Sentences with phrase «exhibition new eyes»

Accompanying Open Studios and through May 24th, the exhibition New Eyes for New Spaces, curated by Francesca Sonara and Jess Wilcox, includes works by Patricia Dauder, David Horvitz, Antonio Rovaldi, Austin Shull, and Hong - Kai Wang in collaboration with Anne Callahan, Brendan Dalton and Jordan Paul.

With events all weekend, including the concurrent exhibition New Eyes for New Spaces — a group exhibition that explores multiple representations and creations of space — and artist talk on Friday and panel discussion on Sunday, ISCP is the place this weekend to see the culmination the artist's experiences and work while in Bushwick.

Not exact matches

Also home to eye - opening exhibitions, keep your eye out for new events and free Friday night openings.

After a former local boy who left for the big city (Azaria, Mystery Men) writes about the stellar players of his hometown, all hockey eyes are on them, and soon an exhibition game between the Mystery boys and the World Champion New York Rangers professiona NHL hockey team is underway.

On the occasion of the exhibition Julian Schnabel 1978 - 1981 at Oko, New York, Thomas Micchelli asks «Is it possible to look at Julian Schnabel's «St. Sebastian» (1979) with fresh eyes, as if the past 34 years of Schnabel Sturm und Schnabel Drang never really happened?

The new space allows Gavlak to stage larger and more ambitious exhibitions by her roster of contemporary artists, and to turn an eye to California - based artists in particular.

Join us for the public opening event for a new exhibition, Through Eyes of My Own, curated by the Nasher Teen Council at the Durham Arts...

Piri Halasz, From the Mayor's Doorstep http://www.pirihalasz.com/blog.htm?post=907117 Nancy Keefe Rhodes Exhibition Catalogue Limestone Art Gallery, 2010 Karen Wilkin «Extreme Possibilities: New Modernist Paradigms» The Painting Center 2009 Katherine Rushworth, «The Call of Canastota» Central New York Magazine, May / June 2009 Sonja Freidman, «Susan Roth» La Palabra Isrealita, Santiago, Chile 2009 Clement Greenberg, «Interview with Clement Greenberg, (reprinted from, Susan Roth, A Minotaur Production: video Reader's Digest Foundation, 1988)», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, PrinceExhibition Catalogue Limestone Art Gallery, 2010 Karen Wilkin «Extreme Possibilities: New Modernist Paradigms» The Painting Center 2009 Katherine Rushworth, «The Call of Canastota» Central New York Magazine, May / June 2009 Sonja Freidman, «Susan Roth» La Palabra Isrealita, Santiago, Chile 2009 Clement Greenberg, «Interview with Clement Greenberg, (reprinted from, Susan Roth, A Minotaur Production: video Reader's Digest Foundation, 1988)», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, Princeexhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, Princeton Univ..

2017 Through the Eyes of an Artist, Panepinto Galleries, Jersey City, NJ About Face, Southampton Arts Center, Southampton, NY Summer Exhibition, Flowers Gallery, New York, NY curated by Matthew Flowers, Andrew Russeth & Joyce Varvatos Regard: Reciprocal Portraits, Weems Gallery, Meredith College, Raleigh, NC

- Recent solo exhibitions include: If Only You Could See What I've Seen with Your Eyes, Kumu Art Museum, Tallinn, 2018; CC Foundation & Art Centre, Shanghai; If Only You Could See What I've Seen With Your Eyes, 57th Venice Biennale, Estonian Pavilion, Venice; Earth Potential, City Hall Park, Public Art Fund, New York, 2017; Approximation (Storm Time), Greene Naftali, New York; Dawn Mission, Kunstverein Hamburg, Hamburg, 2016; Life Update, Kunsthalle Lisbon, Lisbon, 2015; Art Basel Hong Kong, 2015; Pattern of Activation, Art Basel Statements, Basel; Green Growth, Salts, Basel; Spirit, Curiosity and Opportunity, Kraupa - Tuskany Zeidler, Berlin; Urgently «Yesterday», Mottahedan Projects, Dubai, 2014; miart, Milan, 2013; Macro Expansion, Kraupa - Tuskany Zeidler, Berlin, 2012; Appendix, Portland; Hotel Palenque, French Riviera, London; Katja Novitskova and Timur Si - Qin, CCS Bard, Annadaleon - Hudson, New York; # 8 Health Club, Czarny Neseser, Wrocław, Poland; Profit Decay, Arcadia Missa, London, 2012; sunny n shiiite, The State, thestate.tumblr.com, 2011.

The exhibition New Works features Thomas» signature digital prints on canvas; among them a large triptych depicting Thomas» eye catching and sophisticated orchestration of numerous cut rectangles of colored cloth.

Commissions for this exhibition include Michel Paysant's VOX SILENTII (Eye Composing), a series of scores created with an eye tracker, a co-production with the Nouveau Musée National de Monaco; and a new piece by Em» Kal Eyongakpa using sound material from recent field recordings in Cameroon.

2015 EAF15: 2015 Emerging Artist Fellowship Exhibition, Socrates Sculpture Park, Queens, NY, Curatorial Advisors Gary Carrion - Murayari and Nora Lawrence Edge Effects: Christine Howard Sandoval & Leah Raintree, King Street Gallery, Montgomery College, Silver Spring, MD (two - person exhibition) Creative Climate Awards & Exhibition 2015, The Human Impacts Institute, Taipei Cultural Offices, New York, NY Soft Eyes, Whitespace Gallery, Atlanta, GA, curated by Pete Schulte an other land, and in the other, our own, Prosjektrom Normanns, Stavanger, Norway, curated byExhibition, Socrates Sculpture Park, Queens, NY, Curatorial Advisors Gary Carrion - Murayari and Nora Lawrence Edge Effects: Christine Howard Sandoval & Leah Raintree, King Street Gallery, Montgomery College, Silver Spring, MD (two - person exhibition) Creative Climate Awards & Exhibition 2015, The Human Impacts Institute, Taipei Cultural Offices, New York, NY Soft Eyes, Whitespace Gallery, Atlanta, GA, curated by Pete Schulte an other land, and in the other, our own, Prosjektrom Normanns, Stavanger, Norway, curated byexhibition) Creative Climate Awards & Exhibition 2015, The Human Impacts Institute, Taipei Cultural Offices, New York, NY Soft Eyes, Whitespace Gallery, Atlanta, GA, curated by Pete Schulte an other land, and in the other, our own, Prosjektrom Normanns, Stavanger, Norway, curated byExhibition 2015, The Human Impacts Institute, Taipei Cultural Offices, New York, NY Soft Eyes, Whitespace Gallery, Atlanta, GA, curated by Pete Schulte an other land, and in the other, our own, Prosjektrom Normanns, Stavanger, Norway, curated by Ian Cofre

If you read the Hare with the Amber Eyes, you will want to visit as it is an exhibition of white that accompanies his his new book on his journey with white and porcelain.

Reviewed in the New York Times, the exhibition was a most welcome opportunity to keep Resnick's work in the public eye in the interval that continues to precede the opening of our own building.

New Eyes For New Spaces, an exhibition curated by recent CCS Bard alumnae Jess Wilcox and Francesca Sonara, is a timely dialogue between five artists whose works investigate abstract and fragmented representations of place in the age of digital technologies.

Focusing its energies on the mounting of exhibitions onsite and off - space, and on the publishing of artist books, La Salle de Bains is working towards new exhibition formats and methods of mediation, such as the 2012 show Tell the Children / Abstraction pour Enfants (an echo of Andy Warhol's Painting for Children Pop art show at Galerie Bruno Bischofberger, Zürich, in 1983), which introduced children (and adults) to very contemporary abstract paintings by artists including Claudia Comte, Lisa Beck and Olivier Mosset — all hung at children's eye height, on vividly patterned wallpaper.

Selected solo and group exhibitions include among others: «Sensual Abstraction a la belle etoile», ReMap4 (Athens, 2013); «Innate memories», Art Athina, State of Concept (Athens, 2013); «Parnassos», Literary Society Parnassos (Athens, 2012); «The Forgotten Bar», Galerie Utopia, ReMap3 (Athens, 2011); «The Non-Existent Hand», ReMap3, Hotel Galini (Athens, 2011); «Cabinets of miracles», Zone D, Zoumboulaki Gallery (Athens, 2010); «Locus Solus», Benaki Museum (Athens, 2010); «Celebration / 10 year anniversary of Hydra School Projects», Alex Mylonas Museum (Athens, 2010); «The Lobby», IBID projects (London, 2008); «Blue eyes on route to the best brothel of paradise», Art Athina, commissioned by the National Theatre of Greece (Athens, 2008); «Satellites (i - cabin baggage)», Tanya Bonakdar Gallery (New York, 2006);» New Contemporaries 2004», Liverpool & The Barbican (London, 2004); etc..

Join us for the public opening event for a new exhibition, Through Eyes of My Own, curated by the Nasher Teen Council at the Durham Arts Council's Allenton Gallery, 120 Morris Street, Durham.

It will be difficult to top 2014's two stellar impressionism exhibitions (the DMA's Bouquets and the Kimbell's Faces of Impressionism), but this exhibition offers a chance to see that art historical moment through new eyes.

A solo exhibition of her work was recently on view in James Joyce: Shut Your Eyes and See at the Poetry Collection, University of Buffalo, New York.

Propositions on the Permanent Collection, Studio Museum in Harlem, New York, NY, 2009 Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970, Spelman College of Art, Atlanta, GA, 2007 and Contemporary Arts Museum Houston, Houston, TX 2008 - 2009 Horizon, EFA Gallery, Curated by David Humphrey, New York, NY, 2007 Black Alphabet, conTEXTS of Contemporary African American Art, Zacheta National Gallery of Art, Warsaw, Poland, 2006 - 2007 Turn the Beat Around, Sikkema Jenkins & Co., New York, NY, 2006 The Manhattan Project, Fred Snitzer Gallery, Miami, FL, 2006 Frequency, Studio Museum in Harlem, New York, NY, 2005 - 2006 MFA Thesis Exhibition, Columbia University, Curated by Jeffery Uslip, New York, NY, 2005 Recess: Images & Objects in Formation, Rush Gallery, Curated by Derek Adams, New York, NY, 2005 Past Perfect, Kantor / Feuer Gallery, New York, NY, 2004 - 2005 After Goya, Leroy Neiman Gallery, Columbia University, Curated by Tomas Vu Daniel, New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach Gallery, New York, NY, 2004 Signs, Public Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed Gallery, Los Angeles, CA, 2000 Art in St. Louis, Honorable Mention, Curated By Jerry Saltz, Art St. Louis Gallery, St. Louis, MO, 1997

1964 Cinquante Ans de Collages, Musee d'Art ed de l'industrie, Paris, France; Documenta III, Kassel, Germany For Eyes & Ears, Cordier & Ekstrom, New York, NY Festival of the Arts Exhibition, Guild Hall Museum, East Hampton, NY Artists Select, Finch College Museum of Art, New York, NY

The first exhibition failed to draw positive criticism, driving the artist to give up painting in 1921, but the second exhibition received strong support from critics, including Henry McBride of The New York Sun, who, admitting his own delay in recognizing Eilshemius» talent, wrote «Suddenly, like another St. Paul, I see a great light and the scales drop from my eyes.

In her autobiography, which is published in paperback by Tate Publishing this September, Kusama describes her first exhibition: «I debuted in New York with just five works - monochromatic and simple, yet complex, subconscious accumulations of microcosmic lights, in which the spatial universe unfolds as far as the eye can see.

That's why the current exhibition at the Neuberger Museum of Art in Purchase, New York, is such an eye - opener.

In her solo exhibition at 5 Car Garage, Sullivan has re-purposed an entire exhibition — or at the very least it's title, «BIG GIRL PAINTINGS» — by Julian Schnabel at New York's Gagosian gallery in 2002, which featured enormous portraits of young blond women whose eyes have been covered by raw, horizontal swaths of paint.

Nicola Moss has a new solo exhibition - Diamonds in my eyes - opening on 16 April at Salt Contemporary Art Gallery (33 - 35 Hesse Street, Queenscliff, Victoria.

In this new exhibition at Tate Liverpool, these well - known works are presented alongside others from his corpus, as well as compelling documentary evidence that reveals the importance of the performative processes in Klein's art, explaining that there is so much more to these works than that which meets the eye.

This exhibition is curated by iO Wright and sponsored by White Walls, Hamburger Eyes, and New Order Magazine.

Currently on view at Kate Werble Gallery, New York is «time, women, stars, death, sleep, flowers, life, eyes, a river, dreams» a solo exhibition by Luke Stettner.

In this exhibition of new work, Hương Ngô draws from the stories of her family's year - long stay in Hong Kong refugee camps through the eyes of her siblings, who were children at the time.

Rachel Whiteread, Squashed, 2010 Relief print on handmade paper 27 x 37 inches March 26 — April 30, 2011 Luhring Augustine is pleased to present Long Eyes, an exhibition of new sculpture and works on paper by Rachel Whiteread.

«Like inventors from the future, transpiring out of thin air in the middle of central London to show off a contraption that makes people's eyes explode with incomprehensible wonder, These New Puritans new exhibition at 180 The Strand shows off the instrument that gave their last album, Field of Reeds, a totally unique sound.&raqNew Puritans new exhibition at 180 The Strand shows off the instrument that gave their last album, Field of Reeds, a totally unique sound.&raqnew exhibition at 180 The Strand shows off the instrument that gave their last album, Field of Reeds, a totally unique sound.»

We are very proud to announce that The Chimney NYC will host the next solo exhibition of Eyes as Big as Plates, including brand new works produced in 2017!

She's curated exhibitions internationally, including the performance and print programme for Chart Art Fair in 2015, The Dark Cube at the Palais de Tokyo, E-vapor-8 at Site Sheffield and 319 Scholes in New York, along with numerous other shows in European project spaces, showing a keen and experienced eye, which was demonstrated in Manifesta 11 by including a diverse group of artists such as Martine Syms, Coco Fusco, Aleksandra Domanović, Trisha Baga and Frances Stark.

2010 Group exhibition - Alan Cristea Gallery, London, United Kingdom Das Geistige in der Kunst — Vom Blauen Reiter zum Abstrakten Expressionismus - Museum Wiesbaden, Wiesbaden From a collection of Abstract Works on Paper 1941 - 1971 - Cheim & Read, New York City, NY Inquiring Eyes: Greensboro Collects Art - Weatherspoon Art Museum, Greensboro, NC The Etching - Leslie Sacks Fine Art, Los Angeles, CA Abstraction Revisited - CAM - Chelsea Art Museum, New York City, NY A Selection of rarely seen, privately owned, early Abstract Expressionist works.

Through an overview of his work from the past twenty years and a series of new works, the exhibition shows that Tal R from the outset has been a storyteller with a special eye for the overlooked, hidden and repressed spaces of modern life.

Eyes are turned today to the new The Met Breuer in New York City as press and invited guests get a first look today at the expansion of The Metropolitan Museum of Art and its inaugural exhibition «Unfinished: Thoughts Left Visible», which ushers in The Met's new focus on Modern and Contemporary anew The Met Breuer in New York City as press and invited guests get a first look today at the expansion of The Metropolitan Museum of Art and its inaugural exhibition «Unfinished: Thoughts Left Visible», which ushers in The Met's new focus on Modern and Contemporary aNew York City as press and invited guests get a first look today at the expansion of The Metropolitan Museum of Art and its inaugural exhibition «Unfinished: Thoughts Left Visible», which ushers in The Met's new focus on Modern and Contemporary anew focus on Modern and Contemporary art.

Stop by and see the new space filled with a long list of well - established artists and keep an eye out for more upcoming exhibitions in this new venue.

For her exhibition and residency at the New Museum, Santiago Muñoz premieres a new three - channel video That which identifies them like the eye of the Cyclops (2016) and a new silent 16 mm film Black Beach / Horse / Camp / The Dead / Forces (201New Museum, Santiago Muñoz premieres a new three - channel video That which identifies them like the eye of the Cyclops (2016) and a new silent 16 mm film Black Beach / Horse / Camp / The Dead / Forces (201new three - channel video That which identifies them like the eye of the Cyclops (2016) and a new silent 16 mm film Black Beach / Horse / Camp / The Dead / Forces (201new silent 16 mm film Black Beach / Horse / Camp / The Dead / Forces (2016).

[imagebrowser id = 81] Hionas Gallery is pleased to announce Lend Me Your Eyes, the first New York solo exhibition by scul...

[imagebrowser id = 81] Hionas Gallery is pleased to announce Lend Me Your Eyes, the first New York solo exhibition by sculptor and ceramicist Jessica Stoller.

Kari Cholnoky (Painting» 14) opened the exhibition Esurient Eyes at Regina Rex in New York, and will open a solo exhibition at Safe Gallery in Brooklyn in February of 2018.

The eye - popping exhibition, A New Republic, showcased Feb 11th to May 8th 2016 at the Seattle Art Museum, assembled an extensive series of life - size, oil on canvas portraits of young African - Americans, by rising American painter Kehinde Wiley (b. 1977).

2015 I Dropped the Lemon Tart, Lisa Cooley Gallery, New York, USA Eyes on the Prize, The Travelling Gallery in association with Tramway, Glasgow, Scotland Twentieth Anniversary Exhibition, Stephen Friedman Gallery, London, England All Of Us Have a Sense of Rhythm, David Robert's Art Foundation, London, England Drawing Now: 2015, The Albertina, Vienna, Austria Below Another Sky, Inverness Museum and Art Gallery, Inverness, Scotland Idiot Box, Kate MacGarry, London, England Devils in the Making, Gallery Of Modern Art, Glasgow, UK

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

The resulting exhibition is one of Shanghai Project's major components, as it looks towards the future through the eyes of China's new generation of innovators from various disciplinary backgrounds.

«To honor the centennial of America's involvement in World War I, the New - York Historical Society presents a special exhibition examining this monumental event through the eyes of American artists.

S1 Artspace is pleased to present I Can Read With My Eyes Shut; an exhibition of new commissioned work by four artists based at S1 Artspace.