Sentences with phrase «exhibition wack»
Rose's performance works of the 1970's featured in the exhibition WACK!
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A 2005 retrospective, Gina Pane: Terre - Artiste - Ciel, at Centre Georges Pompidou, Paris, France and her inclusion in the 2007 exhibition WACK!
The WACKing the Piñata group exhibition, running July 8 to August 13 at ltd los angeles, continues and re-contextualizes the conversation begun by curator Connie Butler and over 100 female artists in the 2007 MOCA group exhibition WACK!
When she reviewed the feminist blockbuster exhibition WACK!
March 5 - August 2, 2009 UAMA celebrates the return of a signature painting, Audrey Flack's monumental Marilyn (1977), after extended loan to the traveling exhibition WACK!
From 1996 — 2006 she served as curator at MOCA where she organized the internationally acclaimed exhibition WACK!
A retrospective of Wilke's work was mounted by Artrium - Centro Museo Vasco de Arte Contemporaneo, Vitoria, Spain, in October 2006 and her work was recently featured in the critically acclaimed exhibition WACK!
Her multimedia exhibition WACK!
She served as curator at MOCA from 1996 — 2006 where she organized the internationally acclaimed exhibition WACK!
Her inclusion in the seminal travelling group exhibitions WACK!
Not exact matches
«Revolution in the Making» also has an institutional precedent: Hauser Wirth & Schimmel is just walking distance from the Museum of Contemporary Art's first building of the early 1980s, the Geffen Contemporary at MoCA, and its proximity prompts visceral memories of the 2007 exhibition «WACK!
While Frankfort's work seems to eschew some of this historical weight in favor of a nuanced linguistic playfulness suggestive of the paintings of various other artists, including Ed Ruscha, Mel Bochner, Suzanne McClelland, and Kay Rosen, it nevertheless both engages with the physicality of paint and retains a certain conceptual directness evocative of Louise Fishman's groundbreaking «Angry Paintings» from 1973 (recently included in the exhibition «WACK!
In the last two decades, Bauermeister has participated in a number of solo and group exhibitions, most notably WACK!
This month, LA MOCA's exhibition «WACK!
She has participated in group exhibitions such as the Whitney Biennial in 1993 and the WACK!
Zarina has participated in numerous exhibitions, including most recently Mind and Matter: Alternative Abstractions from 1940s to Present at the Museum of Modern Art, New York; Gouge: The Modern Woodcut at the Hammer Museum, Los Angeles; and WACK!
As Curator at the Museum of Contemporary Art in Los Angeles from 1996 - 2005 she worked on numerous exhibitions, including «Afterimage: Drawing Through Process» (1999), «Rodney Graham: A Little Thought» (2004) and the major touring exhibition «WACK!
Amelia Jones talks to Connie Butler about the upcoming exhibition «WACK!
AJ: Is the title of your exhibition, «WACK!
SFMOMA is also noted for its seminal exhibition of feminist art, entitled «WACK!
She has been included in numerous international exhibitions, most recently the Singapore Biennale; WACK!
It is comprised of nine themed sections, including: «New Lands» (on shows such as Magiciens de la Terre, The Short Century and After the Wall); «Biennial Years» (which documents influential biennials such as the Documentas [10, 11, 13] and the Berlin and São Paulo Biennials); «New Forms» (including experiments in exhibition - making such as Do It and NowHere); «Others Everywhere» (on «identity politics» shows such as In a Different Light, Phantom Sightings and the 1993 Whitney Biennial); «Tomorrow's Talents Today» (on influential group exhibitions of emerging artists such as Helter Skelter and Sensation); and «History» (on historical surveys such as Inside the Visible, Global Conceptualism and WACK!).
She's been part of solo and group exhibitions at MOCA including «WACK!
Unlike previous female group exhibitions, such as the seminal 2007 touring exhibition, WACK!
Group exhibitions and biennials featuring her work include Documenta 14, Athens, Greece and Kassel, Germany (2017); Radical Women: Latin American Art 1960 - 1985, Hammer Museum, Los Angeles (2017); 18th Sydney Biennale, Australia (2012); DANCE / DRAW, the Institute of Contemporary Art, Boston (2011); ONLINE, Drawing Through the Twentieth Century, Museum of Modern Art, New York (2010); WACK!
In recent years, Smith's practice has been reappraised in a number of important exhibitions including Connie Butler's survey of feminist art practice: «WACK!
Art and Black Los Angeles, 1960 - 1980, Hammer Museum, Los Angeles (2011, traveling); Under the Big Black Sun, Museum of Contemporary Art, Los Angeles (2011); Los Angeles Goes Live: Los Angeles Performance Art, 1970 - 1983, Los Angeles Contemporary Exhibitions (2011); Video Studio: Playback, The Studio Museum in Harlem (2011); WACK!
Kozloff's work has been included in countless important group exhibitions, including WACK!
Group exhibitions and biennials featuring her work include Documenta 14, Athens, Greece and Kassel, Germany (2017); Radical Women: Latin American Art 1960 - 1985, Hammer Museum, Los Angeles (2017); 18th Biennale of Sydney, Australia (2012); DANCE / DRAW, the Institute of Contemporary Art, Boston (2011); ONLINE, Drawing Through the Twentieth Century, Museum of Modern Art, New York (2010); WACK!
This has been helped by several major exhibitions of works by female artists, including «WACK!
Works from Lewben Art Foundations, Lithuanian Exhibition and Congress Centre LITEXPO, Vilnius 2017 «A Screen of Flesh», Coma Gallery, Rushcutters Bay 2017 «Body Language», Company Gallery, New York 2o17 «Tschabalala Self, Ellannah Sadkin, Mr Kiji», Red Bull House of Art, Detroit 2017 «Le Nouveau Voyeurisme», Hotel Contemporary, Milano 2016 «Desire», Moore Building, Miami 2016 «Life During Wartime», Diane Rosenstein, Los Angeles 2016 «Protuberances», LAXART, Los Angeles 2016 «Aiko Hachisuka, Tschabalala Self, Caroline Wells Chandler», 11R, New York 2016 «Sexting», Kate Werble Gallery, New York 2016 «Perfect Day», Roberts & Tilton, Culver City 2016 «WACKing the Piñata», Ltd los angeles, Los Angeles 2016 «A Being in the World», Salon 94 Bowery, New York 2016 «Look up here, I'm in heaven», BRIC, New York 2016 «Intimisms», James Cohan, New York 2016 «Mal Maison», Maccarone, New York 2016 «A Shape That Stands Up», Art + Practice (off - site Hammer Museum), Los Angeles 2016 «Intersections», Tensquared Gallery, Internet 2016 «Arachne's Woof», Litvak Contemporary, Tel Aviv 2016 «New Genealogies», Yale School of Art Green Gallery, New Haven 2016 «Duplify», Kate Werble Gallery, New York 2015 «Berg Matthams Self & Weaver», Thierry Goldberg Gallery, New York 2015 «A Constellation», The Studio Museum in Harlem, New York 2015 «The New New», Diane Rosenstein Gallery, Los Angeles 2015 «THATS ON ME», Paris Blues, New York 2015 «Yale MFA Painting and Printmaking Graduates», Garis & Hahn, New York 2015 «2,015 But Who's Counting», Yale School of Art Green Gallery, New Haven 2014 «13 Artists», 24/6 Space, New Haven 2014 «Swimming Pool», 24/6 Space, New Haven 2013 «For Ed: Splendor in the Grass with Olympic Lad & Lass», Yale School of Art Green Gallery, New Haven 2013 «Women Love the World», Launchpad, New York 2013 «Encounters», Harlem School of the Arts, New York 2012 «SUGGARHILL», Essie Green Galleries, New York 2012 «EdgeControl», UBS Exhibition Center, New York 2012 «NEO XL», Werehouse, New York 2008 «Radiant Minds», Queens Museum of Art, New York 2007 «Admission $ 2.00», Whitney at Altria, New York
Her work has been included in numerous group exhibitions around the world including the recent exhibitions: Skin is a Language, Whitney Museum of Art, New York; WACK!
Morton's work has been included in numerous group exhibitions, including High Times, Hard Times: New York Painting 1967 — 1975 (organized by iCI), and the WACK!
Her recent exhibitions include the 2008 Biennale of Sydney; Documenta XII, Kassel, 2007; WACK!