Sentences with phrase «exhibition working title»

In 2013 I collaborated with Dereleen James, a mother from Eldorado Park in Johannesburg, a tireless anti-drug campaigner in creating a live oral - history dialogue space (for a group exhibition Working Title at the Goodman Gallery in Johannesburg).

Artistic Director Adam Szymczyk will divide the event between Kassel and the Greek capital, and has given the dual exhibition the working title «Documenta 14: Learning From Athens.»

His work was exhibited on the group exhibition Working Title at Goodman Galley Johannesburg in 2012.

Not exact matches

Inspired by the 1980s solidarity movement in Poland and the more recent Orange Revolution in Ukraine, Ms. Onuch's academic work focuses on «Revolutionary Moments and Revolutionary Movements», the title of her dissertation which inspired her and her father to host a 2009 exhibition and symposium in Kiev, aptly called «Revolutionary Moments».

The research project will come to an end in 2020 with the publication of an illustrated and critical work, and an exhibition dedicated to the best non-fiction titles published worldwide.

Opening: Alberto Burri at the Guggenheim This exhibition, titled «The Trauma of Painting,» represents the first U.S. survey in over 35 years — and the most comprehensive show — of the works of post-World War II Italian painter and sculptor Alberto Burri.

The Gautreauxes organized an exhibition of selections from their collection titled «Piece by Piece» at the Kemper Museum in 2015, and have also lent works to the Nelson - Atkins Museum and the Venice Biennale.

I have a solo exhibition titled «Charge Your Self,» which will be going live at Chandran Gallery in San Francisco on July 13, and a public art piece I will be working on in downtown Denver.

Currently Taylor is hosting an exhibition titled «Camarillo State Hospital» at his other studio / open gallery on 3rd Street in Los Angeles, and has work featured in the group exhibition «A Shape That Stands Up,» organized by Jamillah James at the Hammer Museum in Los Angeles in conjunction with Art + Practice.

In the curatorial statement Gehring writes: «Each of the artists in this exhibition generate work from a distinct point of view, but each point of view is one that is illuminated and connected by this show's title, Meta Vista.

The title for the exhibition, Lost & Found, refers to Joe's creative process — finding long - lost images and reinventing them as often politically charged artworks — and his reinvention from the commercial world of work to finding his way as an artist.

This exhibition, which bears the title «Inconsiderate Fantasies of Negative Acceleration Characterized by Sacrifices of a Non-Consensual Nature by the Legendary Survival Research Laboratories,» will be SRL's first art - world solo show, and will feature eight of their kinetic sculptures alongside video documentation of other work, much of which looks at how technological objects can overpower their users.

The Guardian reports that London's Saatchi Gallery has announced that it will hold an all - female exhibition titled «Champagne Life,» which will include the work of 14 emerging women artists from around the world.

This was apparent in his first solo exhibition at the Betty Parsons Gallery in New York City (1951), where the titles of many of the works «incorporated weighty poetic or religious references, including Eden (c. 1950), Trinity (c. 1949 - 1950), and Crucifixion and Reflection (1950).»

This exhibition focuses on a handful of forms and objects that appear and reappear in her work: a torn fragment of a 1958 work titled White Spica, her camera tripod, a hybrid item created from an antique candlestick telephone, flowers, a generic tissue box, or a tiny ceramic cup.

This is the exhibition's only horizontally aligned canvas and the picture plane here appears to unfold, recalling the unraveling motion of Chinese and Japanese scroll painting and — as indicated by the work's title and emphasized by its green hues — the undulation of waves.

Newport Street Gallery will present a solo exhibition of work by American artist Jeff Koons, titled «Now».

The exhibition titled «Painting in Italy 1910s - 1950s: Futurism, Abstraction, Concrete Art,» presents works of Italian abstract art, bringing together fifty years of history over two floors.

Bouwer is part of the new group exhibition [Working Title] 2013, now on view through August 19 at Goodman Gallery in Johannesburg, South Africa.

Leading up to his two exhibitions later this autumn at David Zwirner's gallery spaces in London (October 5 — November 17) and New York (November 1 — December 19), I discussed with Tuymans a number of subjects that come out of his two new bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the title for a series of new paintings.

The exhibition title takes as its conceit the «glitter» of both the social milieu depicted in Cavaglieri's work and the manner in which it was painted.

His work was last shown at P.S. 1 in 1980 in an exhibition titled Pattern into Painting.

For all the materiality of their surfaces — Reginato works in enamel — the paintings are, as the exhibition's title underscores, fictions.

If the temporal simultaneity and historical comprehensiveness implied in the title «EVERYTHING AT ONCE» are impossible themes for any group show, so the exhibition attempts to examine the multiple ambiguities, contradictions, references and readings contained in individual works.

Neochrome Gallery is pleased to announce the opening of the exhibition of works by Maurizio Pellegrin titled «The Stoker» on Friday, September 29th from 6 to 8 p.m..

Shields» signature format of a color - drenched field inscribed by stitching and sewing is represented in the exhibition by an important early work titled Sandbar 12, from 1969.

The chosen art work will be featured in an exhibition titled «RESPOND» planned for January 2015.

Titled «Nobody is Watching» by Manuel Mathieu» this is a solo exhibition of original work by Manuel Mathieu.

The exhibition's title aims to reflect Borgmann's prescience in acquiring works by a new generation of artists.

Elena Pinchuk, Founder of the ANTIAIDS Foundation: «The works we have managed to pull for the exhibition with a symbolic title Where There's a Will, There's a Way represent a story of how art community have been reacting to the AIDS epidemics.

Organized by curator Jason Andrew, this exhibition presents major paintings from the»70s by Jack Tworkov featuring a seminal work titled Diptych II (NY - Q1 - 71 # 1)(1971) on loan from the collection of the Solomon R. Guggenheim Museum, New York.

As the title of the exhibition suggests, Wilson is inviting his viewers to enter the gallery, and then consciously slow down in order to actively experience his work in the same manner in which it was created.

If you think «Eight Movements,» the title of Liat Yossifor's latest exhibition of paintings, sounds more like the title of a Philip Glass recording or the latest release by Steve Reich, you're already onto the idea behind the Israeli artist's stark and highly textural abstract works.

The exhibition title is drawn from the work of Timothy Morton who the Guardian calls «the philosopher prophet of the Anthropocene.»

His more recent works — which were featured recently in an exhibition titled Cradle at the Goodman Gallery in Cape Town — depict skulls and sleeping children.

The Aperture Foundation published his first monograph of the same title in October 2008, and his work was included in 30 Americans, an exhibition this past December at the Rubell Family Collection, in Miami.

«Under the Skin» — the overarching theme for the exhibition and also the title of Tracey Emin's selection of works — was a bold attempt at inviting viewers to look deeply into, as well as examine, their feelings, fears and emotions.

The title of the exhibition comes from the Gikuyu words for mud and trees, the materials used to make the objects in Mutu's new body of work.

Being, MoMA's current iteration of the «New Photography» exhibition series, assumes an unwieldy, ambitious title but offers work often in portraiture, that appeals to our intimate understandings of our selves.

Other early historical exhibitions at the Greene Street space include a 1989 group show, «Early Conceptual Works,» which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manzoni.

The New York based gallery Ameringer McEnery Yohe has announced a forthcoming solo exhibition by the Brooklyn based artist Brian Alfred which will present recent works under the title It Takes A Million Years To Become Diamonds So Let's All Just Burn Like Coal Until The Sky Is Black.

The title of the exhibition is the most concise description of the works on view: Blue Paintings Light to Dark One through Ten.

In 2009, the Musée Matisse in Le Cateau - Cambrésis presented a brilliantly conceived exhibition titled «Ils Ont Regardé Matisse» (They Looked at Matisse) that examined how 15 abstract painters, Francis and Kelly among them, in the U.S. and Europe responded to the work of Matisse.

Later that year the work was shown again in the artist's second solo exhibition (Pollock added «A» to the title to avoid confusion with more recent work) and shortly thereafter was purchased by MoMA.

THEGRASSISALWAYSGREENER is the title of the exhibition of Linnenbrink's most recent works at Max Estrella Gallery (the second in this space).

To celebrate the 25th anniversary of Andy Warhol's death an exhibition titled, «Andy Warhol: 15 Minutes Eternal» brings the largest ever collection of Andy Warhol's work to Asia.

Dominique Lévy is pleased to announce an exhibition of new work by German artist Günther Uecker, titled Verletzte Felder (Wounded Fields), on view at the gallery's Old Bond Street location.

Following her monumental installation in MASS MoCA's largest gallery, Building 5, in 2007 — which marked her first indoor projection in the U.S. — Holzer returns with a campus - wide series of work that will include a large - scale outdoor projection on the River Street side of the factory's complex titled For North Adams, 21 of her celebrated carved stone benches located throughout MASS MoCA's sprawling campus, an installation of her Inflammatory Essays posters, and rotating exhibitions of her work spanning the breadth of her career.

Thomas Nozkowsi is currently presenting a collection of work in a self - titled exhibition at the Pace Gallery.

Yet, each work in this exhibition does command attention as its own thing, perhaps the title of Carol Robertson's painting Aura is suggestive of this.