Sentences with phrase «exhibition file recordings»

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In addition, the archives contain materials collected since Mitchell's death in 1992, including exhibition catalogs and other publications, research files, symposia proceedings and recordings, a nascent oral history collection, and records of the Estate of Joan Mitchell and the Joan Mitchell Foundation.

A large portion of the archives are available for research including: Museum and Gallery Files Exhibition Records Drawings and Notes Photographs Publications

Artist files contain the working records of the gallery pertaining to an artist, and include correspondence, exhibition files for AFA shows and other institutions, financial records, artist writings, and other types of documentation.

The A.F.A. Artist Files subseries is comprised of the working records of the gallery and includes correspondence, exhibition files for AFA shows and other institutions, financial records, artist writings, and other types of documentaFiles subseries is comprised of the working records of the gallery and includes correspondence, exhibition files for AFA shows and other institutions, financial records, artist writings, and other types of documentafiles for AFA shows and other institutions, financial records, artist writings, and other types of documentation.

Judd Foundation archival holdings include published and unpublished writings, correspondence, photographs, film and video, drawings, museum and gallery files, fabricator files, exhibition records and ephemera, and publications, totaling 1,200 linear feet.

I.A The A.F.A. Artist Files subseries is comprised of the working records of the gallery and includes correspondence, exhibition files for AFA shows and other institutions, financial records, artist writings, and other types of documentaFiles subseries is comprised of the working records of the gallery and includes correspondence, exhibition files for AFA shows and other institutions, financial records, artist writings, and other types of documentafiles for AFA shows and other institutions, financial records, artist writings, and other types of documentation.

The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis» artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and posthumous project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the exhibition «Morris Louis Now», and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anita Faatz.

Archival records, photographs, checklists, and catalogs from exhibitions organized by Gertrude Vanderbilt Whitney and Juliana Force — respectively, founder and first director of the Whitney Museum — were scanned to create high - quality digital files.

Film and Video Image Files Collected from artists, film production companies, non-profit institutions, and the Whitney's film and video collection, these files functioned as reference material for past and current exhibitions / projects, documentation of exhibitions / projects, source material, and as a record of Museum evFiles Collected from artists, film production companies, non-profit institutions, and the Whitney's film and video collection, these files functioned as reference material for past and current exhibitions / projects, documentation of exhibitions / projects, source material, and as a record of Museum evfiles functioned as reference material for past and current exhibitions / projects, documentation of exhibitions / projects, source material, and as a record of Museum events.

Finding aids are available for the Director's Files, Exhibition Records and the Edward and Josephine Hopper Research Collection.

Beginning in 2001, there was an effort to continue processing Exhibition files and their arrangement was changed to reflect the larger organizational structure of the institution as well as the increased number of records created in the planning of each eExhibition files and their arrangement was changed to reflect the larger organizational structure of the institution as well as the increased number of records created in the planning of each exhibitionexhibition.

[1] The painting was purchased from Bellows during the painting's showing at the Carnegie International exhibition in 1909; see the Corcoran Gallery of Art Accession Record Sheet in NGA curatorial files.

Solo exhibitions file containing record heading pages, knowledge index reports ranging from 25 July 1987 to 13 March 1988 detailing solo exhibitions including some printed press and some original gallery material.

Group exhibitions file containing annotated record heading pages, including some printed press and original gallery material.

Solo exhibitions file containing record heading pages, knowledge index reports from 14 — 22 March 1988 of solo exhibitions including some printed press.