Sentences with phrase «exhibition color lithograph»
(lot of 5) Assorted gallery and museum exhibition color lithograph posters; Wilfredo Lam, Rufino Tamayo, Armand Zerbib, Helen Frankenthaler, and Muzeum Ethnograficzne, largest overall (all unframed): 40 «h x 27 «w
https://www.barnebys.com/ Not exact matches
They were hung adjacent to a Kelly lithograph, establishing a connection between music packaging and geometric abstraction, and providing an example of the kind of single color shape that Jones used throughout her exhibition.
Color lithograph with pochoir, Edition 30 Roberto Juarez has been an important figure in the American art scene since his first solo exhibition at Robert Miller Gallery in 1981.
Untitled (2 - color lithograph, published in conjunction with the exhibition «Bruce Nauman: Holograms, Videotapes, and Other Works»)
First, thanks to a series of colorful lithographs of the shadows of palm trees called «A Place in the Sun (Shadows)» (all works 2009), marble surfboards (Mollusk [Portoro] and Mollusk [Rosa Portogallo]-RRB- installed on the balcony, and brightly colored yoga mats on the floor, the exhibition felt tropical — but for no apparent reason: This being Brussels, the effect was incongruous, or merely weird.
The exhibition features over 100 hand - colored lithographs from a private Long Island collection.
Jean - Michel Basquiat, Supercomb Exhibition Poster A rare offset lithograph printed in colors, 1988, on wove.
In 1913 Kandinsky produced a series of color lithographs and prose poems Klänge (Sounds) and took part in the first Herbstsalon (Autumn Exhibition).
1957 Medium: One - color offset lithograph from photo plate, printed in blue Sheet size: 15 1/2 x 14 inches Edition size: Unknown Catalog raisonné: Axsom IIIb Printed for the Betty Parsons Gallery, New York, on the occasion of a one - man exhibition, 23 September - 12 October 1957.
To commemorate the two consecutive exhibitions, David Zwirner Books is publishing a fully illustrated catalogue called Josef Albers: Midnight and Noon — a title that nods to Albers» 1964 series of color lithographs, which brought together two opposing colour sets (blacks and greys and an array of yellows) in a single portfolio.
Working with the central idea of the constructed image of a rose with all its itinerant histories and meanings, etc. the works in this exhibition, which include Mark Dutcher's lovely albeit sorrowful rosebush made of colored wax and Sabina Ott's Mater Rosa I from a series of lithographs that depict the rose as a strangely regressive shape, mirroring the circle, in some way echo both the fragility and decadence of the rose as a central and narrative trope in our ever - shifting human history.
The inaugural exhibition since Cahiers d'Art's relaunch presented early Kelly paintings, highlights from his collection of prehistoric birdstones, bannerstones and copper shields as well as a selection of the artist's recent color lithographs.