Sentences with phrase «exhibition land marks»

Not exact matches

Located in Melbourne's central business district, this hotel offers a venue that is easily accessible for both local, interstate and international delegates, it is close to many of Melbourne & rsquols land marks including the Exhibition & Convention centre.

Recent group exhibitions include; «Land Marks», The Metropolitan Museum of Art, New York (2013); «To Hope, To Tremble, To Live: Modern and Contemporary Works from the David Roberts Collection», The Hepworth - Wakefield, Yorkshire, UK (2012 - 2013); «Contemporary Galleries: 1980 - Now», MOMA, New York (2011); Whitney Biennial, Whitney Museum of American Art, New York (2010); and «After - Nature», The New Museum, New York (2008).

Recent group exhibitions include; «America is Hard to See», Whitney Museum of American Art, New York (2015) and «56th International Art Exhibition - All the World's Futures», Venice Biennale, Venice, Italy (2015) and «Land Marks», The Metropolitan Museum of Art, New York, USA (2013).

Land / Mark — installation view — collaborative exhibition with Armin Muhsam, 2014, Greenlease Gallery at Rockhurst University.

These are among the artworks in an ambitious exhibition that marks the centenary of the first world war and the 70th anniversary of the Normandy landings in June 1944, linking three cities and four different galleries on both sides of the Channel.

Her work has been the subject of numerous national and international exhibitions, including Unnatural Histories, MoMA P.S. 1, New York; All the World's Futures curated by Okwui Enwezor at the 56th International Art Exhibition La Biennale di Venezia, Italy; Players, Collezione Maramotti, Reggio Emilia, Italy; Huma Bhabha, Aspen Art Museum, Colorado, Stranger, Museum of Contemporary Art, Cleveland, Ohio; A Different Kind of Order: The ICP Triennial, International Center of Photography, New York; Land Marks, The Metropolitan Museum of Art, New York; Intense Proximity, La Triennale, Palais de Tokyo, Paris, France; 2010 Whitney Biennial, Whitney Museum, New York; and the 7th Gwangju Biennale, Korea.

«Defining the Public Context,» New Land Marks, exhibition catalogue, Pennsylvania Academy of Fine Arts, February 10 - April 15, 2001

In this sense, the placement of this work at SFMOMA — on a landing that marks the starting point for most visitors to the exhibition — sets a tone.

Co-curator, Land Marks (touring exhibition» Chatham, Windsor, Peterborough).

In 2008 she curated an exhibition on Landscape and Language in South African Art entitled Land Marks / Home Lands; Contemporary Art from South Africa at Haunch of Venison Gallery in London.

*** Mark Murphy has curated thematic art exhibitions celebrating the narrative tradition since 1998 and has worked with hundreds of artists of our time including EMIT by Trenton Doyle Hancock at the Ringling Museum, Dialogue, the Fine Art of Conversation at the Santa Monica Museum of Art, In the Land of Retinal Delights at the Laguna Art Museum, and Behind Photographs featuring Tim Mantoani at the Museum of Contemporary Art, La Jolla to name a few.

Recent group exhibitions include; America is Hard to See, Whitney Museum of American Art, New York (2015); 56th International Art Exhibition — All the World's Futures, Venice Biennale, Venice, Italy (2015); A Different Kind of Order, The ICP Triennial, International Center of Photography, New York, USA (2013); Land Marks, The Metropolitan Museum of Art, New York, USA (2013); Statuesque, Nasher Sculptural Center, Dallas, Texas, USA (2011); Contemporary Galleries: 1980 — Now, MOMA, New York, USA (2011); Whitney Biennial, Whitney Museum of American Art, New York, USA (2010); 7th Gwangju Biennale, Gwangju, South Korea (2008); and After - Nature, The New Museum, New York, USA (2008).

1991 Telekinesis, curated by Patrick Painter, Mincher / Wilcox Gallery, San Francisco, California, US 20th Century Collage, Margo Leavin Gallery, Los Angeles, California, US Children in Crisis, Lorence Monk Gallery, New York, US The Readymade Boomerang (Print Portfolio), DAAD Galerie, Berlin, DE L'Art Se Porte Bien, Confort Moderne, Poitiers, FR Metamemphis 1991, Galerie Tanit, Cologne, DE Arte Fiera» 91, Mostra Mercato Internazionale d'Arte Contemporanea Bologna, IT Saga 91, Eric Linard Editions, Grand Palais, Paris, FR The Political Arm, John Weber Gallery, New York, US The Collection of Jason Rubell, Duke University Museum of Art, Durham, North Carolina, US Group Show, Daniel Newburg Gallery, New York, US Poet's Walk (public sculpture), Citicorp Plaza, Los Angeles, California, US The Fetish of Knowledge, Real Art Ways, Hartford, Conneticut, US Artists» Sketchbooks, Matthew Marks, New York, US Solaris, Mai 36 Galerie, Lucerne, CH Tokyo Art Expo, Harumi New Hall, Tokyo International Trade Center, Tokyo, JP Audio Arts, Wiens Laden & Verlag, Berlin, DE Blast Art Benefit, The X-Art Foundation Inc., New York, US Designated Space, Museum Dhondt - Dhaenens, Deurle, BE Franklin Furnace's 15th Anniversary Art Sale, Marian Goodman Gallery, New York, US This Land..., Marian Goodman Gallery, New York, US Tre Opera / 1965 -1975, Primo Piano, Rome, IT Inheritance and Transformation, The Irish Museum of Modern Art, Dublin, IR Tabula Rasa, Biel / Bienne, CH Für die Stimme, Wiens Laden & Verlag, Berlin, DE Group Show, Galerie Edouard Merino, Palais Albany, Monte Carlo, FR Learn to Read Art - An Exhibition of Artists» Books and Multiples From the Permanent Collection of Art Metropole, Basel Art Fair, Basel, CH Multipels en Andere Multipels, De Warande, Turnhout, NL Beyond the Frame / American Art 1960 - 1990, Setagaya Art Museum, Tokyo, JP; The National Museum of Art, Osaka, JP; Fukuoka Art Museum, Fukuoka, JP Metamemphis Exposition, Kunstlerkolonie Museum, Darmstadt, DE Summer Group Exhibition 1991, Leo Castelli Gallery, New York, US A View From The Sixties: Selections from the Leo Castelli and the Michael and Ileanna Sonnabend Collection, Guild Hall Museum, East Hampton, New York, US Artists» Books from A to B: Contemporary Artists» Books, A Center for Book Arts Exhibition, New York, US Group Show, Neues Museum Weserburg Bremen, Bremen, DE Books by Artists, Imschoot, Uitgevers, The Archives, Documentatie / Informatie Hedendaagse Beeldendekunst, Gent, BE Art for Children's Survival, Unicef Auction at Sotheby's, New York, US Topographie I, Wiener Festwochen, Vienna., AT Collage of the Twentieth Century, Musee d'Art Moderne et d'Art Contemporain, Nice, FR Group Show, Galerie Pietro Sparta, Chagny, FR Aussenraum - Innenstadt, Sprengel Museum, Hannover, DE Les Couleurs de l'Argent, Musee de la Poste, Paris, FR Act - Up Benefit, Matthew Marks Gallery and Paula Cooper Gallery, New York, US Jorge Luis Borges, ICA / Amsterdam, NL Wanderlieder, Stedelijk Museum, Amsterdam, NL Group Show, Holly Solomon Gallery, NL Tattoo Collection, Air de Paris X-Mas Show, Nice, FR Arte Americana 1930 - 1970, Lingotto, Torino, IT 1969, Daniel Newburg Gallery, New York, US

In the last few years Allora & Calzadilla have taken part in numerous major international solo exhibitions, such as: One Person, One Watt, Walker Art Center, Minneapolis, 2004; Chalk, ICA Boston, 2004; Land Mark, Palais de Tokyo, Paris, 2006; Clamor The Moore Space, Miami, 2006/07, and The Serpentine Gallery, London, 2007; Wake Up, The Renaissance Society, Chicago, 2007; Jennifer Allora & Guillermo Calzadilla, Whitechapel Laboratory, London, 2007; and Allora & Calzadilla, Kunsthaus Zürich, 2007.

«Mark di Suvero at Crissy Field» was a year - long exhibition that debuted in May 2013 and populated the old landing strip at the edge of the bay with eight huge sculptures made of steel I - beams.