Featuring new work by Helen Cammock, Claudette Johnson and Ingrid Pollard, this project developed over a year is a meeting point, an exchange of intangible creative moments, a dialogue stretching beyond the notion of
exhibition as an end result.
Not exact matches
Conceived by curator Hans Ulrich Obrist, do it began in Paris in 1993
as a
result of a discussion with the artists Christian Boltanski and Bertrand Lavier about how to make
exhibitions more flexible and open -
ended.
The
exhibition examines the term «unfinished» across the visual arts in the broadest possible way; it includes works left incomplete by their makers, a
result that often provides insight into the artists» creative process,
as well
as works that engage a non finito — intentionally unfinished — aesthetic that embraces the unresolved and open -
ended.
The
exhibition documents Alberss contribution
as a renowned educator, designer, artist and philosopher and shows his steadfast dedication to the belief that visual fluency was the
end result of a carefully calibrated proportional relationship of effort to effect where the physical components of the medium always governed the
results.
The
end result at the
end of the
exhibition was approximately twice
as many Yes ballots
as No ballots.
CARBON; FIRE; GAS; NOISE; SILENCE; PLASTIC; DIET COKE; DEBRIS; PRODUCT; ALLUMINUM [sic]; INFORMATION; COPY; MARKETING; TRASH; VOICES; BURPS; RECORDINGS; RADIO; CC; FORM - EXFORM; THEORIES; POST-PUNK-POST-PRODUCT; STRATEGIC UNPREDICTABILITY; BORDER - MEXICO - U.S.. In the lead - up to her third solo
exhibition at Greenspon, Mexico City - based Adriana Lara supplied this dizzying
end - times vocab list to half a dozen writers
as fuel for a series of original conspiracy theories, making the (suitably paranoid)
results available in the gallery
as simple printed handouts.