Sentences with phrase «exhibition context as»

Fitzmaurice presents such imaginatively revised everyday items within both the traditional exhibition context as well as in non-gallery situations.

Not exact matches

Some of the works in the exhibition are so effective that they sent chills up my spine as I imagined their original context.

Bringing together newly commissioned essays from leading activists, curators, and humanitarians, extensive photographic documentation, and an array of archival materials, the catalogues will serve as the comprehensive record for this groundbreaking exhibition and provide readers with an expanded historical and political context for the project.

Featuring artists as solo exhibitors, and also in the context of conceptual group exhibitions, Brunswick Street Gallery offers a completely unique viewing experience of work from contemporary emerging artists.

As Victoria L. Valentine writes in an extended preview for Culture Type, «The Seattle Art Museum (SAM) is organizing a major exhibition of three critically recognized African American artists... The exhibition will explore how their distinct approaches to figuration and history painting have recast the Western canon and challenged perceptions of race and representation in a contemporary context.»

When McKee walked into the first - ever Guston exhibition in Chelsea (as well as the first with Hauser & Wirth), I was watching him look at art that he knew more intimately than almost any other living soul, and in a context more different than he might ever have expected.

In the context of the Center for Book Arts, Canceled highlights the book form as a crucial means of disseminating documentation and information on a wide and accessible scale, potentially in ways that are more historically stable, and more effective, than the original exhibition would have been.

Dubious documentaries, impossible locations, and the tendency to unbury difficult stories could roughly describe this selection of works, which individually resist categorization, as well as placement within traditional theatrical or exhibition contexts.

An accompanying exhibition catalogue, featuring dynamic color plates of the work and scholarly essays by the curators as well as the legendary art historian Barbara Rose, provides the cultural context for Moses's mutational practice.

's photo series «Artist at Work» (1978 — 2017)-- in which the Croatian artist is seen lolling in bed, asleep or dreamy — and took the images as emblematic of an exhibition hopelessly unalert to its sociopolitical context.

Originally used as a horse stable and now incorporated into the campus of the DuSable Museum of African American History, this luminous, curvilinear room is the newly restored context for «Singing Stones», a group exhibition presented collaboratively by Palais de Tokyo, Institut Français and EXPO Chicago.

His current solo exhibition at the South London Gallery, Michael Armitage: The Chapel, absorbs the chapel - like qualities of the gallery space, where his paintings explore Kenyan culture and religion as the context in which to look at mental health issues in East Africa.

The initiators behind MELK want to showcase the new generation of photographic artists in Norway and Scandinavia and discuss photography as art in an exhibition context in an intricate time for the media.

As the title of the exhibition suggests, lapses in Thinking By the person I Am, one is confronted with not only typographical fragmentation, but also disconcertion for placing the work together with the train in some kind of logical context; by using the story of her body and objects that she interacts with, Pryde literally derails the misconceived notion that we are what we own.

Drawing from the British context as point of departure, and the wave of exhibitions by Black British artists — highlighting the recurrence of the issues they addressed in the 1980s and demonstrating the continued relevance of their art to this day — this project is the result of ongoing conversations with artists who have always been alert to the fragility of democracies and concerned with the pockets of exclusions that exist in the so - called «Free World».

The exhibition is imagined as a context for co-existence — of objects, participants and public — through doing and thinking.

Your upcoming exhibition is framed as «working within the parameters set forth by the structure and progression of Palermo's installation...» How did you and Øvstebø navigate working within Palermo's parameters in the context of the Renaissance Society's distinct space?

This exhibition seeks to represent the many facets of Chamberlain's broad investigation into materiality as well as engage with the natural context of Inverleith House and the Royal Botanic Garden Edinburgh where his sculptures, presented both inside the gallery and outdoors, resonate with the site's formal yet unwieldy natural elements of trees, flowers and shrubs, revealing the power and innovation of an artist completely beyond style or fashion.

The symposium expands the scope of the Clyfford Still Museum's exhibition in Denver — which features 260 selections from more than 2,300 works on paper created by the artist — setting Still's virtuosity as a draftsman in the context of prints and drawings by colleagues such as Jackson Pollock, Barnett Newman, and Robert Motherwell.

You can see them all on Pier 94 as the sister fairs CONTEXT New York and Art New York will utilize the pier's entire 133,000 square - foot exhibition hall.

I visited the Galpão in February as staff prepared to re-open with a series of exhibitions called In Context, to speak with Farkas about Videobrasil's history of combining art with politics.

The exhibition's curators, Elisabeth Sussman and Elisabeth Sherman of the Whitney and Christine Macel of the Centre Pompidou, chose to round out the collection's context by including artists whose works are destined for the Whitney as well as the Pompidou, some of whom, Weinberg noted, have their studios in the 10th and 11th arrondissements, the areas afflicted by the worst of the carnage, where poets, dancers, critics, artists and architects were among the dead — «a strike against the heart of Paris's creative community.»

In the context of the exhibition ``... and yet one more world,» presented by Kunsthaus Hamburg, the oeuvre of the seminal German Conceptual artist Hanne Darboven (1941 — 2009) serves as a starting point for an exploration of its present - day impact and relevance from the perspective of a younger generation of international artists.

While, over the last year, working toward this exhibition my dialogue with each artist has been autonomous and distinct, and my intention for the exhibition was as much to create a context to highlight each artist's independent vision, I have also come to confirm my intuitive feeling that Will and Pope.L have uncanny overlaps.

This is also my first exhibition with a full - color bilingual catalogue that will give the ideas within my work as clear a visual and textual form / context as possible, and will be accessible to whole new audiences.

Each Sunday throughout the run of Andy Warhol: The Last Decade, accomplished artist living and working in the Dallas / Fort Worth metroplex offer unique thoughts on the artist, his work, and his contributions as they put this special exhibition into context based on their own particular perspectives as artists.

Built from the foundation of five early paper negatives by Baron Adolphe Humbert de Molard (b. 1800), first exhibited as part of a three - person show originally presented ten years ago at Andrew Kreps Gallery, New York and Galerie Nelson, Paris, this expanded exhibition further investigates a premise that expounds the ways in which our perception of such work, historically bound to context and experience, has shifted over time, and continues to generate a discursivity and evaluation of content.

With more than 50 of his works on display, the exhibition has been cleverly and informatively curated so as to place Marini's work within the wider art - historical context, ranging from early Etruscan sculpture, through 15th - century Florentine works, to Auguste Rodin and even Henry Moore.

The gallery has organized and curated exhibitions that have become seminal in the Nordic context, successfully launching the careers of Scandinavian artists such as Annika Larsson, Matts Leiderstam and Annika von Hausswolff and giving artists such as Uta Barth, Siobhán Hapaska, Nandipha Mntambo and Xavier Veilhan their first European or Scandinavian one - person exhibition.

Whether it is placing her maternal lineage in the middle of her signature or cleverly placing a mirror to the viewer's socio - cultural ideals, as they stare at her works, in her current exhibition «Of Context and Without.»

As stated by Ginevra Elkann, President of the Pinacoteca Agnelli, the exhibition, «raises the question of the significance of an object within the context of an artist's own work.»

We look forward to showing this work shortly in the context of the history of sculpture from 1900 to now as part of The Sculpture Show, the latest in a series of major exhibitions drawn almost entirely from the gallery's own collection.

Shainman cautioned, however, that over-emphasizing Africa as an exhibition or auction theme can deter artists who «don't want to show in that context because they want to be seen as international artists.»

The Hunterian exhibition brings together a dozen paintings and drawings, as well as etchings and books, to illustrate the artistic context for the making of The Entombment.

Context is as crucial to this exhibition as the art itself.

On Nature, a group exhibition that aims to capture, as the press release states, «the ephemeral, expansive qualities of the natural world and present it within the context of the constructed gallery environment indoors», seems bound to fail.

The lecture will be based on a review of selected exhibitions and projects organized by MILK since 2009 and it will be angled towards a discussion on photography as a medium in the exhibition context.

In this context, the works in the exhibition convey an acceptance of the multitude of subjectivities in America, as well as a personal responsibility to participate in the socio - cultural realm.

Far from it, in fact, as,,, asked of its artists to experiment, embrace uncertainty and trust the potential of their work in the context of a multi-dimensional group exhibition that could never speak fully to each artist's complex and rigorous practice.

Taking the British context as point of departure, and the wave of exhibitions by Black British artists, this exhibition is the result of a continued dialogue with artists who have always been alert to the fragility of democracies and concerned with the pockets of exclusions that exist in the so - called «Free World».

In the exhibition «Drawn from the Antique», set in the context of his beloved home, visitors explore the honing of the classical form in rarely seen loaned works by artists such as Rubens, JMW Turner RA and Henry Fuseli RA.

In the context of this exhibition the paintings become «wall decoration» and have a function that is of the same importance as the chair or table.

At Turner Contemporary, it will be displayed within the context of a trans - historical exhibition that includes figures such as Thomas Gainsborough, Joseph Wright and Angelica Kauffman, as well as major 20th - century and contemporary artists including Andy Warhol, Lucian Freud, Louise Bourgeois, Damien Hirst, Sarah Lucas, Ian Breakwell, Felix Gonzales - Torres and many others (over 100 works in total).

Biennials and Beyond is the first book to position a range of contemporary exhibitions in the context of art history, providing installation photographs, exhibition floor plans, and critical texts from the time, as well as an expansive account of recent exhibition history.

The notable mural has been housed at Indiana University since 1942, and though it has been lauded by scholars as a key work in the history of 20th - century American painting, this exhibition marks the first time the mural will be studied in context.

There's a persistent interest, I think, in giving a context for this material, as when Lynne did this exhibition with Rosemarie Trockel that came to the New Museum here, where it was juxtaposed with the work of someone like Judith Scott, who I presented here at White Columns before I co-curated her retrospective at the Brooklyn Museum.

We provide exhibitions and information which create a historical context for artists and their art, and we follow up with clients as more information on an artist that interests them becomes available.

Since this time Europe proved a better context for her work than the US; as a result, the majority of Sturtevant's major exhibitions have taken place there.

The exhibition as a whole can be seen as a collection of responses to social dynamics as they play out in specific locations in Mexico, within the context of Marfa, Texas, and throughout their shared geographic and conceptual borderlands.

A visual lineage including artists such as Durer, Titian, Giorgione, Hans Baldung Grien, among others will be suggested through reproductions, while quotations from Diogenes, Diderot, Rousseau, Kant, Freud, Irigaray, Foucault, Derrida, and others will offer an intellectual and historical context for the exhibition.