Sentences with phrase «exhibition catalogue documenting»

A two volume exhibition catalogue documents both exhibitions and features contributions by Hamza Walker, LAXART Executive Director and former Director of Education and Associate Curator at the Renaissance Society, and Michael Rooks, Wieland Family Curator of Modern and Contemporary Art at the High Museum of Art.

With installation views, project notes, sketches and models, this exhibition catalogue documents a solo show by Chinese artist Huang Yong Ping (born 1954) at Rome's MAXXI Museum.

Not exact matches

Initially conceived to document the artist's 2014 exhibition at David Zwirner in New York — his first with the gallery, debuting new sculptural work, a critically acclaimed video, and a much - discussed animatronic sculpture — the publication ultimately exists as a hybrid between an exhibition catalogue and a stand - alone expression of Wolfson's vision.

This catalogue and the exhibition it documents take their title from Henry Wadsworth Longfellow's 1838 poem «A Psalm of Life.»

A «catalogue raisonné» is a systematic and comprehensive scholarly reference text in which each work known to have been executed by a particular artist is illustrated, thoroughly documented and described, giving information such as title, alternative titles, date, medium, size, inscriptions, provenance, exhibition history, and publication history, and in which each work is assigned a permanent reference number.

Name, address and contact details of painter - Where you heard about Beep2016 (name of magazine, website, etc.)- A submission of up to TWO paintings (high quality JPEGS) with title / s, dimensions in cm, medium, year - 250 words maximum statement (Word document or in an email) on the submitted paintings relating to the theme and a brief artist biography (this will be used for the online catalogue)- link / s to website or recent works (this will only be used by exhibition judges if needing additional information picking a winner)

Of the 47 illustrated books documented in the catalogue, 30 were included in the exhibition, often supplemented by ancillary materials, including sketches, rejected designs for covers, and correspondence.

The extensive documentation assembled here includes newspaper articles, exhibition catalogues, postwar restitution claims, personal correspondence, probate documents, and dealer records drawn from multiple sources in the United States and Europe.

Accompanying the exhibition, this richly illustrated hardback exhibition catalogue is signed by the artist and collates the American artist's most iconic paintings, sculptures and collages to thoroughly document decades of ground - breaking work from Jasper Johns.

Documents the research conducted by the College Art Association of America for their publication The Index of Twentieth - Century Artists, through correspondence, exhibition catalogues, press releases, and news clippings.

This illustrated catalogue, with an essay by exhibition curator Holly Crawford, documents a group exhibition of artists involved with gang activity.

Discover SFMOMA books, catalogues, and online publications that document and illuminate our exhibitions and collection.

The exhibition has been documented with a fully illustrated catalogue, published by the Newark Museum and available in the Museum Shop.

The Elizabeth Firestone Graham Foundation is dedicated to fostering awareness and appreciation of contemporary visual art, primarily through the support of catalogues and other publications that document exhibitions of work by emerging or under - recognized artists.

Future Shock will be accompanied by a 144 - page full - color catalogue documenting the works in the exhibition and the legacy of the ideas of Toffler's vision of the future.

Bridget Carberry was crucial to developing the framework for this online exhibition catalogue, and Emily Robbins and Ana Fox - Hodess played a key role in documenting the works on view.

Photographs of these projects, documented in 1980, are also in the exhibition and the catalogue.

The gallery has documented the exhibition with a catalogue, which features an interview between the artist and Rachel Cozad, former director of the Kemper Museum of Contemporary Art.

The Vancouver Art Gallery organizes Vancouver: Art and Artists, 1931 - 1983, a comprehensive survey exhibition and accompanying catalogue documenting almost 50 years of art production in Vancouver.

This accompanying catalogue documents trends, process, and media explored by the artists in the exhibition.

September 11 — November 1, 2009 This exhibition and an accompanying catalogue documented the artistic career of Richard Carlyon (1930 - 2006), a pivotal figure in the Richmond arts community.

This catalogue documents Earth, Water, Fire: Classical Mediterranean Ceramics, an exhibition which brought together more than 120 representative works from the University of Chicago's Classical Collection.

This catalogue documents a two - part project that included an exhibition with works by Eadweard Muybridge and Jan Dibbets, together with a documentary created by Chris Dercon for Dutch television on the history and future of cinema.

An exhibition catalogue will document the newly commissioned work and chart the mentorship participants» curatorial progress.

Additionally, this event includes the launch of To Make a Public: Temporary Art Review 2011 - 2016, a selected anthology of the first five years of the online publication and a catalogue of the related exhibition Document V celebrating the same benchmark, recently published by Institute for Connotative Action Press.

The exhibition is accompanied by a fully illustrated catalogue containing an introduction on the subject of the Surrealists» collecting practices, a scholarly two - part essay on the masks and the Surrealists» engagement with them, color plates with catalogue entries, and ample archival material documenting this rich art - historical narrative.

A central focus is the production and design of books, catalogues, brochures, posters, and invitation cards; these works often accompany and document his exhibitions.

The catalogue published on the occasion of the first institutional exhibition by Ana Navas at Galerie der Stadt Sindelfingen continues her artistic research, which deals with phenomena such as memory, translation, interpretation and authorship and documents a wide exchange of images and ideas.

Both the exhibition and catalogue will highlight previously unpublished archival material — such as sketchbooks and documents — culled from the vast Frank Moore Papers, totaling 44 linear feet, housed at NYU's Fales Library.

An illustrated catalogue will document the exhibition and will include a significant statement by Daniel Buren titled «Terminology.»

This extensively illustrated catalogue documents an eponymous group exhibition curated by Simon Morris at Bury Museum & Sculpture Centre, England, from August - November 2016, featuring work by:

A catalogue documenting the exhibition is currently in preparation.

The exhibitions are accompanied by scholarly catalogues that become part of a permanent archive documenting the region's rich contemporary art scene.

To Make a Public: Temporary Art Review 2011 - 2016 is a selected anthology of the first five years of online publication Temporary Art Review and a catalogue of the related exhibition Document V celebrating the same benchmark.

A beautiful catalogue will document and accompany the exhibition, available from our list of rewards for supporting Objection.

Exhibition catalogue: The exhibition is accompanied by a publication designed by the graphic design studio cyan with numerous illustrations and reproduced documents about the history of Black Mountain College as well as 12 essays i.a. by Gabriele Brandstetter, Brenda Danilowitz, Mary Emma Harris, Annette Jael Lehmann, Andi Schoon and the editors of the catalogue Eugen Blume, Matilda Felix, Gabriele Knapstein and CatherinExhibition catalogue: The exhibition is accompanied by a publication designed by the graphic design studio cyan with numerous illustrations and reproduced documents about the history of Black Mountain College as well as 12 essays i.a. by Gabriele Brandstetter, Brenda Danilowitz, Mary Emma Harris, Annette Jael Lehmann, Andi Schoon and the editors of the catalogue Eugen Blume, Matilda Felix, Gabriele Knapstein and Catherinexhibition is accompanied by a publication designed by the graphic design studio cyan with numerous illustrations and reproduced documents about the history of Black Mountain College as well as 12 essays i.a. by Gabriele Brandstetter, Brenda Danilowitz, Mary Emma Harris, Annette Jael Lehmann, Andi Schoon and the editors of the catalogue Eugen Blume, Matilda Felix, Gabriele Knapstein and Catherine Nichols.

This catalogue documents Madani's first museum exhibition.

The accompanying catalogue documenting the gallery's sixteenth solo exhibition of the artist includes a written essay by Glimcher, providing additional insight into the artist who coined the term, «Art Brut.»

Initially conceived to document Jordan Wolfson's 2014 exhibition at David Zwirner in New York — his first with the gallery, featuring new sculptural work, a video and his much - discussed animatronic sculpture» (Female figure) 2014» — this publication, born out of a close collaboration between Wolfson and book designer Joseph Logan, ultimately exists as a hybrid of an exhibition catalogue and an expression of Wolfson's artistic vision.

Since then Guirado - Cheadle has spent 8 years documenting Guirado's extensive back catalogue, and setting up exhibitions of his work in the USA and Europe, most recently with a major exhibition at the Coral Gables Museum during Miami Art Basel, which presented a Virtual Reality experience of Guirado's «Intra-realist» paintings.

And if Merz's imagery is at the same time a hortus conclusus and an infinite sky that burns, so the exhibition at Met seems to look with one eye at the chaotic and creative intimacy of her house - atelier in Turin (on view too few photographs bear witness to the relationship between her art and domestic environment, which is by contrast well documented in the catalogue) and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculptures).

This unique selection of materials documents Wilson's actions and work and reveals her interest in fellow artists such as Vito Acconci, Carolee Schneemann, Nancy Spero and Lynda Benglis and includes in its entirety Lucy Lippard's exhibition catalogue for c. 7,500, the groundbreaking 1973 exhibition of women Conceptual artists, which first declared the significance of Wilson's work.

The ACC Library establishes a file for each honoree's work, archiving images, interviews, exhibition catalogues, and other documents and ephemera.

This show — like every New Museum exhibition that has followed — was accompanied by a catalogue, documenting the exhibition for present and future audiences.

The Art and Space exhibition is accompanied by a profusely illustrated catalogue with texts and documents contributed by artists Peter Halley, Marcius Galan, Agnieszka Kurant, Asier Mendizabal, Bruce Nauman, Damián Ortega, Sergio Prego, Alyson Shotz, Lee Ufan, and Zarina, as well as the philosopher and writer Sara Nadal - Melsió and the show's curator, Manuel Cirauqui.

The exhibition is accompanied by a fully - illustrated catalogue documenting Garaicoa's work since 2006.

The Henry Moore Archive houses documents and artefacts relating to past exhibitions, including catalogues, maps and preview cards; an extensive poster archive; models and artefacts relating to exhibitions, the estate at Perry Green and unrealised projects.

Bringing together some 220 works, the exhibition celebrates the Museum's archive of Bourgeois prints as well as the completion of the online catalogue raisonné, Louise Bourgeois: The Complete Prints & Books, available now in process at moma.org/bourgeoisprints, and ultimately documenting over 4,600 printed sheets in all.

The exhibition will be accompanied by a scholarly catalogue in order to document Petrirena's impacts in the literary canon of American art history.

Images of the Snowden documents appear in the exhibition and catalogue and the Snowden archive partially inspired Poitras's presentation at the Whitney, according to the NYC art museum.