Sentences with phrase «exhibition catalogue provides»

This wonderful exhibition catalogue provides context to these iconic pieces and explores the 1930s — a fascinating yet uncertain time for America, marked by rapid economic and social change.

Support for the exhibition catalogue provided by Galería Agustina Ferreyra.

Additional support for the exhibition catalogue provided by Walter and Karla Goldschmidt Foundation.

Not exact matches

Bringing together newly commissioned essays from leading activists, curators, and humanitarians, extensive photographic documentation, and an array of archival materials, the catalogues will serve as the comprehensive record for this groundbreaking exhibition and provide readers with an expanded historical and political context for the project.

While the catalogues provide lasting documentation of the exhibition, they also contribute to original knowledge and scholarship about contemporary art and the international discourse around it.

The Museum provides direct support to artists through Artist in the Marketplace, which nurtures the work of 36 emerging artists each year and provides professional development seminars culminating in a multi-site biennial exhibition and catalogue.

A fully illustrated catalogue features texts by Byers, Claire Bishop, Lynne Cooke, and Ingrid Schaffner, as well as a historical compendium of influential 20th - century artworks and exhibitions that provide important precedent to the works in the exhibition.

An accompanying exhibition catalogue, featuring dynamic color plates of the work and scholarly essays by the curators as well as the legendary art historian Barbara Rose, provides the cultural context for Moses's mutational practice.

The result of a close collaboration between Wolfson and the book designer Joseph Logan, the publication is part exhibition catalogue and part artist's book, and includes a text by Wolfson that provides context for the visual material.

CUE provides institutional guidance and resources to the curator, who produces a group exhibition with related public programming and an accompanying exhibition catalogue.

As well as providing a lasting record of the exhibitions, these catalogues are also a means of rediscovering Van Gogh, in particular as seen in refraction through the eyes of contemporary artists.

CUE provides institutional guidance, generous honoraria, a shipping budget, and an accompanying exhibition catalogue with a critical essay by a participant in CUE's Art Critic Mentoring Program.

Support for the exhibition catalogue has been provided by the Elizabeth Firestone Graham Foundation.

MOCA GA supports artists by granting a major stipend to create new work; by presenting a solo exhibition of the new work; by producing an accompanying exhibition catalogue; and by providing a paid studio apprentices over the course of one year.

CUE provides institutional guidance, a stipend, shipping budget, and an accompanying exhibition catalogue featuring an essay written by a participant in CUE's Young Art Critic Mentoring Program.

CUE provides institutional guidance and resources to the curator, who produces a group exhibition in CUE's space with related public programming and an accompanying exhibition catalogue in 2018.

As a contributor to the exhibition catalogue Watlington will provide a closer look at the works by the twelve artists on view, framed through her writing on the twelve affects comprising intimacy: absence, closeness, desire, empathy, jealousy, loss, love, reciprocity, seduction, shame, trust, and vulnerability.

Jessica Moss edited the catalogue with exhibition co-curators John Corbett, Jim Dempsey, and Richard A. Born with assistance provided by Gail Gomez.

To that end, over the past four decades we have lent works, supported and organized exhibitions, provided opportunities for education and for international scholarly exchange, published books and catalogues, and built a comprehensive web site about art and ideas from Latin America.

Major Exhibition Fund support for the exhibition and catalogue is provided by Jim Petersen, Jr., and Andrea Rosen Gallery, Marc Foxx, and NExhibition Fund support for the exhibition and catalogue is provided by Jim Petersen, Jr., and Andrea Rosen Gallery, Marc Foxx, and Nexhibition and catalogue is provided by Jim Petersen, Jr., and Andrea Rosen Gallery, Marc Foxx, and Nils Stærk.

Their website provides information on current and previous exhibitions, lectures and events, in addition to details of available catalogues and other publications.

Geurt Imanse (the head of collections) and Frank van Lamoen (assistant curator) had been working on the Khardzhiev catalogue, which provided a very good reason to offer a Malevich exhibition.

The works available include exhibition catalogues, monographic studies, limited editions by artists, children's books, a book in Braille for the visually impaired and a magazine published twice a year that provides details on the cultural programming and unveils the works presented at the Fondation.

: Catalogue of the Exhibition, provides a thorough representation of Russian art from the twelfth century to today — including pieces from the world - class collections amassed by Russian tsars and merchants from the eighteenth through the twentieth centuries.

The catalogue provides art historical scholarship and cultural context to the exhibition and includes essays written by Peter MacKeith, Honorary Consul General to Finland; Timo Valjakka, an independent writer, curator, and critic based in Helsinki and London; and curator O'Brien.

An accompanying exhibition catalogue, featuring dynamic color plates of the work and scholarly essays by the curators as well as the legendary art historian Barbara Rose, provides the cultural context for Moses's mutational practice.University Art Gallery 712 Arts Plaza Irvine, CA 92697 - 2775 tel. [phone] fax.

Our primary interest is to place works by the artist in all media as well as documentary materials such as catalogues, posters and films in institutions with a reputation for their scholarly approach to exhibitions and publications that have already shown an interest in and provide regular public access to the artist's work.

As a testament to the need for deeper study, the exhibition's catalogue was textual rather than visual, providing the viewer with critical context.

Valuable support for the exhibition catalogue was provided by Galleria Continua, San Gimignano, Beijing, Les Moulins, and Havana; and Lehmann Maupin, New York and Hong Kong.

As Yvonne Scott (again, no relation) explained in a catalogue essay for a 2002 exhibition at the Hugh Lane Gallery, Dublin, these pictures «provided a distinctive form and restrained colour range in contrast to the soft - focus, more colourful works which had preceded.

The catalogue presents Genzken's career, through essays exploring the unfolding of her practice from 1973 until today, as well as an expansive plate section that provides a chronological overview of all her most important bodies of work and key exhibitions.

The first catalogues the exhibition, while the second provides a retrospective of the artist's work to date.

Support for the catalogue and exhibition provided by Furthermore, a program of the J.M. Kaplan Fund, the David T. Langrock Foundation, and the Alice Osborne Bristol Fund.

In addition to providing complete information on all artworks, the catalogue contains extensive exhibition and publication records, multimedia features, and original content written by the artist.

Support for this exhibition and its catalogue has been provided by the Smart Museum's Andrew W. Mellon Foundation Endowment, Mary Smart and the Smart Family Foundation, the Smart Museum's Pamela and R. Christopher Hoehn - Saric Exhibition Fund, Lorna Ferguson and Terry Clark, the Elizabeth F. Cheney Foundation, and the Samuel H. Kress Fexhibition and its catalogue has been provided by the Smart Museum's Andrew W. Mellon Foundation Endowment, Mary Smart and the Smart Family Foundation, the Smart Museum's Pamela and R. Christopher Hoehn - Saric Exhibition Fund, Lorna Ferguson and Terry Clark, the Elizabeth F. Cheney Foundation, and the Samuel H. Kress FExhibition Fund, Lorna Ferguson and Terry Clark, the Elizabeth F. Cheney Foundation, and the Samuel H. Kress Foundation.

The accompanying exhibition catalogue's visual and textual narratives provide a loosely chronological survey of Ofili's most celebrated artworks, with each contributor highlighting particular influences and experiences in the artist's life that have served as catalysts for his creative expression.

Initiated in 1988, the series «takes the pulse» of current art and intends to recognize and encourage excellence, while providing a permanent record of the development of regional art through the publication of a comprehensive exhibition catalogue.

The accompanying catalogue documenting the gallery's sixteenth solo exhibition of the artist includes a written essay by Glimcher, providing additional insight into the artist who coined the term, «Art Brut.»

Another important aspect of these courses is the access they can provide to the history of exhibition catalogues.

Support of both the exhibition and catalogue has been provided by The Milton and Sally Avery Arts Foundation, the Alcyon Foundation in memory of Frederick H. West, Emily Mason and Wolf Kahn, and Pat Adams and Arnold Ricks.

If you're thinking about bringing a group of students to the gallery we offer free guided tours that you can book here: www.henry-moore.org/visit/henry-moore-institute/guided-tours Or if you're just looking for details on the artist, there is a press release that provides some more contextual information: www.henry-moore.org/press-office/press-release/2017/06/13/jiro-takamatsu-the-temperature-of-sculpture Unfortunately there are no plans for the exhibition to tour at the moment, but we are producing a catalogue that will be ready for the exhibition's opening, so keep an eye out for that!

This exhibition and its accompanying catalogue provide a highly comprehensive retrospective of the Arte Povera movement as a historical and aesthetic phenomenon that crossed a wide range of disciplines, including sculpture, installation, drawing, photography, film and performance.

Major funding for the exhibition catalogue is generously provided by Kenneth and Anne Griffin and Cari and Michael J. Sacks.

Our exhibition catalogues and the WAAM Archives provide a valuable resource for art historians, students, collectors, and the general public.

Additional support for the exhibition catalogue was provided by Walter and Karla Goldschmidt Foundation.

FOAM MAGAZINE The Talent issue of Foam Magazine serves as an exhibition catalogue and provides more in - depth texts around the featured artists» work.

The exhibition catalogue will provide documentation of the sculpture to be exhibited, artists statements, and an essay by Toronto writer Jerry McGrath.

The Talent Issue of Foam Magazine serves as an exhibition catalogue and provides more in - depth texts around the featured artists» work.

Alongside an increasing number of exhibitions, this publication helps to remedy that oversight, providing a catalogue raisonné of Taylor's graphic works, thereby retrieving a previously little - known aspect of his oeuvre.

An exhibition with this level of historical clout deserves a strong catalogue with biographical and critical texts and a meticulous curriculum vitae, generously provided in this case by Quogue Gallery owners Chester and Christy Murray.