Sentences with phrase «exhibition signs of the times»

Open Score will play continuously during the exhibition Signs of the Times: Robert Rauschenberg's America.

The topics of VernissageTV's PDF Magazin No. 20 are Tomas Saraceno's exhibition Cloud Cities at Hamburger Bahnhof; the Ed Kienholz and Nancy Reddin Kienholz exhibition The Signs of the Times at Schirn Kunsthalle Frankfurt; Pawel Althamer's Almech at Deutsche Guggenheim Berlin; Pipilotti Rist's video installations at Cinema Manzoni in Milan, Italy; and the Found Objects 2 photo series by Didier Leroi.

Not exact matches

The Pratt MFA Exhibition, «Signs of life: in and out of time and place,» at The Boiler was mentioned in the NY Times «Spare Times» section for April 10 - 16.

The New York Times featured the M.F.A. Fine Arts show Signs of Life: In and Out of Time and Place, along with the range of other exhibitions included in Pratt Shows 2015, in the curated, high - profile weekend column «Spare Times» on April 10.

While I understood Ha's work on an intuitive level at the time of the exhibition, it was not until my visit to the artist's studio in the winter of 2008 that I began to fully grasp the depth of his earlier burlap and barbed - wire paintings, not only as signs of military repression made evident during the late 1970s, but also as spiritual works focused on transformation and resistance that could be read as icons of the human condition.

Raqs Media Collective returns to Frith Street Gallery with an exhibition featuring new and recent work which includes play with words, light and electricity, sign language, chiastic variations, archival traces, counting exercises and insurgent readings of time.

The exhibition features large - scale paintings, sculptures and an installation drawing references to signature Off - White ™ motifs alongside Murakami's iconic cast of anime characters, reflecting incisively on the signs of the current times.

1963 Albright - Knox Art Gallery, Buffalo, NY, Mixed Media and Pop Art Green Gallery, New York, Recent Work Rose Art Museum, Brandeis University, Waltham, MA, Recent Acquisitions Contemporary Arts Museum, Houston, Pop Goes the Easel Rose Art Museum, Brandeis University, Waltham, MA, New Directions in American Painting, exhibition traveled to Munson - Williams - Proctor Institute, Utica, NY; Isaac Delgado Museum of Art, New Orleans; Atlanta Art Association, Atlanta; J.B. Speed Art Museum, Louisville, KY; Art Museum, Indiana University, Bloomington; Washington University, St. Louis; Detroit Institute of Arts, Detroit) Galerie Saqqarah, Gstaad, Nouveaux Vulgarians Ileana Sonnabend Gallery, Paris Oakland Art Museum, Oakland, CA, Pop Art USA Des Moines Art Center, Des Moines, Signs of the Times

Her exhibitions include co-curating the 2004 and 2006 Whitney Biennials, and curating major survey exhibitions of Dan Graham, Louise Bourgeois, Sol LeWitt, Donald Judd, and Yoko Ono, as well as exhibitions of Paul McCarthy, James Lee Byars, Jack Goldstein, and several group exhibitions including «Signs of the Times: Film, Video and Slide Installation and Britain in the 1980s», «Scream and Scream Again: Film in Art», and «Into the Light: The Projected Image in American Art 1964 - 1977», voted best group show in New York in 2001 by the International Association of Art Critics.

At the same time, over 200 artists and curators have signed an open letter calling for the restructure of documenta's supervisory structure, which, according to their claim, had reduced the German contemporary art exhibition to «a commercial enterprise».

This is an excerpt from «Signs of the Times,» Robert Storr's catalogue essay for the exhibition «Transfigurations: Modern Masters from the Wexner Famly Collection» at the Wexner Center for the Arts through December 31.

It is a show that anyone can walk into and develop new opinions by the time they leave, and that should be the sign of this exhibition's success — yet another example of Tate Liverpool actively engaging the public with critically interesting bodies of work.

Building on the success of his first museum exhibition in Chemnitz, Germany in 2007 and several subsequent exhibitions, Mood Swings will show iron works by Bob Dylan for the first time, alongside original works on canvas and signed limited editions, all of which will be for sale.

Born in 1958, Chicago, IL Recent locations include Los Angeles; New Orleans; Baja California, Mexico; San Juan Islands, British Columbia and Portland SOLO EXHIBITIONS 2011 Loose Lips Do Sink Ships, Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium (forthcoming) 2010 Timothy Taylor Gallery, London 2009 Galerie Laurent Godin, Paris Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium 2008 State of the Union, Small A Projects, Portland, OR 2007 White Columns, New York SELECTED GROUP EXHIBITIONS 2011 Sex Drive, Haverford College, Haverford, PA (curated by Stuart Horodner) 2010 Bienniale de Belleville, Paris 2009 Sign of the Times, Monique Meloche Gallery, Chicago Diabolique, Dunlop Art Gallery, Regina, Saskatchewan, Canada; Galerie de L'UQAM, Montreal, Canada; Military Museums, Calgary, Canada (curated by Amanda Cachia) Salvador Diaz Gallery, Madrid (curated by Rikrit Tiravanija) 2008 Say Goodbye To..., Clifford Gallery, Colgate University, Hamilton, NY 2008 Altoids Award, The New Museum of Contemporary Art, New York Ambivalent Figuration, Samson Projects, Boston, MA 2007 Memorial to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, London

The work will act as a transition within the itinerary of the exhibition, alongside the diptych Départ - Arrivée (2015), which consists of two signs composed of red and blue bulbs; a reminder of the abrupt start («départ») and end («arrivée») points on the arc of life's passage of time.

With his second exhibition at Scream, he continues to use vintage signs as a canvas, this time adorning them with images of artists who have inspired him.

Exhibitions include Sign of the Times, MOMA, Oxford (1990) and Elective Affinities, Tate Gallery, Liverpool (1993).

The exhibition, titled Signs of Life: in and out of time and place, was curated by Sara Reisman, an independent curator and artistic director of the Shelley & Donald Rubin Foundation.

The diversity is the fulcrum that drives time in Soul of a Nation; it is a highly navigable exhibition with the wall text used as sign posts.

«Time Waits for No One,» reads the mammoth orange needlepoint sign by artist Amanda Ross - Ho on the wall of Carrie Secrist Gallery's 20th anniversary exhibition.

The «Dollar Sign» also featured in this exhibition acknowledges how Warhol remained true to the spirit of Pop in the 80s when returning to the theme of money, but this time presented in the form of a sSign» also featured in this exhibition acknowledges how Warhol remained true to the spirit of Pop in the 80s when returning to the theme of money, but this time presented in the form of a signsign.