Sentences with phrase «exhibition at its current location»

The final Doggett Street Studio exhibition at its current location at 85 Doggett Street, Newstead - opens on Friday 15 March (6 - 8 pm) and continues on Saturday 16 March (10am - 4 pm).

Not exact matches

A group of artists and activists known as the Chinatown Art Brigade — established in 2015 by Tomie Arai, ManSee Kong, and Betty Yu — have called out what they perceive to be racism in the current exhibition at James Cohan Gallery's Chinatown location in New York.

by Josh Reames While in New York, I had the pleasure of seeing Josh Smith's current exhibition at Luhring Augustine — self - titled and split between both the Chelsea and Bushwick locations.

Shown at both Galerie Gmurzynska Zurich locations, Paradeplatz 2 and Talstrasse 37 the current exhibition references firstly, the historical retrospective From Surface to Space that was mounted at Galerie Gmurzynska Cologne in 1974 and secondly the major showcase Surface Figure Space that was realized in 1988.

While in New York, I had the pleasure of seeing Josh Smith's current exhibition at Luhring Augustine — self - titled and split between both the Chelsea and Bushwick locations.

The exhibition will highlight a selected group of paintings, on view for the first time in Harlem, bringing Blayton's work full circle, to the original home of the Studio Museum at 2033 Fifth Avenue, the current location of Elizabeth Dee.

Concurrently on view at the museum's current location in the landmark Moore building is A Public Character — the first major museum presentation of Shannon Ebner's work — and a major solo exhibition dedicated to video and performance artist Alex Bag.

Watercolors - the current exhibition at Phillips de Pury's Chelsea location is a testament to the immense breadth of possibilities for this fragile, yet...

The passage of time is at the center of artist Ryan Gander's current solo exhibition at Lisson Gallery's 67 Lisson location in London.

«Tara Donovan,» the artist's current exhibition at Pace Gallery's 24th Street location in New York, however, is more contained.

For the last show at its current location in Peckham, London's Life presents a solo exhibition by Morag Keil, March 3.

Following Monday's announcement of the Rubell Family Collection's move to a new space in 2018, and a bustling exhibition preview at its current location, the collector was at Art Basel in Miami Beach excitedly scanning the aisles.

Lucas Allen Cook «Through Fog, In Darkness» Solo Exhibition Opening October 28th, 2016 5 - 9PM And October 29th, 2016 12 - 6PM Flatcolor Gallery presents our final show at our current location - Lucas Allen Cook «Through Fog, In Darkness» for a special two day opening event.

2015 Current Location, Waiting Room, Minneapolis 10th Baltic Biennial of Contemporary Art, Szczecin Aquí hay dragones (Here be Dragons), La Casa Encendida, Madrid Regular Expressions, 221A, Vancouver Ocean of Images: New Photography 2015, at MoMA, New York Bunting, Chemould Prescott Road, Mumbay Transparencies, Bielefelder Kunstverein and Kunstverein Nürnberg Triple Canopy presents Pattern Masters, Performance at Whitney Museum of American Art, New York HPSCHD 1969 > 2015 / Live Arts Week IV, Mambo, Bologna, Italy The Secret Life, Murray Guy, New York Night Begins the Day: Rethinking Space, Time, and Beauty, Contemporary Jewish Museum, San Francisco Im Inneren der Stadt, Künstlerhaus Bremen When we share more than ever, MKG Museum, Hamburg Cool / As a state of mind, MAMO, Marseille Group presentation at Art Cologne, with Chert, Berlin Good luck with your natural, combined, attractive and truthful attempts in two exhibitions, Crac Alsace, Altkirsch Mijn Vlakke Land, FoMu, Antwerp more Konzeption, Conception now, Museum Morsbroich, Leverkusen Tongue Stones, Pioneer Works, Brooklyn, New York 2014 Requiem for the Bibliophile, Museum of Contemporary Art Santa Barbara, CA Scars of Our Revolution, Yvon Lambert, Paris Kochi - Muziris Biennal, Fort Kochi, India Crossing Brooklyn, Brooklyn Museum, Brooklyn, New York Ways of Working, According to an Office Desk, Upominki, Rotterdam AGITATIONISM, EVA International 2014, curated by Bassam El Baroni, Ireland's Biennial, Limerick City Unseen Presence, IMMA, Dublin #nostalgia, Glasgow International 2014, CCA, Glasgow To Meggy Weiss Lo Surdo, Happy Hours, CO2 gallery, Turin Canceled: Alternative Manifestations & Productive Failures, The Orseman Gallery, Smith College, Northampton, Massachusetts Simultáneo, La Tallera, Cuernavaca, México And I laid Traps for the Troubadours who get killed before they reached Bombay, Clark House Initiative, Bombay Flag Stavanger, curated by Randi Grov Berger and co-presented by Entrée, Kunsthall Stavanger, Norway video screening 25, ZERO, Milan 2013 Only to Melt, Trustingly, Without Reproach, curated by Tevz Logar, Skuc Gallery, Ljubljana Editionshow, Chert, Berlin I've Lost My Marbles, Totàl, Athens And So On And So Forth, curated by Margit Sade Lehni, Centre for Contemporary Art Riga, Latvia The Space Between Us, Courtesy, St - Ouen Please Come to the Show: Part II (1980 — Now), organised by David Senior, MoMA Library, New York Canceled: Alternative Manifestations & Productive Failures, Freedman Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so uneasy?

Shortly before the first works in the current exhibition were painted he explained: «I would say that to look at a painting means that one is taken up with another reality, a pictorial fictive reality, and as such that picture represents an imaginary location.

Schellmann has curated the current exhibition up at Galerie Thaddaeus Ropac's Paris Pantin location that examines the ephemera, sketches, and the history around this action while brining the action back into the contemporary viewers experience by including a white horse inside the gallery, not a first for Beuys having wild animals as part of an action like his most famous example «I like America and America likes me», performed in 1974 at René Block Gallery on East Broadway where he shared a room with a wild coyote, for eight hours over three days.

The manifold intricacies and refinements discovered on walking through the two galleries of this current exhibition not only implore a sustained and lengthy viewing, they also imply that further configurations in the future — on an another wall, at a different location, with another combination of works — will yield yet more insight into a restless determination Ryman has described as a desire to «make something happen.»