Art Platform — Los Angeles has announced that it will return to the Santa Monica Air Center on September 26 - 29 with «approximately 100 exhibitors, non-profits, alternative art spaces and special
exhibitions by individual artists.»
Claudine Ise: «Abstraction in the 21st Century» is a ballsy title for an exhibition — at least for
an exhibition by an individual artist at a major contemporary art museum.
Not exact matches
The fund does not award grants to
individual artists but to art venues and curators featuring works
by Turkish
artists in their
exhibitions.
All Collector's Circle Member benefits, plus: • Private collections» tours at the homes of New York's top collectors •
Artist Studio visits led
by the Executive Director • Conversations with Curators receptions, an opportunity to mingle with the Executive Director and curators and learn about upcoming
exhibitions and projects • Private Tour of current Bronx Museum
exhibitions with the Executive Director (up to twelve guests and
by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an
exhibition or program • Two
Individual - level gift memberships to share
The
exhibition consists only of sculptures assembled
by the audience — collaborators — multiple copies of each
artist's idea, each unique in that it was fabricated
by an
individual visitor.
Mind and Matter and these other
exhibition and incidental installations of
individual works are part of an ongoing initiative among women curators at MoMA to delve deeply into the permanent collection in order to find out what works
by women
artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Fund.
Curated
Exhibitions 2017 Dreams, Community and
Individual Voices - Spoken Through Symbolism, guest curator, Saint Louis Art Museum's Danforth Collection, St. Louis, MO 2016/2017 Sinew: Female Native
Artists of the Twin Cities: Artistry, Bloomington, MN, Tweed Museum of Art, Duluth, MN 2016 American Art: It's Complicated (co-curated), Minnesota Museum of American Art, St. Paul, MN 2016 Synthesis: Paintings
by Aza Erdrich, All My Relations Gallery, Minneapolis, MN 2014 Rosalie Favell: Relations, All My Relations Gallery, Minneapolis, MN 2014 On Fertile Ground, All My Relations Gallery, Minneapolis, MN 2014 Where I Fit, All My Relations Gallery, Minneapolis, MN 2013 Found, All My Relations Gallery, Minneapolis, MN 2013 Make it Pop, All My Relations Gallery, Minneapolis, MN 2012 Indian First, All My Relations Gallery, Minneapolis, MN 2012 Ded Unk» Unpi — We Are Here, All My Relations Gallery, Minneapolis, MN, Minnesota History Center, St. Paul, MN 2012 The Hopeman Family Collection, All My Relations Gallery, Minneapolis, MN 2011 Mni Sota: Reflections of Time and Place, All My Relations Gallery, Minneapolis, MN, Mayo Clinic, Rochester, MN, Mille Lacs Indian Museum, MN, Nash Gallery University of Minnesota, Tweed Museum of Art, Duluth, MN.
The
exhibition presents some ten works each
by six
artists — Faramarz Pilaram (1937 — 1983), Parviz Tanavoli (b. 1937), Chohreh Feyzdjou (1955 — 1996), Shiva Ahmadi (b. 1975), Shahpour Pouyan (b. 1980), and Barbad Golshiri (b. 1982)-- examining their
individual artistic practices -LSB-...]
Hans Ulrich Obrist's do it is a perpetually fluctuating
exhibition of malleable ideas and conceptual art comprised of «scripts» —
individual sets of instructions composed
by artists.
The aim of the Royal Arts Prize
Exhibition and Award is to search out for and showcase artworks
by artists that have embraced their
individual exegesis in art, artworks that are a product of an inner balance in a world full of diversity and often chaos.
For example, while the press release presents «Proof» as «a three - person show featuring prints and
artist's books made
by master printers Ruth Lingen, Jennifer Melby and Leslie Miller,» the
exhibition checklist does not credit
individual works to particular printers but, as is conventional, credits only the «
artists,» e.g. Elizabeth Murray, James Siena, Vija Celmins, Henrik Drescher (See the images above from Planthouse's website.
The
exhibition is accompanied
by an intimate catalogue that includes works in the
exhibition, visual references, dialogue between the
artist and multiple
individuals, and an introduction
by the
artist.
AWAD's Shirley Crowther Contemporary Art is pleased to invite you to her Summer
Exhibition at The Jointure Studios, Ditching, an exhibition exploring the response to landscape by a selection of artists: the influence it has on their work and the very individual ways of communicating this sense
Exhibition at The Jointure Studios, Ditching, an
exhibition exploring the response to landscape by a selection of artists: the influence it has on their work and the very individual ways of communicating this sense
exhibition exploring the response to landscape
by a selection of
artists: the influence it has on their work and the very
individual ways of communicating this sense of place.
With over 600 square meters of
exhibition space designed
by Beijing - based
artist / architect Ai Weiwei, Pekin Fine Arts strives to represent and to promote the best and most innovative contemporary
artists from Asia, focusing on
individuals adept at working in a wide - variety of medium, with experience in both domestic and international
exhibitions.
«The idea is that a group
exhibition of works
by artists from all over invites more cross-fertilization and dialogue than
individual gallery booths,» Inman says.
In addition to new works on display, the gallery sponsors group shows and
individual exhibitions by members and invited guest
artists.
This now makes it possible to put on a wide - ranging
exhibition of
individual works
by one of the most important
artists of the present day, following a curatorial concept that he himself developed.
Goodman Gallery Johannesburg is pleased to present No Romance, a three person -
exhibition featuring
individual works
by Ghada Amer, Reza Farkhondeh and collaborative work
by the two
artists.
Against the backdrop of these questions, the group
exhibition presents pieces
by artists who have grown up with the Internet as well as those produced
by an older generation and brings together works that explore, unclose and question pictorial worlds in addition to ultimately creating
individual original works with the tools of the digital cosmos.
Through the visions of SunTek Chung, Larry Bamburg, Deborah Grant, Andrew Guenther, Hilary Harnischfeger, Adam Helms, Matthew Day Jackson, Karyn Olivier, Sigrid Sandstrom, Allison Smith, Ian Sullivan, Will Villalongo, Roger White, Raphael Zollinger, and an
exhibition essay
by Mary Robbins, this
exhibition seeks to address a collective and
individual response to a particular moment in time:
artists as social and cultural cartographers.
Focused primarily on abstract art, this
exhibition celebrates the achievement of
individual artists, the collective history told
by their art, and the social changes that have changed the way we understand art history in the broadest sense.
From 1939 to 1943, the group held annual
exhibitions that showcased the work of its members, a practice which greatly benefited the
artists by reducing their
individual costs of artistic production and promotion.
The
exhibition explores work
by key
artists and collectives whose «critical provocations aim to forge reality free from ideology, to establish the
individual apart from the collective, and to define contemporary Chinese experience in universal terms.»
Organized
by the collaborating genius, Julie Torres, visiting
artists from across the US have curated 40 + Bushwick
artists into 10
individual exhibitions under one roof.
- Solo
exhibition for the
artist of year - the winner (
individual artist or 1 team) will be eligible for travel and accommodation - production (printing, framing or related presentation material)-
exhibition exposure at the Festival's main
exhibition space / outdoor - inclusion in art magazine and any related press - long term festival representation and promotion on official website - publications / catalog - being seen
by a substantial number of visual arts professionals and the media - having their work viewed
by an international panel of influential experts in the field of photography
The Ulrich Projects Series brings visually, intellectually, and conceptually challenging
exhibitions of work
by individual artists of national and international reputation who have reached a critical juncture in their careers.
The
exhibition will be accompanied
by a fully illustrated catalogue featuring short fictional narratives on
individual photography
by Vassar students and professors as well as
artists.
The Ulrich Project Series brings visually, intellectually, and conceptually challenging
exhibitions of work
by individual artists of national and international reputation who have reached a critical juncture in their careers.
ARTICLE 3 The Works in the
exhibition are from the collection of Marieluise Hessel, created
by the following
individuals, hereby referred at as The
Artists: Vito Acconci, John Baldessari, Jonathan Borofsky, Tom Burr, Scott Burton, Patty Chang, Louisa Chase, Saul Fletcher, Felix Gonzalez - Torres, Mona Hatoum, Nancy Holt & Robert Smithson, Jenny Holzer, Robert Mapplethorpe, Mario Merz, Pieter Laurens Mol, Sigmar Polke, R.H. Quaytman, Carolee Schneemann, Cindy Sherman, and Andy Warhol.
- Josiah McElheny Andrea Rosen Gallery is delighted to announce the third in a series of
exhibitions curated
by the gallery's
artists that expand on their
individual influences, interests and inspirations.
The Oslo art community has most likely noted his loans of influential
individual works
by prominent
artists to a few
exhibitions in recent years.
The show is the first of a series of
exhibitions at the gallery over the next few months called Intercalating the Drift, to later feature George Rippon and Michele Di Menna, and end with a final cumulative
exhibition featuring both collaborative and
individual works
by the
artists.
Since then,
exhibitions and sales of works donated
by over 900
artists have made possible our program of non-restrictive grants to
individuals working in dance, music / sound, performance art / theater, poetry and the visual arts.
As a gratifying collection of new work
by a vast range of Chicago - based
artists, this
exhibition aims to create «a contemporary sense of semiotic flexibility as a whole while allowing for
individual experiences,» according to the catalogue essay
by curator Britton Bertran, former director of the city's Gallery 40,000.
Curated
by artist Frank Connet and HPAC's Director of
Exhibitions Allison Peters Quinn, the
exhibition featured insightfully sensitive wall hangings, installations, video / performance and sculptures
by Chicago
artists Aviva Alter, Danny Mansmith, Dutes Miller & Stan Shellabarger, and Rebecca Ringquist that utilize the stitch to tangibly represent the passionate, chaotic and sometimes painful connection love generates between
individuals.
The Hopper Prize The Hopper Prize is a grant - making institution and
exhibition platform offering a series of
individual artist grants totaling $ 5,000.00 USD administered through an open call juried
by leading curators.
Columbine Cafeteria is the second solo
exhibition that Rogers has had with the Berlin gallery, following Columbine Library in 2014, where the
artist's book of poems Cunny Poems — bringing together distance and intimacy in each of its
individual fragments — was read aloud
by an avatar of Rogers in a video projected in the space, among prints and a large shelf of stuffed toys and accessorised children's backpacks.
The gallery produces four
individual annual
exhibitions with the
artists that are part of its catalog and alternates four other
exhibitions of projects
by emerging
artists.
AWAD members Susan Mumford and MK Semos present a Go - Go Art Girls Production, «Distilled Memory», an
exhibition exploring the journey of
individual recollection as portrayed
by 8 contemporary international
artists from the UK, France, USA and Chile.
He has organized
exhibitions devoted to
individual artists, group shows and shows organized
by theme, and Vergne co-curated the 2006 Whitney Biennial.
Recent projects include free play, Trestle Gallery Brooklyn with Jason Lujan, and Chez BKLYN, an
exhibition highlighting the fluidity of
individual and group dynamics of collective art practices across native, non-native, and immigrant experience; conceived
by artists in Brooklyn and relayed at Galerie SE Konst, Sweden.
The
exhibition celebrates many of the
artist's graphic scores for performance and will take the form of multiple daily performances
by individual musicians and vocalists.
This
exhibition looks at SFMOMA's long - term relationships with 18 modern and contemporary arists whose iconic works have been influential in defining movements from Abstract Expressionism to Postminimalism and beyond, with
individual galleries featuring works
by a single
artist.
The
exhibition is accompanied
by a bilingual (German / English) catalogue that examines this aspect in more detail and introduces the
artists based on
individual entries.
While
individual expression is key, several themes recur in works
by the women
artists seen in this
exhibition.
The
exhibition follows the format championed
by Dorothy Miller — who curated six of the «Americans» shows — and offers each
artist an
individual space, the dimensions of which are determined
by the body of work on display.
The Hopper Prize is a grant - making institution and
exhibition platform offering a series of
individual artist grants totaling $ 5,000.00 USD administered through an open call juried
by leading curators.
By emphasizing seminal
artists and artworks from the twentieth and twenty - first centuries, the museum organizes important
exhibitions both from their holdings and from the collections of
individuals and institutions worldwide.
Prescott Gallery, joined
by local
artists, will host a benefit
exhibition to support the hopes and dreams of an
individual with glioblastoma multiform, Larry Zitek.
A full body of work
by each
artist will also be presented in
individual Terminal Project
exhibitions, scheduled separately for viewing.