Sentences with phrase «exhibition postwar era»
Jack Tworkov included in the exhibition Postwar Era.
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Exploring international abstraction in the postwar era, the MoMA exhibition highlights abstract female artists and their important contribution.
Early in his career, his work was included in a number of significant exhibitions that defined the art in the postwar era, including Sixteen Americans (Museum of Modern Art, New York, 1959), Geometric Abstraction (Whitney Museum of American Art, New York, 1962) The Shaped Canvas (Solomon R. Guggenheim Museum, New York, 1964 - 65), Systemic Painting (Solomon R. Guggenheim Museum, New York, 1966), Documenta 4 (1968), and Structure of Color (Whitney Museum of American Art, New York, 1971).
The exhibition reexamines this important history, deepening the understanding of a remarkable artistic exchange set in motion by Dwan between Los Angeles, New York, and Paris during a seminal era of postwar art.
Early in his career, his work was included in a number of significant exhibitions that defined the art of the postwar era, including Sixteen Americans, The Museum of Modern Art, New York, 1959; Geometric Abstraction, Whitney Museum of American Art, New York, 1962; The Shaped Canvas, Solomon R. Guggenheim Museum, New York, 1964 — 65; Systemic Painting, Solomon R. Guggenheim Museum, New York, 1966; Documenta 4, Kassel, 1968; and Structure of Color, Whitney Museum of American Art, New York, 1971.
Although his work has routinely formed part of just about every major exhibition on light and moving - image art of the postwar era, he has somewhat shockingly never been granted a solo institutional exhibition in New York until now.
Later joined by fellow German artist Günther Uecker in 1961, the three sought to reinvent art in the postwar era and create a vision toward a transformed future through myriad artistic forms: performance, painting, sculpture, exhibition, publication, film, and installation.
The exhibition of abstract work from postwar - era Brazil, which ranges in price from $ 15,000 to more than $ 1 million, omits many of the most recognizable names from the region, such as Neo-Concrete stars Lygia Clark and Helio Oiticica.
«This exhibition chronicles a dynamic global phenomenon that emerged in the United Kingdom and United States in the postwar era and swept rapidly through countries in Western Europe, Eastern Europe, Latin America, and Japan.
David Richard Contemporary is also pleased to present a second, related exhibition of Bay Area painters of the postwar era.
Exemplifying the freeform style of his contemporaries and the expressive aesthetic characteristic to the postwar era, the earliest works in the exhibition, T -1952-3 (1952) and T -1956-23 (1956), feature bold strokes of paint assembled onto colored grounds.