Sentences with phrase «exhibition addresses life»
For some days before typing this now I was wondering how to avoid writing this sentence: Wolfgang Tillmans's new exhibition addresses life on the planet now.
http://www.andrearosengallery.com/ Not exact matches
The purpose of Professor Javier Collado is to contribute to achieving the general objectives and core competencies set by the Organic Law 2/2006 of March 3, in the high school, with the «diffusion of knowledge» through a photo exhibition and an educational - multidisciplinary talk and consciousness - raising that will address the «different realities - realities equal» to live in the countries he has been working in Latin America: Bolivia, Peru, Ecuador, Colombia, Panama, Costa Rica, Nicaragua, El Salvador, Honduras, Guatemala, Belize, and Mexico.
Boasting spacious, light - filled, open - plan living areas, Mantra 100 Exhibition offers modern apartment accommodation and an upmarket city address with quick, easy access to popular entertainment and sporting venues
The exhibition uses The New York Times as its point of departure and features over 80 artists, artist duos, and collectives who use the «paper of record» to address and reframe issues that impact our everyday lives.
Throughout the duration of the exhibition, her performers continuously enact a form of live installation in the gallery and the museum's outdoor spaces, bridging the conceptual and physical divide between performer and object, bystander and viewer, while addressing the ways in which dance and the spectacle of performance are presented in theatrical and exhibition contexts.
Living Laboratory» green residence hall room project was selected as one of five projects to be featured in Storefront for Art and Architecture, Architizer.com, and Actar Publisher's «Total Housing 01: Apartments» exhibition that addresses the...
The exhibition spans Warhol's iconic career from his early illustrative works of the 1950s, through Pop Art's 1960s heyday, until his untimely death in 1987 — addressing the artist's exploration of every facet of modern life, from consumerism and commissions to Communist politics.
This exhibition rings true because it addresses our personal struggles and demonstrates the artist's ability to work things out, to find a way to combine seemingly irreconcilable opposites, such as art and life, thinking and doing, creating things and relating to people.
The exhibition, Forrest Bess: Seeing Things Invisible, currently on view at the Hammer, addresses the ways Bess's personal life and critical exploration of gender affected his artistic practice.
Part installation, part an exhibition of drawings, prints, photographs and sculpture, these works address how our sense of truth is pulled between lived experience and terms of categorization these experiences are subject to — through the lenses of the feminine, the beautiful and the sublime.
While no exhibition can claim to definitively address all aspects of the American experience, This Land offers diverse vignettes of life in the United States.
2004 Beautiful Losers, Yerba Buena Center for the Arts, curated by Aaron Rose and Christian Strike, San Francisco, CA Beautiful Losers, Contemporary Arts Center, curated by Aaron Rose and Christian Strike, Cincinnati, OH Change of Address, Lizabeth Oliveria Gallery, Los Angeles, CA Your Heart is No Match For My Love, The Soap Factory, Minneapolis, MN It's a Wonderful Life, Spaces Gallery, Cleveland, OH Altoids Collection 2003, traveling exhibition East of the Sun and West of the Moon, White Columns, NY
The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman joins other exhibitions at the Broad MSU examining work by living artists from the U.S. and around the globe who are addressing a range of social and political issues through their practice — including recent exhibitions of South Asian artists Naiza Khan, Imran Qureshi, and Mithu Sen.
Speaking to artnet, Lew described his intention to address questions of race head - on in the exhibition: «We spend our everyday lives skirting around these issues, but they're really built into the show — we're not running away from these discussions.»
The New York Times serves as the point of departure for the exhibition, featuring over 80 artists, artist duos, and collectives who use the «paper of record» to address and reframe issues that impact our everyday lives.
Building on discourses regarding formalism and painting, the exhibition addresses universal issues of loss, alienation, life, and death.
His recent exhibitions include The Interview: Red, Red Future, a solo exhibition with the artist MPA that addressed the impending human colonization of Mars; Double Life with artists Jérôme Bel, Wu Tsang, and Haegue Yang that considered possibilities for performance without live bodies; Parallel Practices: Joan Jonas & Gina Pane, which brought together multimedia works by two pioneering female performers based in New York and Paris, respectively; and LaToya Ruby Frazier: WITNESS, which documented, in the artist's own words, of «the rise of globalization and the decline in manufacturing as told through the bodies of three generations of African - American women.»
Marc Bijl, who lives and works in Berlin, chose it as the title for his exhibition in which he shows new works that address our current cultural climate of information overload, and in which too many sources are undermining our view on truth and facts.
According to Hoffman, «The exhibition seeks to distance itself from the purportedly communal and historic understanding of the term and to address anew what a lived experience -LSB-...]
The exhibition presents several life - sized rooms and corridors based on a permanent installation that Ruhwald is creating in one apartment of his building at 2170 Mack Avenue, previously addressed 3583 Dubois.
Samples of Lifeforms is a collaboration between CHART, Copenhagen Contemporary and Kanton Basel - Stadt: An international group exhibition with artists and works addressing the constantly changing conditions of forms of life on planet Earth.
IMMA exhibition highlights 2018 Brian Maguire, War Changes Its Address: The Aleppo Paintings 26 January — 6 May IMMA Collection: Freud Project, Ethics of Scrutiny, curated by Daphne Wright 15 February — 2 September 2 Frank Bowling, Mappa Mundi 24 March — 8 July Yvonne Rainer Live Performance, 4, 5 May Brian O'Doherty, Language and Space: Rotating Vowels, Structural Plays and other Works24 April 26 — September 16 Hennessy Art Fund for IMMA Collection 2018 11 May — 16 September Monir Shahroudy Farmanfarmaian, Sunset, Sunrise 10 August — 2 December Wolfgang Tillmans 26 October — 17 February Mary Swanzy 26 October — 17 February
-- Exhibition is open to 2d & 3d art — Submitting artists must currently teach 50 % to full time in public school grades K - 12 — No restrictions for date work was created, as long as it was made while teaching — Accompanying artist statement must address how teaching and art making impact each other in the artist's life — If selected, artwork must be delivered in person and ready to install in November (exact date TBD)-- Artwork must fit through a standard 32» door (or be able to be broken down to fit)-- The Nave Gallery will retain a 30 % commission for work sold
The exhibition addresses topics related to class, family, friendship, affection, social mobility, bionomies, management of power, administration of life, definition of the private and the public, distribution of the sensitive, dualisms and separatism, among others; from an autobiographical point of view that from the personal speaks on the conditions of the contemporary artistic practices and ways of life today.
The techniques, ideas and themes addressed in this exhibition include long - term engagements versus chance encounters with various land and waterscapes, the capacity of the camera to document slow, subtle changes, and the infinitely cyclical qualities of life and nature.
Contemporary artists manifest broad and sometimes ambivalent responses to technology; in this exhibition diverse works by Anne Wilson, Milos Manetas and others address a fundamental question of modern life, probing Information - Age content through traditional media such as painting and fiber arts.
While the work An Exhibition for Modern Living examined the nature of how and why individuals collect, Oak Effect (2012) addresses how museums and galleries acquire artworks.
The three exhibition spaces addressed love as an ideal, love as a lived experience, and love as something lost.
FREE Opening reception Saturday, June 15, 2018, 5 - 7 p.m. American Conversations August 3 - September 12, 2019 This juried exhibition will feature artworks that address America in the year 2019 and all the various visual art responses artists have to the country in which we are creating and of course, living.
Plunging headfirst into the 21st century, group exhibition The Luminous Interval at The Guggenheim Bilbao takes The Saviours of God as a starting point to address the myriad and often uncontrollable dualities that surround the cyclical nature of life, from the conception of a foetus or an artwork to the birth of a nation, and the subsequent demise of both.
Ex Situ is an international group exhibition with artists and works addressing the constantly changing conditions of forms of life on planet Earth.
Derrick Adams» solo exhibition combines two ongoing series: «LIVE» and «IN COLOR», a collection of large - scale mixed media collage capturing the bold character dramatizations of black figures in entertainment; juxtaposed with «GRAY AREA», a series of grayscale mixed media collage addressing the often imbalanced modes of speculation and assumption.
The exhibition addresses one of the fundamental postulates of 20th Century Avant - garde movements, the mutual penetration or even fusion of art and everyday life, is indebted to three phenomena known from the history of 20th Century art which have remained topical and universal until the present day.
Several artists navigate directly the main thematic map of the exhibition; others chose a more personal approach, looking at the presence of domestic workers in households, the public sphere, and the artists» lives, while another group of artists create abstract and poetic landscapes that bring a different and necessary vocabulary in an exhibition that tries to address such a wide and contradictory array of topics and perspectives, from personal desires and dreams, to historical processes.
Preview Lecture Gerda Frömel - Her life and works 1955 - 1975 Thursday 9 April 2015 Exhibition Curator Seán Kissane (IMMA) presents a lecture on his research for the first contemporary retrospective exhibition of works of Gerda Frömel presented at IMMA, and addresses how this presentation attempts to reinstate Frömel as a modern IriExhibition Curator Seán Kissane (IMMA) presents a lecture on his research for the first contemporary retrospective exhibition of works of Gerda Frömel presented at IMMA, and addresses how this presentation attempts to reinstate Frömel as a modern Iriexhibition of works of Gerda Frömel presented at IMMA, and addresses how this presentation attempts to reinstate Frömel as a modern Irish master.
This retrospective exhibition aims to represent a major selection of the artists Larry's work, which is largely is in response to his personal life experiences, addressing themes such as sexual identity, A.I.D.S., death, beauty, and family.
His first exhibition in Turin» Dopo» unfolds inside the Fondazione Merz gallery spaces, is conceived as a total installation, a choral narrative addressing individual and collective memory, entwining the past with the present, urging unattended promises, recombining History with each individual's life.
Exhibition Overview Conscious and Unconscious will offer a representative survey of Louise Bourgeois's highly autobiographical and diverse body of work, which addresses themes of motherhood, identity, memory, and the cycles of life.
On view at the museum this fall is All of Everything: Todd Oldham Fashion (through September 11, 2016), an exhibition featuring more than 65 full ensembles from designer Todd Oldham's studio archives, and Julien Prévieux: What Shall We Do Next and Patterns of Life (through November 13, 2016), an exhibition of the work of the French artist Julien Prévieux, who critically addresses politics, economics, technology, and the culture of the workplace by incorporating and reinterpreting the physical behaviors or language specific to each.
These new works will address what spirituality means to people today, particularly in the increasingly secular times we are living through, while the wider exhibition considers the role played by certain spiritualist and alternative doctrines in the creation of abstract painting from its origins to the present digital age.
Her visual work addresses many of the ideas embodied in the After Life exhibition and has recently been exhibited at Commonwealth & Council in Los Angeles and the Armory Center for the Arts in Pasadena.
Talks and Events Progamme There is an extensive talks and events programme accompanying this exhibition which draws on the cinematic impulses of contemporary artists, addressing the cultural potency of cinema's social, psychological and dissemination structures in art, film and everyday life.
From this historical perspective, its inaugural exhibition La Tallera: fábrica en movimiento (La Tallera: a factory on the move) curated by Mónica Montes and Natalia de la Rosa addresses the most thriving moment of Siqueiros» life and his complex relationship with his uttermost noticeable patron, Manuel Suárez y Suárez.