Sentences with phrase «exhibition about memory»

Not exact matches

I guess that's one of the things that makes them different from photographs, in that a photograph might be a record, a snap, one moment — a painting I think is about creating a small world around that photo... I really like that idea of something that you can enter like a box or an exhibition space, and enter these little rooms which for me are memories, but it's not about nostalgia — it's more about setting up something that's still living — so it's almost they're all in the present, rather than in the past.»

Xico Greenwald blogs about the exhibition Biala: Vision & Memory at Godwin - Ternbach Museum, Queens College, on view through October 26, 2013.

This groundbreaking exhibition follows the artist's exploration of interlined topics, including a halting suite of works about 9/11; contemporary «history paintings» on life in America since the events of 9/11; homages to his friends, the women quilt makers of Gee's Bend, Ala.; memories of vanishing ways of life and his childhood in the the South; and evocations of human struggles for freedom.

John Akomfrah speaks with writer Ekow Eshun at Lisson Gallery about his recent work dealing with themes of migration, history, and memory on the occasion of his debut exhibition at Lisson Gallery, January 22 — March 12, 2016.

Selected group exhibitions: WHAT ABOUT Y [OUR] MEMORY, The National Museum of Contemporary Art, Bucharest (2014), PASAJ, The National Museum of Contemporary Art — Anexa, Bucharest (2014), Les Rencontres Internationales Paris / Berlin / Madrid (video screening), La Gaîté Lyrique and Palais de Tokyo (2014), Europe / South - East.

I noticed in an image from the exhibition catalogue that one of the doors is quite visibly worn and peeling, which again speaks to things that are about affect, physical sensations, or memories?

Auping spoke with Leigh A. Arnold about the exhibition and his memories of the period it covers.

Current exhibitions include A Matter of Memory, George Eastman Museum, Rochester, NY (2016); The Surface of Things, Houston Center for Photography (2016); and About Time: Photography in a Moment of Change, SFMOMA, San Francisco, CA (2016.)

Through its focus on pathways linking memory, movement, the loss of home, and the invention of a new one, the exhibition opens an inclusive critique of stereotypes about migrants and migration.

For Fionagh, as well as the memories of good times, such as dancing to the Kaiser Chiefs at the Summer Exhibition Preview Party, her time as a Friend is about the feeling of being lost in the moment in front of a picture.

At the Brooklyn Museum, then at Spelman College in Atlanta, an exhibition reveals a practice about memory, place, and endurance, honed across manifold divides.

Speaking about the exhibition, Sean Scully remarked: «In making these paintings I was preoccupied with my memories of Venice, the movement of the water, how it heaves against the brick and stone of the city.

Writing about the exhibition Joseph del Pesco says: There are many «cities of shadows» (to borrow Sinclair's term) that appear in the exhibition, recognizable as corporeal vanishings, filmic echoes from the past dissolving in the present, and contaminated memories.

In her solo exhibition «Write Injuries on Sand and Kindness in Marble» Büyüktaşçıyan uses the gallery's previous life as a marble factory as a starting point for questions about frameworks of power, labour, production and reconstruction of memory.

2002 CAB Gallery Retrospective 1999 - 2001, Essor Gallery Project Space, London, UK Between Language and Form, Yale University Art Gallery, New Haven, Connecticut, US Amsterdam Revisited: Adam & Eve On Sex, Tolerance and other Dependencies, De Appel, Amsterdam, NL Reaction - A Global Response to 9/11, Exit Art, New York, US Art Aficionado Auction of Cigar Box Art, Birmingham Museum of Art, Birmingham, Alabama, US Just Remember: It's Vienna, Galerie Hubert Winter, Vienna, AT Welfare State International, London, UK Light & Shadows..., Galerie Anselm Dreher, Berlin, DE From the Observatory, Paula Cooper Gallery, New York, US Galerie Pietro Spartà, Chagny, FR Coolecção Onnasch: Aspectos da Arte Contemporânea, Museu Serralves / Museu Arte Contemporânea, Porto, PT Conceptual Art 1965 - 1975 from Dutch and Belgian Collections, Stedelijk Museum Amsterdam, NE DIN Art 4 - 560 Künstler und 1 Formular, Museum für Kommunikation, Hamburg, DE 2002 Benefit Silent Auction and Gala, White Columns, New York, US Parole, Parole, Parole, Galleria Civica di Arte Contemporanea, Trento, IT Water - Sand — Space, The International Art Exhibition: Sharjah Art Museum, UAE; Städtischen Galerie Wolfsburg, DE Private Views, London Print Studio Gallery, London, UK Collections, Stedelijk Museum, Amsterdam, NL Startkapital, K21 Kunstsmamlung Nordhein - Westfalen, DE 20 Years in Danish Art, Stalke Galleri & Galleri Kirke Sonnerup, DK The Artists» Memory, Stadtische Museen Jena, Kabinett im Stadtmuseen, DE Ideal Avalanche, The Pond, Chicago, Illinois, UK Pièes de Collection / Oeuvres Contemporaines, Une Proposition de Françoise et Jean - Philippe Billarant, Ecole Supérieure des Beaux - Arts de Nîmes, ESBAN @ Hôtel Rivet, FR Hors d'Oeuvre, Artist's Pages, Le Journal de l'art Contemporain en Bourgogne, No. 10, FR Frenetic Interferences a presentation of MEMORY / CAGE EDITIONS, Museum Store of The New Museum of Contemporary Art, New York, US Sens Giratoire Exposition Collective Peintures, Photographies, Installations PASSAGES, Centre d'Art Contemporain, Troyes, FR Ilona Ruegg, Kunsthalle Bern, Bern, CH Kunst und Schock Der 11, September und das Geheimnis des Anderen, Eine Austellung mit Bildern und Texten in Zusammenarbeit mit Lettre International, Haus am Lützoplatz, Berlin, DE Art Unlimited, Basel Art Fair, Basel, CH Les Horizons du Paysage, curated by François Montliau & Hubert Besacier, Maison de la Culture de Bourges, FR Ansammlungen von Ingrid Wald und Gerhard Jaschke («Freibord»), Sommerallerie, Unterretzbach, AT Out of Print Edição Esgotada, Museu Serralves, Museu de Art Contemporaneâ, Porto, PT De Concert, Oeuvres d'une Collection Privé, Frac des Pays de la Loire, FR What About Hegel (And You)Memory, Stadtische Museen Jena, Kabinett im Stadtmuseen, DE Ideal Avalanche, The Pond, Chicago, Illinois, UK Pièes de Collection / Oeuvres Contemporaines, Une Proposition de Françoise et Jean - Philippe Billarant, Ecole Supérieure des Beaux - Arts de Nîmes, ESBAN @ Hôtel Rivet, FR Hors d'Oeuvre, Artist's Pages, Le Journal de l'art Contemporain en Bourgogne, No. 10, FR Frenetic Interferences a presentation of MEMORY / CAGE EDITIONS, Museum Store of The New Museum of Contemporary Art, New York, US Sens Giratoire Exposition Collective Peintures, Photographies, Installations PASSAGES, Centre d'Art Contemporain, Troyes, FR Ilona Ruegg, Kunsthalle Bern, Bern, CH Kunst und Schock Der 11, September und das Geheimnis des Anderen, Eine Austellung mit Bildern und Texten in Zusammenarbeit mit Lettre International, Haus am Lützoplatz, Berlin, DE Art Unlimited, Basel Art Fair, Basel, CH Les Horizons du Paysage, curated by François Montliau & Hubert Besacier, Maison de la Culture de Bourges, FR Ansammlungen von Ingrid Wald und Gerhard Jaschke («Freibord»), Sommerallerie, Unterretzbach, AT Out of Print Edição Esgotada, Museu Serralves, Museu de Art Contemporaneâ, Porto, PT De Concert, Oeuvres d'une Collection Privé, Frac des Pays de la Loire, FR What About Hegel (And You)MEMORY / CAGE EDITIONS, Museum Store of The New Museum of Contemporary Art, New York, US Sens Giratoire Exposition Collective Peintures, Photographies, Installations PASSAGES, Centre d'Art Contemporain, Troyes, FR Ilona Ruegg, Kunsthalle Bern, Bern, CH Kunst und Schock Der 11, September und das Geheimnis des Anderen, Eine Austellung mit Bildern und Texten in Zusammenarbeit mit Lettre International, Haus am Lützoplatz, Berlin, DE Art Unlimited, Basel Art Fair, Basel, CH Les Horizons du Paysage, curated by François Montliau & Hubert Besacier, Maison de la Culture de Bourges, FR Ansammlungen von Ingrid Wald und Gerhard Jaschke («Freibord»), Sommerallerie, Unterretzbach, AT Out of Print Edição Esgotada, Museu Serralves, Museu de Art Contemporaneâ, Porto, PT De Concert, Oeuvres d'une Collection Privé, Frac des Pays de la Loire, FR What About Hegel (And You)-RRB-?

Accompanying the exhibition will be an exhibition catalog with photos and memories about the artists» time as students at SVA, a foreword by Jane Nuzzo, director of SVA Alumni Affairs and Development, and an essay by Jamie Keesling (MA 2013 Critical Theory and the Arts), operations manager for SVA Galleries.

Conversations about shared memories of life in Mexico City — and the objects, colors and smells that can inspire those memories — became the inspiration for Recuerdos: Nostalgia on the Periphery, a mixed media art exhibition at the University of North Texas exploring contemporary Mexican art.

An exhibition by Salah Al Mur about his childhood memories and his upbringing in his home in Sudan.

«The Annual 2012,» National Academy, New York, NY, January 25 — April 29, 2012 «Material,» curated by Duro Olowu, Salon 94 Freemans, New York, NY, February 8 — March 10, 2012 «Weighted Words,» Zabludowicz Collection, London, England, March 1 - June 10, 2012 «Self - portrait,» Louisiana Museum of Modern Art, Humlebaek, Denmark, September 14, 2012 - January 13, 2013; catalogue «TERRAIN: Selected Works from the Linda Pace Foundation Collection,» Linda Pace Foundation, San Antonio, Texas, February 17 — March 23, 2012 «The Painting Factory: Abstraction after Warhol,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, April 29 — August 20, 2012 «The Residue of Memory,» Aspen Art Museum, Aspen, Colorado, May 11 — July 15 «Material Assumptions: Paper as Dialogue,» Center for Books and Paper Arts, Columbia College Chicago, Chicago, IL, June 15 - August 11, 2012 «Invisible: Art about the Unseen, 1957 - 2012,» Hayward Gallery, London, UK, June 12 — August 5 «Painting in Space,» Luhring Augustine, New York, NY, June 22 - August 17, 2012 «New to the Print Collection: Matisse to Bourgeois,» Museum of Modern Art, New York, NY, June 25, 2012 — January 7, 2013 «Inaugural Exhibition by Gallery Artists,» Regen Projects, Los Angeles, CA, September 22 - October 27, 2012 «Blues For Smoke,» MOCA, Los Angeles, CA, October 21, 2012 — January 7, 2013; traveled to Whitney Museum, New York, NY, February 7 — April 28, 2013; Wexner Center for the Arts, The Ohio State University, Columbus, OH, September 21, 2013 — December 29, 2013 «Regarding Warhol: Sixty Artists, Fifty Years,» The Metropolitan Museum of Art, New York, NY, September 18 — December 31, 2012

Using pictures taken by others, the ten artists in this exhibition create new narratives that explore ideas about history, memory and identity.

The exhibition project «SUBSTANCE (for Julian) `, at The Suburban, Chicago aims to inform the viewer about two issues addressed as parallel realities of perception — on one hand the notion of a profound play with the qualities of the existing space and simulteanous, the memory of fellow artist Julian Dashper who passed away about six weeks ago and who also exhibited at The Suburban in 2008.

This thematic exhibition brings together work from across the medium's history — from daguerreotypes to slide projections to video installations — that consider the way photography's complex and ever - changing relationship with time has reflected and inflected our ideas about permanence and obsolescence, history and memory.

The curator's accompanying essay describes the exhibition as «about everything that is happening right now», and named after the Ancient Greek and Roman mnemonic device using spatial memory, or «memory palace» as a method for efficient recall.