Sentences with phrase «exhibition sex works»

Her work was the subject of the solo exhibition Sex Works / WOMEN Words, Phrases, and Stories at Gavlak, Los Angeles (2016), WOMEN Words, Phrases, and Stories at the FLAG Art Foundation, New York (2016), and Real Ersatz at the Bruce High Quality Foundation University, New York (2015).

Not exact matches

2014 — Bourque, Bondgren and bourbon (solo exhibition including works by bourbon with collaborative partner Rob Bondgren) Linda Warren Projects, Chicago, Illinois 2011 — Charades, Linda Warren Projects, Chicago 2006 — Sex, Dogs and Random Droll, Linda Warren Gallery, Chicago, Illinois 2000 — Memorial Union Art Gallery, University of California, Davis

This November, VMFA presents a groundbreaking exhibition that examines how Johns mined Munch's work in the late 1970s and early 1980s as he moved away from abstract painting towards a more open expression of love, sex, loss, and death.

Also featured in the exhibition will be a series of paintings based on memorabilia from the American punk scene of the 1970 - 80s and other works that use early Modernism as a starting point to address topics such as fascism, sex and boredom, which the artist likens to «Suprematism on poppers.»

Gavlak Los Angeles is pleased to present Sex Works / WOMEN Words, Phrases, and Stories, Betty Tompkins» second solo exhibition with the gallery and her first in Los Angeles.

For the works in the exhibition Teresa Margolles has focused on transgender sex workers, bringing their individual stories in the spotlight.

The exhibition features work that deals with issues of race, sex, gender, redefine constructionism, new minimalism, early photography, nostalgic meditations, and the interplay between nature and the man - made.»

2011 ICED Newhouse Center for Contemporary Art / Snug Harbor, Staten Island, NY December 2008 Pigments and Photons Art @ Bay, Staten Island, NY November 2003 Small Works Show SOHO 20 Gallery, New York, NY February 2002 Love & Sex: an international juried exhibition Printmaking Council of New Jersey, Somerville NJ October 1999 Queer Vision Mason Gross School of the Arts, Rutgers University October 1998 HIV Arts Network Special Exhibition Judson Memorial Church, New York, NY July 1998 Peek: The Artist Exposed Here, New York, NY Nov. 1997exhibition Printmaking Council of New Jersey, Somerville NJ October 1999 Queer Vision Mason Gross School of the Arts, Rutgers University October 1998 HIV Arts Network Special Exhibition Judson Memorial Church, New York, NY July 1998 Peek: The Artist Exposed Here, New York, NY Nov. 1997Exhibition Judson Memorial Church, New York, NY July 1998 Peek: The Artist Exposed Here, New York, NY Nov. 1997 What Now?

The exhibition features works that deal with issues of race, sex, gender, redefinitions of constructionism, new minimalism, early photography, nostalgic meditations, and the interplay between nature and the man - made.»

Marlene Dumas» exhibition at Tate Modern presents us with a survey of works with even more sex and death.

Two simultaneous exhibitions of her work are scheduled in Bushwick, New York in March 2014: love in the ruins; sex over 50, a solo exhibition at Studio 10 and the self - portrait sessions, in a two - person exhibition at Momenta Art.

San Francisco Museum of Modern Art, a thematic exhibition that brings together commissioned work by 30 contemporary visual artists and eight poets who, for this project, will explore issues surrounding the cause to legalize same - sex marriage from various perspectives.

Taking its cue from the resurgence of figurative sculpture in the late 1980s and early 1990s, and from Sigmund Freud's essay «The Uncanny» (1919), the exhibition brings together mannequin - related art works, mostly from the 1960s onwards, with objects from disparate cultural contexts that engender a similar sense of unease in the viewer: medical dolls, anatomical waxworks, religious statues, pagan figurines, ventriloquists» dummies, sex dolls, taxidermy and so on.

Then, there is the curated exhibition by Alison Gingeras, entitled Sex Work: Feminist Art & Radical Politics, with presentations by nine female artists.

The insistent way in which Wilke challenged received notions of the profanity and secrecy of women's sex organs, repeating with unswerving commitment the folded labial and vaginal form, can be seen in a number of other key works in the exhibition.

The exhibition features sixty photographs, prints, and videos from five distinct bodies of work: Sex (1979 - 1981), Miami Crime (1982 - 1984), Hasidim (1985 - 1987), AIDS (1985 - 1991), and Transgender (1992 - 1995).

Projects in the exhibition include Katia Sepulveda's work about the trans - feminist call for a destruction of the sex and gender binomial, while works such as Kris Grey's «Gender / Power» documents his transition from female to male.

Now a ground - breaking exhibition entitled Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life examines how Johns, one of America's preeminent artists, mined the work of the Norwegian Expressionist in the late 1970s and early 1980s as he moved away from a decade of abstract painting towards a more open expression of love, sex, loss and death.

2014 «Work Order, Change Order» MITCHELL - INNES & NASH, New York 2013 «Some End of Things» Kunstmuseum Basel, Museum für Gegenwartskunst, Basel «Despite our differences», Fondation Hippocrène, Paris «Avant de Rentrer, Il Faut Incendier la Maison», Thomas Duncan Gallery, Los Angeles «Some Redemptions», Soloway, New York «I knOw yoU», Irish Museum of Modern Art, Dublin «Version Control», Arnolfini, Bristol 2012 «Social Scarecrows Printing Fields» (with Ei Arakawa), Reena Spaulings Fine Arts, New York «Ecstatic Alphabets / Heaps of Language», MoMA, Museum of Modern Art, New York 2011 ArtlBasellMiami Beachl with Scott Lyall and Clément Rodzielski «That's The Way We Do It», Kunsthaus Bregenz «Fax», Carpenter Center, Harvard «Faces», two - man exhibition, Gallery Dependance, Brussels Project curated by Mousse magazine, Art Brussels Exhibition of scholarship holders, Villa Romana, Florence 2009 «Non-Solo Show, Non-group show», with Ei Arakawa, Nicolas Gambaroff and Nick Mauss, Kunsthalle, Zurich Two person exhibition with Pernille Kapper Williams, Grazer Kunstverein, Austria «Collatéral» (with Liz Deschenes, Sam Lewitt, Scott Lyall, Sean Paul, Eileen Quinlan, Blake Rayne, Cheyney Thompson), Le Confort Moderne - Centre pour l'Art Contemporain, Poitiers 2008 «Idealismusstudio», Grazer Kunstverein, Graz, Austria «On Interchange - Zwischenspiele einer Sammlung», Museum Kurhaus, Kleve, Germany «Non-Solo show, Non-group show», with Ei Arakawa und Henning Bohl, Galleria Franco Soffiantino, Turin «One Season in Hell», Mehringdamm 72, Berlin 2007 «24 November - 22 December», Sutton Lane (Campoli Presti), Paris «The Four Colour Contingency», The Approach, London «For the People of Paris», Sutton Lane (Campoli Presti) Paris «kjubh: The New Domestic Landscape 2007», curated by Caroline Nathusius, kjubh, Köln «The Re-distribution of the Sensible», curated by Warren Neidich, Magnus Mueller, Berlin «Dependance», Galerie Neu, Berlin «Tension, Sex, Despair, Wow / So Whexhibition, Gallery Dependance, Brussels Project curated by Mousse magazine, Art Brussels Exhibition of scholarship holders, Villa Romana, Florence 2009 «Non-Solo Show, Non-group show», with Ei Arakawa, Nicolas Gambaroff and Nick Mauss, Kunsthalle, Zurich Two person exhibition with Pernille Kapper Williams, Grazer Kunstverein, Austria «Collatéral» (with Liz Deschenes, Sam Lewitt, Scott Lyall, Sean Paul, Eileen Quinlan, Blake Rayne, Cheyney Thompson), Le Confort Moderne - Centre pour l'Art Contemporain, Poitiers 2008 «Idealismusstudio», Grazer Kunstverein, Graz, Austria «On Interchange - Zwischenspiele einer Sammlung», Museum Kurhaus, Kleve, Germany «Non-Solo show, Non-group show», with Ei Arakawa und Henning Bohl, Galleria Franco Soffiantino, Turin «One Season in Hell», Mehringdamm 72, Berlin 2007 «24 November - 22 December», Sutton Lane (Campoli Presti), Paris «The Four Colour Contingency», The Approach, London «For the People of Paris», Sutton Lane (Campoli Presti) Paris «kjubh: The New Domestic Landscape 2007», curated by Caroline Nathusius, kjubh, Köln «The Re-distribution of the Sensible», curated by Warren Neidich, Magnus Mueller, Berlin «Dependance», Galerie Neu, Berlin «Tension, Sex, Despair, Wow / So WhExhibition of scholarship holders, Villa Romana, Florence 2009 «Non-Solo Show, Non-group show», with Ei Arakawa, Nicolas Gambaroff and Nick Mauss, Kunsthalle, Zurich Two person exhibition with Pernille Kapper Williams, Grazer Kunstverein, Austria «Collatéral» (with Liz Deschenes, Sam Lewitt, Scott Lyall, Sean Paul, Eileen Quinlan, Blake Rayne, Cheyney Thompson), Le Confort Moderne - Centre pour l'Art Contemporain, Poitiers 2008 «Idealismusstudio», Grazer Kunstverein, Graz, Austria «On Interchange - Zwischenspiele einer Sammlung», Museum Kurhaus, Kleve, Germany «Non-Solo show, Non-group show», with Ei Arakawa und Henning Bohl, Galleria Franco Soffiantino, Turin «One Season in Hell», Mehringdamm 72, Berlin 2007 «24 November - 22 December», Sutton Lane (Campoli Presti), Paris «The Four Colour Contingency», The Approach, London «For the People of Paris», Sutton Lane (Campoli Presti) Paris «kjubh: The New Domestic Landscape 2007», curated by Caroline Nathusius, kjubh, Köln «The Re-distribution of the Sensible», curated by Warren Neidich, Magnus Mueller, Berlin «Dependance», Galerie Neu, Berlin «Tension, Sex, Despair, Wow / So Whexhibition with Pernille Kapper Williams, Grazer Kunstverein, Austria «Collatéral» (with Liz Deschenes, Sam Lewitt, Scott Lyall, Sean Paul, Eileen Quinlan, Blake Rayne, Cheyney Thompson), Le Confort Moderne - Centre pour l'Art Contemporain, Poitiers 2008 «Idealismusstudio», Grazer Kunstverein, Graz, Austria «On Interchange - Zwischenspiele einer Sammlung», Museum Kurhaus, Kleve, Germany «Non-Solo show, Non-group show», with Ei Arakawa und Henning Bohl, Galleria Franco Soffiantino, Turin «One Season in Hell», Mehringdamm 72, Berlin 2007 «24 November - 22 December», Sutton Lane (Campoli Presti), Paris «The Four Colour Contingency», The Approach, London «For the People of Paris», Sutton Lane (Campoli Presti) Paris «kjubh: The New Domestic Landscape 2007», curated by Caroline Nathusius, kjubh, Köln «The Re-distribution of the Sensible», curated by Warren Neidich, Magnus Mueller, Berlin «Dependance», Galerie Neu, Berlin «Tension, Sex, Despair, Wow / So What?»

And why... sex, his works in the Turner Prize exhibition at the Tate... and defaced by the Chapmans with supposedly sarcastic... average year for the Turner Prize.

Focusing on poignant and pressing issues — in the sector and in the wider world — exhibitions such as Sex Work: Feminist Art & Radical Politics are refreshing, vital and all - encompassing.

The exhibition also shows outstanding examples from the work series «History Portraits,» «Headshots,» «Disasters» and «Sex Pictures» all the way to the fear - inducing «Clowns,» «Masks» and «Horror and Surrealist Pictures.»

The Los Angeles County Board of Supervisors declared the work that shows two faceless figures having sex in a car «pornographic» and the exhibition was hotly discussed in local newspapers.

By appropriating elements of the red - light district's history, namely it's massage parlours, sex toy shops, bathhouses, etc. combined with the artist's own works, Jaks intends to create a visual dialogue between the history of the exhibition space and the shift toward the creation of a cultural district by the city of Amsterdam.

Performance and video artist Andrea Fraser is known for her institutional critique in works such as Official Welcome (2001), in which she delivered a monologue satirizing the bombastic language used when presenting art exhibitions and prizes, or the controversial Untitled (2003), a videotaped encounter in which a collector paid $ 20,000 in exchange for sex with the artist, posing the question of whether art is prostitution.

Dallas Contemporary presents «Black Sheep Feminism: The Art of Sexual Politics,» an exhibition that brings to light the sex - positive works by female artists like Anita Steckel, Cosey Fanni Tutti, and Betty Tompkins that were largely censored at the time of their making in the 1960s and «70s.

Light: An exhibition of Contemporary Drawings, Irish Museum of Modern Art (IMMA), Dublin, IE 2007 Arteinmemoria, curated by Adachiara Zevi, Scavi di Ostia Antica (Ostia Synagogue), Rome, IT Good Riddance, curated by Claire Davies and Sam Gathercole, MOT, London, UK Radio Danièle: A Radio Program Organized by Christopher Williams & John Kelsey, Città del Capo Metropolitan Radio with GAM (Galleria d'Arte Moderna), Bologna, IT Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN; Shanghai Museum of Contemporary Art, CN; The Pushkin State Museum of Fine Arts, Moscow, RU; Guggenheim Museum, Bilbao, ES Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, US Speed # 2, IVAM, Valencia, ES Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR Los Vinilo, curated by Henry Coleman, El Basilisco, Buenos Aires, AR Models for Tomorrow: Cologne / Modelle für Morgen: Köln, DE European Kunsthalle, Subway stop Dom / Hbf, Cologne, DE Arte Para Crianças, curated by Evandro Salles, Museu Vale do Rio Doce, Villa Velha, BR Portraits & Polaroids, Milk Gallery, New York, US Sex Work, Oberhausen, DE Still Life & Kicking, (a project with Vogue, curated by Dodie Kazanjian, Paula Cooper Gallery, New York, US Romantic Conceptualism, Kunsthalle Nürnberg, Nurenberg, DE; Austria: BAWAG, Vienna, AT Strike!

1984 La Zattera di Babel Festival, Van Abbemuseum and the Stadschouwburg, Eindhoven, NL Editions (Objects, Photoworks, Special Editions of Books), Galerie A, Amsterdam, NL First Anniversary, A Pierre Et Marie, Paris, FR Idea, Tanja Grunert, Stuttgart, FR Entendons..., Ghislain Mollet - Vieville, Paris, FR 1984 im Toten Winkel, Kunstverein Hamburg, DE El Arte del Siglo XX en un Museo Holandes: Eindhoven, Fundacio Juan Miro, Barcelona, ES Drawings by Sculptors, Two Decades of Non-Objective Art from the Seagram Collection, Montreal Museum of Fine Art, Montreal, CA; Vancouver Art Gallery, Vancouver, CA; The Nickle Art Museum, Calgary, CA; The Seagram Building, New York, US From the Collection of the Museum Voor Hedendaagse Kunst te Gent, Rijksmiddenschool, Balen, BE Summer Exhibition from the Collection, Stedelijk Van Abbemuseum, Eindhoven, NL Machine Language, Congo Bill's Danceteria, New York, US A Sculpture Show, Marian Goodman Gallery, New York, US Ete 1984 a Pouilly, DANAE, Pouilly, FR Works of Conceptual Art from the Collection of David Bellman, OR Gallery, Vancouver, FR Rosc» 84, The Poetry of Vision, The Guiness Hop Store, Dublin, IR San Francisco International Video Festival, San Francisco, California, US Content: A Contemporary Focus 1974 - 1984, Hirshhorn Museum and Sculpture Garden, Washington D.C., US Forum en Scene, Middelburg, NL Nothing to Lose, performance Little Arena, Drawings and Sculptures from the Collection of Adri, Martin & Geertjan, Rijksmuseum Kroller - Muller, Otterlo, NL Selections from the Collection of Sol Le Witt, University Art Museum, California State University, Long Beach, California, US; Ackland Art Museum, University of North Carolina at Chapel Hill, Chapel Hill, North Carolina, US; Everhart Museum, Scranton, Pennsylvania, US; The Grey Art Gallery, New York, US; Museum of Art, Ft. Lauderdale, Florida, US Sign on a Truck, New York, US Art + Archeology, Newark Ohio Campus, Ohio State University, Columbus, Ohio, US Evidence of the Avant Garde Since 1957..., Art Metropole, Toronto, CA The Architect is Absent - Works from the Collection of Annick and Anton Herbert, Van Abbemuseum, Eindhoven, NL Sex, Cable Gallery, New York, US The Success of Failure, Diane Brown Gallery, New York, US; Laumeier Sculpture Park and Gallery, St. Louis, Missouri, US; North Texas State University, Denton, Texas, US; Johnson Gallery, Middlebury College, Middlebury, Vermont, US; University of Arizona Museum of Art, Tucson, Arizona, US Rosenfest, DAAD Gallery, DE Ouverture (1734 - 1984), Castello di Rivoli, Torino, IT Artists» Weapons, Ted Greenwald Gallery, New York, US Arsenal Cinema, Berlin, DE Artists» Call, Judson Church, New York, US Infermental Edition III (video magazine), Budapest, HU Sans Assurance, Montreuil, FR Podio Del Mondo Per L'Arte, Middelburg, NL

2011 Becoming, Artsdepot, London Family Matters: The Family in British Art, Norwich Castle Summer Exhibition 2011, Royal Academy of Arts, London Why I Never Became a Dancer, Sammlung Goetz Collection, Haus der Kunst, Munich True Stories, Locks Gallery, Philadelphia Light Fantastic, Broadfield House Glass Museum, Dudley Dance / Draw, ICA, Boston Family Matter, Norwich Castle Museum and Art Gallery, (touring), Norwich The Art of Chess, University of the Queensland Art Museum, Brisbane Crossing Centuries: Works by Women Artists 1830 to 2000, ASC Gallery, London Naked, Jensen Gallery, Sydney Donne, Donne, Donne, Fondazione Pier Luigie Natalina Remotti, Camogli, Move: Choreographing You, K20, Dusseldorf Images From a Floating World, Fredericks & Freiser Gallery, New York Readykeulous, Invisible Exports Gallery, New York Newspeak, The Gallery of South Australia, Adelaide Royal Academicians, I - MYU Projects, Sungnam Art Centre, Seoul Text / Video / Female: Art after 60's, PKM Trinity Gallery, Seoul Watercolour, Tate Britain, London The Shape We're In (Camden), 176 Zabludowicz, London Moving Portraits, De La Warr Pavillon, Bexhill - on - Sea LUMIERE, Durham Sex Drive, Atlanta Contemporary Art Center, Pennsylvania House of the Nobleman, Zabludowicz Collection, London He disappeared into complete silence: re-reading a single artwork by Louise Bourgeois, Frans Hals Museum │ De Hallen Haarlem Sometimes, Ciragan Palace Kempinsky Gallery, Istanbul Fertility, Akim Monet, Berlin At Work, The Government Art Collection, Whitechapel Art Gallery, London Peeping Tom, Kunsthal in Amersfort, Netherlands Paint Me A Drink, 20 Hoxton Square Projects, London Contemporary Art, Fredericks & Freiser, New York

MLYLT is a double - entendre exhibition of artwork, bodies, and sex, a «sexhibition,» if you will, that takes sexploitation and sex work as its organizing themes without becoming exploitative itself in the process.

Sex Work will also highlight the seminal role galleries have played in exhibiting the radical women artists who were not easily assimilated into mainstream narratives of feminist art.These galleries often blazed a trail for museum exhibitions.

As the exhibition title suggests and the abundant signage warns, Exposed delivers some of the predicted titillation and horror of sex and violence, but most works seem rather tame by contemporary standards.

Her last projects include The Road Movie, a docufiction film that has been commisioned and represented by XII Baltic triennial in 2015, «more not yet» — an ongoing series of exhibition documentaries and the new film «A Desire For Things To Work» that maps the voices of the phone sex workers in Amsterdam and which was presented in the 22nd Vilnius film festival in 2017.

There's also Spiros Hadjidjanos «solo exhibition, Pre-digital Space at Future Gallery in Berlin, AirBNB Pavilion, including work by Maja Cule and Rosa Aiello in Italy's Bari, the Panda Sex group show, with Andreas Angelidakis and others, plus more.

But the exhibition, curated by the museum's Helga Christoffersen and Massimiliano Gioni, proves that Rama's work is about much more than sex, too.

Of her exhibition at the Frieze Art Fair in London, «Sex Work: Feminist Art & Radical Politics,» Hyperallergic's Zachary Small questioned its politicized intent, writing:

Barlow stressed the exhibition would not be saying gay artists only made works that reflected their same - sex desire, but it would be showing works engaging with those issues — for example, Duncan Grant's 1911 homoerotic painting Bathing, a gorgeous panorama of seven muscular male nudes painted as part of a decorative scheme for Borough Polytechnic at the Elephant and Castle in London.

Carmen Cicero's exhibition title, Battle of the Sexes 1965 - 1982, could be interpreted as provocation that divulges his decades long angst and agitation producing work revealing undisguised issues and storylines.

THE E SPOT Barry Didcock talks to Tracey Emin about sex, art, old age and her latest work... a DVD The Sunday Herald; April 30, 2006; Barry Didcock; 700 + words TRACEY Emin has been super-famous... was part of the 1999 Turner Prize exhibition.

The methodology that is central to Prina's Mourning Sex — in which one artist chooses to make a work about another artist or an existing artwork — is shared by a number of works in the exhibition, including those by Tom Burr, Andrea Fraser, Renée Green, Mike Kelley and Paul McCarthy, Louise Lawler, Sherrie Levine, Glenn Ligon, John Miller, Christopher Williams, and Sue Williams.

Exploring themes of fertility, religion, voyeurism, gender, feminism and the economy of sex, the exhibition included some 250 works from artists such as Edgar Degas, Pablo Picasso, and Louise Bourgeois, among others.

Since then, they have presented six successful exhibitions and are pleased to work together in 2018 with a curatorial residency consisting of sex total exhibitions.