC AFA Gallery, Scranton PA Five Figure Painters Hudosn Opera House Hudson, NY Recent Works 1999 New York tudio School NYC 100 Drawings 1998 The Painting Center NYC Paulson / Eisenbeis Recent Paintings 1997 The Painting Center NYC Figure Painting and the Reasonable Lie Rising Tide Gallery Provincetown, MA Invitational 1996 Warren Street Gallery Hudson, NY Solo Show 1995 County College of Susssx Newton, NJ Solo Show 1994 Ute Stebich Gallery Lenox, MA 1993 The Bill Race Gallery NYC Three Emerging Artists Education:

In addition to gallery access, the evening include members - only dining and shopping, teaching fellow - led exhibition talks, and a figure drawing class with Museum Education teaching staff.

Combining video, sound and objects, this multidimensional exhibition draws on heroic stories of public figures coping with the disease and research conducted with neurologists and geoscientists to raise fundamental questions about how we become — and lose our sense of — who we are.

1984 20th Century American Drawing: The Figure in Context, International Exhibits Foundation, Washington, DC Calligraffiti, Leila Taghinia - Milani Gallery, New York, NY Some Major Artists of The Hamptons, Then & Now, Elaine Benson Gallery, Bridgehampton, NY Exhibition, Bologna / Landi Gallery, East Hampton, NY Out of Context, Thorpe Intermedia Gallery, Sparkill, NY Collision, University of Houston, Houston, TX

The exhibition includes compositional drawings, individual figure studies, carefully ruled construction drawings, and sketchbooks.

Through drawings and paintings of the figure, still lifes, and landscapes, the 20 artists in the exhibition draw inspiration from the art historical canon — Renaissance painting, the Hudson River School, American Modernism — and advance realism as a critical mode of painting in the 21st century.

This catalogue for a traveling exhibition considers the working drawings and spontaneous studies of Josef Albers, beginning with the landscapes and figure studies he created before enrolling at the Bauhaus, to abstractions inspired by archeological sites in Mexico, to color studies for his famous Homage to the Square paintings.

The exhibition «Painting Paintings (David Reed) 1975» was cocurated by Katy Siegel, an art historian drawn to renovating the reputations of American figures of the 1970s — see her 2006 show «High Times, Hard Times: New York Painting 1967 — 1975» — and Christopher Wool, an old friend of David Reed's and a painter of considerable note.

While one of the most important artists of the postwar period and a pioneering figure within the field of abstract painting, Ryman's drawings, and their profound significance within his practice, have never been examined before in a focused exhibition.

The exhibition brings together sculpture, painting, collage, photography and drawing from the 1930s to the present day and includes work by well - known Surrealist figures as well as contemporary and emerging artists.

The exhibition explores how Underwood drew on the influence of non-Western art from Africa and Mexico in the 1920s and»30s to create striking paintings, life drawings, wood engravings and sculptures that responded to the rhythm and form of the human figure.

On entering the exhibition space, one is immediately drawn to the almost life - size portraits through the odd contrast of figures in a contemporary setting staged so to be reminiscent of Renaissance portrait paintings.

Bringing together major works from MoMA's extraordinary collection, the exhibition features breakthrough projects in painting, drawing, sculpture, prints, book and graphic design, film, photography, and architecture by leading figures such as Alexandra Exter, Natalia Goncharova, El Lissitzky, Kazimir Malevich, Vladimir Mayakovsky, Lyubov Popova, Alexandr Rodchenko, Olga Rozanova, Vladimir and Georgii Stenberg, and Dziga Vertov, among others.

The Figure in Modern British Art, an exhibition curated by Pallant House's artistic director Simon Martin, will bring together paintings and drawings by some of Britain's leading 20th - century painters, including Walter Sickert and Frank Auerbach.

While her legendary status and influence on artists of all generations means Schneemann (born in 1939) continues to be a central canonical figure, it is shocking that «Water Light / Water Needle» — a modest collection of photographs, drawings, and a single video work currently on view at Hales Gallery — is her first solo exhibition in London.

Connie Butler is Chief Curator of Drawings at the Museum of Modern Art in New York, where she has curated such exhibitions as «Marlene Dumas: Measuring Your Own Grave» (2008 - 09) and «Paul Sietsema Figure 3» (2009) and co-curated «On Line: Drawing Through the 20th Century» (2010 - 11).

Exhibition highlights include: two ornate, figurative paintings by Australian artist Del Kathryn Barton; three large - scale, realist paintings by Terry Rodgers portraying gaunt and privileged youth; conceptual portraits by Swedish artist Sara - Vide Ericson; a mixed - media fragmented figure by Brooklyn - based artist Nathaniel Mary Quinn; four small - scale sculptural works depicting contorted human forms by Korean artist Dongwook Lee; and one large - scale surrealist drawing by German artist Dennis Scholl; among others.

The exhibition featured Walker's handsome, large - scale figure paintings, interspersed with smaller drawings and still life sketches.

La Jolla, CA, at the Miami Beach Convention Center, FL, Art Miami «92 Galerie Joachim Becker, Paris, Tom Wesselmann Drawings and Steel Drawings / Roy Lichtenstein Haystacks Lingotto, Torino, Italy, Arte Americana 1930 - 1970 Seventh Regiment Armory, New York, Sidney Janis Gallery, New York, The Art Show Tasende Gallery Booth, Yokohama, Japan, The Yokohama Art Fair Carl Solway Gallery, Cincinnati, 30th Anniversary Exhibition: Important Paintings, Drawings, Sculpture and Prints Isetan Museum, Tokyo, Figures of Contemporary Sculptures, 1970 - 1990): Images of Man, exhibition traveled to Daimaru Museum, Osaka, Japan; Hiroshima City Museum of Contemporary Art, Hiroshima) Sidney Janis Gallery, New York, 20th Century Masters — Works on Paper Fondation Cartier pour l'art conExhibition: Important Paintings, Drawings, Sculpture and Prints Isetan Museum, Tokyo, Figures of Contemporary Sculptures, 1970 - 1990): Images of Man, exhibition traveled to Daimaru Museum, Osaka, Japan; Hiroshima City Museum of Contemporary Art, Hiroshima) Sidney Janis Gallery, New York, 20th Century Masters — Works on Paper Fondation Cartier pour l'art conexhibition traveled to Daimaru Museum, Osaka, Japan; Hiroshima City Museum of Contemporary Art, Hiroshima) Sidney Janis Gallery, New York, 20th Century Masters — Works on Paper Fondation Cartier pour l'art contemporain.

All of the drawings included in this exhibition depict the human figure, and while each artist has his or her own distinctive style, the works share a common sensibility: an intense interest in capturing the human form and spirit.

McGinness is currently the subject of the exhibition «Figure Drawings,» on view at Pace Prints Chelsea.

The exhibition transforms the Brighton Phoenix Gallery into a riotous gaming arcade, with film projections, computer games, life - sized cut - out figures, comics, posters, Lego models, drawings...

Visual artist Hugo Dalton contends that Mother Nature is a Dominatrix, not a benevolent figure, through an exhibition of sculptural installations and wall drawings based on frescoes at Pompeii.

The SCAD Museum of Art presents «Reminiscent of Time Passed,» a solo exhibition by Gamaliel Rodríguez, featuring recent works on paper, as well as «Figure 1737,» a 45 - foot ballpoint pen drawing commissioned by the SCAD Museum of Art.

We accomplish this through affordable studio space, quality curated exhibitions, and programming such as critiques, town halls, figure drawing classes, film screenings, and so forth.

In this exhibition, Women: New (Re) Presentations, McGinness expands upon his ever - growing language of symbols with a concentrated yet expansive body of work based upon the traditional academic drawing of the female nude figure.

Organized by the Blanton Museum of Art at The University of Texas at Austin, the exhibition features more than 50 works and reveals the expressive and technical range of French drawing through preliminary sketches, compositional studies, figure studies, and finished drawings.

Open to the public, we regularly mount exhibitions of work by major figures in northwest art, drawn from our rich and extensive holdings of art works.