Sentences with phrase «exhibition shape of things»

Following his solo exhibition last year at the Groninger Museum, his inclusion in the Sydney Biennial 2010 and in anticipation of the sculpture exhibition The Shape of Things to Come at the Saatchi Gallery opening in May, for which his work is the cover image, Folkert de Jong's career has been firmly launched on the international stage.

The exhibition Shape of Things will be on show at Brand New Gallery from April 9th till May 12th, 2016.

Not exact matches

Exhibits such as Smart Technology, Science throughout the Ages, World of Shapes, and opportunities to blow things up, make your own water and even an exhibition just for teenagers, this is the perfect opportunity to teach kids to appreciate the wonders of science and have a cultural experience without even realizing it!

2008 Sobey Art Award Exhibition, Royal Ontario Museum, Toronto, Canada The Temptation to Exist, Yvon Lambert, London, UK Gravity: Selected Works from the Ernesto Esposito Collection, Museo Artium, Viatorai, Spain Fragile, Julia Stoschek Collection, Dusseldorf, Germany Political Minimalism (curated by Klaus Beisenbach), Kunst Werk, Berlin, Germany Materialized: New Video in the Third Dimension, Bergen Kunsthalle, Bergen, Norway Meet Me Around the Corner, Astrup Fearnley Museum of Mordern Art, Oslo, Norway Expenditure: Busan Biennale 2008, Busan Museum of Modern Art, Busan, Korea The Boys of Summer, The Fireplace Project, East Hampton, New York Shape of Things to Come, Saatchi Gallery, London, UK Yokohama Triennial, Various Locations, Yokohama, Japan Eurasia.

Kelly Ording discusses her upcoming solo exhibition, The Shape Of Things, opening at Luna Rienne Gallery on June 18, 2016.

The Shape of Things» is the second group exhibition at the Dot Project and examines the artistic practice of geometric abstraction in a contemporary context.

Help us say goodbye in style as we celebrate the closing of their current exhibitions, Entangled by Fulvio Di Piazza and our winter invitational The Shape of Things to Come, and raise a glass to toast our future in Jersey City.

«The Shape of Things to Come» preview exhibition is underway at Swann and continues through the morning of the June 10 sale.

2011 Sculpture Now, Galerie Eva Presenhuber, Zurich, Switzerland The Language of Less, Museum of Contemporary Art, Chicago / IL, USA The Art of Narration Changes with Time, Sprüth Magers, Berlin, Germany ILLUMInations (curated by Bice Curiger), 54th International Art Exhibition — La Biennale di Venezia, Venice, Italy The Shape of Things to Come: New Sculpture Part 1, Saatchi Gallery, London, Great Britain Tableaux, Le Magasin, Grenoble, France THE WAY IT WAS N'T, Culturgest, Porto, Portugal After Images (curated by Fionn Meade), Musée Juif de Belgique, Bruxelles, Belgium Isabelle Cornaro, Nikolas Gambaroff, Oscar Tuazon, Eli Hansen, A Palazzo Gallery, Brescia, Italy Fragments Americana (curated by Hedi Slimane), Almine Rech Gallery, Brussels, Belgium Dystopia, CAPC Bordeaux, Bordeaux, France Art In The City, Art Brussels, Brussels, Belgium Under Construction, SAKS, Geneva, Switzerland Light In Darkness, Western Bridge, Seattle, Washington, USA Poste Restante (curated by Eric Fredericksen), Artspeak, Vancouver, Canada You and Now, Balice Hertling, Paris, France

An exhibition of those things, which influenced my early aesthetic development, in the surroundings that helped shape who I am.»

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

His work has been included in numerous exhibitions including «Greater New York 2005», at P.S. 1 Contemporary Art Center, New York; and «The Shape of Things to Come», at The Saatchi Gallery, London.

But in recent years, her visibility has increased exponentially — in significant exhibitions including The Mood Back Home (Momenta Art), An Expanded Field of Possibilities (Santa Barbara Contemporary Arts Forum), Dirt on Delight (Institute of Contemporary Art, Philadelphia), and Shape of Things to Come: New Sculpture (the Saatchi Gallery).

Ross - Ho will exhibit a new take on her work from THE CHARACTER AND SHAPE OF ILLUMINATED THINGS, her recent solo outdoor exhibition at the MCA Chicago in 2014.

His new exhibition of monochromatic paintings that look like stage flats and small, odd - shaped small pictures of weird things — blobby heads, transsexual pornography, frog portraits — feels somewhat stretched, but it's also of a piece.

In celebration of Winona Barton - Ballentine's site - specific Photo Walls n Picture Collection exhibition Wild Stainless, Kurland and Barton - Ballentine converse about how culture, gender, social class, and motherhood, among other things, affect the desire for self - reinvention through the shaping of one's surroundings; and how this is explored in photography and literature.

This summer the Saatchi Gallery opens The Shape of Things To Come: New Sculpture, its first ever exhibition devoted entirely to sculpture.

Reflecting on the importance of artistic debuts in the exhibition catalog, School of Art Director Rex Koontz cites renowned Yale University art historian George Kubler's influential volume The Shape of Time: Remarks on the History of Things (1962).

San Diego, CA — On Sunday, January 23, the Museum of Contemporary Art San Diego will open three new exhibitions — Jennifer Steinkamp: Madame Curie, Raúl Cordero: Hendrickje, and Joan Jonas: The Shape, the Scent, the Feel of Things — at MCASD's downtown Jacobs Building location.

Thankfully, the title of the Saatchi Gallery's new sculpture exhibition, «The Shape of Things to Come», promises clarification.

Major international group exhibitions include the exhibitions Cryptic: The Use of Allegory in Contemporary Art with a Master Class from Goya, CAM, St. Louis (2011); and the Shape of Things to Come: New Sculpture, The Saatchi Gallery, London (May 2011).

4th Edition International Sculpture Exhibition, Park De Oude Warande, Tilburg, The Netherlands ILLUMInations, Venice Biennale (catalogue) The Collectors Show, Van Abbemuseum, Eindhoven, The Netherlands Shape of Things to Come: New Sculpture, Saatchi Gallery, London (catalogue) 2010 Statuesque, Public Art Fund at City Hall Park, New York.

Recent group exhibitions include: «20 Rue Jacob», Galleria Rajatila, Tampere, Finland; «Space Station Zsa Zsa», Pumphouse Gallery Battersea; «Rummage Sale», Barbican Gallery, London; «Apocalypstick» The Nunnery, London; and «The Shape of Things» Ferrate Gallery, Israel.

A highlight of the exhibition is Canadian artist Annie MacDonell's The Shape of Time, Revisited (2012) in which she restores the wooden hand of an antique fortune telling mannequin while meditating on George Kubler's 1962 text The Shape of Time: Remarks on the History of Things.

exhibitions, De Jong's work will be presented at the Saatchi Gallery (London, England) in a new exhibition entitled Shape of Things to Come: New Sculpture in spring 2009.