Sentences with phrase «exhibition continues with works»

The exhibition continues with works by Isa Genzken, Cristina Iglesias, Liz Larner, Anna Maria Maiolino, Marisa Merz, Senga Nengudi, Lygia Pape, and Ursula von Rydingsvard — a Post Modernist generation of increasingly global figures who are far more expansive in their use of space, and whose works signal a foundational shift from discreet sculptural objects toward more installation - based practices.

The exhibition continues with works by John Baldessari and Ed Ruscha.

The exhibition continues with works by Isa Genzken, Cristina Iglesias, Liz Larner, Anna Maria Maiolino, Marisa Merz, Senga Nengudi, Lygia Pape, and Ursula von Rydingsvard — a Post-Modernist generation of increasingly global figures who are far more expansive in their use of space, and whose works signal a foundational shift from discreet sculptural objects toward more installation - based practices.

The exhibition continues with works by: Isa Genzken, Cristina Iglesias, Liz Larner, Anna Maria Maiolino, Marisa Merz, Senga Nengudi, Lygia Pape, and Ursula von Rydingsvard, a Post Modernist generation of increasingly global figures who are far more expansive in their use of space, and whose works signal a foundational shift from discreet sculptural objects toward more installation - based practices.

The exhibition continues with works from the early 1940s and closes with a mobile from the last year of Alexander Calder's life, 1976.

The exhibition continues with the work of a younger generation of artists including Rachel Maclean and Bedwyr Williams who have each established an active role within their work.

Not exact matches

To ensure the connection within the global creative industry and our local community continues to grow, Lane Crawford works with emerging talent and creative businesses on a seasonal basis for in store highlights, product collaborations, editorial features, exhibitions and event animation.

This play between documentary and staged images, usually shot using a large - format camera, is what Wall has become known for, and, with this exhibition of new work, Wall will continue to mess with what viewers believe to be the truth in his pictures.

Jack Whitten's first exhibition with Hauser & Wirth presents works from several series — «Quantum Walls», «Portals», lenticular works from the «Third Entity», one piece from the continuing Black Monolith Project, and a sculpture (all dated 2015 — 17)-- continuing a five - decade - long investigation of passions vis - à - vis a testing exploration of painting itself.

In doing so offering a platform to exhibit their work in Central London and continue working with the artists directly through exhibitions and publications of editions.

New Work will pick up where that exhibition left off, as Semmel continues to capture, with bold brushstrokes, her own aging body as she sees it, from above and mirrored, in constantly shifting images.

Collection Platform 4 continues the presentation of Pinchuk Art Centre's collection with a group exhibition of work addressing two central, and sometimes opposed, concepts: emotion and technology.

MARK BRADFORD, who discussed Clyfford Still's work for The Artist Project at the Metropolitan Museum of Art, continues the conversation with an exhibition at Albright - Knox that pairs Still's paintings with his own.

Dan Colen produces new work for the exhibition that continues his exploration of spirituality and mortality with a triptych of large skyscapes based on stills from the 1940 Walt Disney film Fantasia.

The exhibition begins with works by early Minimalist artists such as Sol LeWitt and Carl Andre; drawings by conceptual artists Lawrence Weiner, William Wegman, and Mark di Suvero, among others; and continues with recently celebrated artists Fiona Banner, Teresita Fernandez, Jutta Koether, and Tracey Emin.

With «Surface Tension,» the artist's new exhibition at James Cohan Gallery (on view through November 30), Taylor continues to evolve her rarefied style, devoting her latest body of work to find surprising instances of transcendence in urban sprawl.

Committee members, along with Hillyer's staff, work one - on - one with the artists leading up to their exhibitions, working to advise and mentor them, and to provide continued support throughout their artistic careers.

O'Malley, for example, has now worked closely with Violette on three major projects with this new exhibition functioning as a continued bridge with these previous installations.

With the exhibition Conceptual and Applied III: Surfaces and Pattern, Daimler Art Contemporary in Berlin, Germany, is continuing its series of exhibitions that focus on artists who have worked on the borders between free and applied disciplines.

In Selah, Sanford Biggers's first solo exhibition at Marianne Boesky Gallery, the African American artist continues his ongoing exploration of African power figures and his carefully formalist work with antique quilts.

The statement shared by Sarah Lloyd Stifler, a MOCA spokeswoman, said Ms. Molesworth will continue to work with the museum on her upcoming exhibition, «One Day at A Time: Manny Farber and Termite Art,» scheduled for October 2018.

The exhibition continues upstairs with Gallery 9 dedicated to film work by artist and activist Andrea Luke Zimmerman.

The gallery continues to work in collaboration with institutions, large and small, developing partner relationships and initiating exhibitions and projects throughout the United States and abroad.

This exhibition at Meredith Ward, with a focused look on the works from the 1960s, continues the momentum and renewed interest in the artist's work.

His fourteenth solo exhibition with Pace, this recent body of large scale paintings and works on paper highlight Mangold's continued evolution and mastery of abstract painting.

On September 30, it re-opened with a dazzling new exhibition of the works of... Continued

This solo exhibition is presented in collaboration with the Pollock - Krasner Foundation and focuses on these iconic works only and... Continued

Florian Maier - Aichen, Der Spaziergang (Green, White, and Blue), 2011 C - print 15 x 12 inches April 29 — June 25, 2011 With the works in this exhibition, Maier - Aichen continues his practice of picking apart and expanding notions of photographic representation.

It continues with works from the world's leading innovators in the arts, as they break through thresholds of space, memory, sound, and genre — from Philippe Parreno who, in his largest exhibition in the U.S. to date, transforms the presentation of visual art into an evolving sensory journey; to Wayne McGregor, Olafur Eliasson, and Jamie xx as they create a new contemporary ballet; to avant - garde performance artist Laurie Anderson who, through a site - specific installation in the Armory's drill hall, will expand upon her work with storytelling and technology to create a site - specific environment that serves as a meditation on time, identity, surveillance and freedom; and finally to Igor Levit and Marina Abramović as they interpret Bach's renowned Goldberg Variations, to create a concentrated durational performance that reflects upon music, time, space, emptiness, and luminosity.

Travels to Washington on 3 May for march to the Pentagon in protest of Reagan foreign policy; teaches at Yale Summer School of Music and Art; Mazurs build a summer home overlooking Wakeby Pond in Mashpee on Cape Cod after Gail Mazur's family summer home there is destroyed by fire (1979); after dissolution of the Harcus - Krakow Gallery, continues regular exhibitions at the Barbara Krakow Gallery, Boston (also 1984, 1987, 1989, 1990, 1993, 1995, 1996, and 1998); solo exhibitions: Rutgers University Art Gallery (now the Jane Vorhees Zimmerli Art Museum), New Brunswick, New Jersey (in conjunction with a large acquisition of the artist's work); John Stoller Gallery, Minneapolis; Greenberg Gallery, St. Louis; Andrews Gallery, College of William and Mary, Williamsburg, Virginia; group exhibition: American Prints: Process and Proofs, Whitney Museum of American Art, New York.

Trotta closed the space in 2009 and has continued to curate exhibitions and produce work with artists, both in New York and Paris.

Founds the New Provincetown Print Project in conjunction with the Fine Arts Work Center; during summer, collaborates with master printer Robert Townsend and guest artists Mary Frank, George McNeil, Fred Sandback, and Gregory Gillespie on monoprint and monotype projects; at Harvard's Carpenter Center for the Visual Arts, attends weekly drawing and printmaking sessions with fellow faculty and teaching assistants, resulting in the continuing Harvard Evenings print series; solo exhibition: Michael Mazur: Color Prints, Mary Ryan Gallery, New York (also has solo exhibitions there in 1994, 1995, 1996, 1997, 1998, and 1999).

Sabrina Gschwandtner's second solo exhibition at Shoshana Wayne Gallery continues her exploration into intricate quilting motifs, expanding on her already complex imagery with the addition of deaccessioned celluloid film strips of female hands hard at work — sewing, threading, knitting and crocheting their way into our human consciousness.

It also continues to work with leading art historians as well as collaborating with museums on exhibitions and for the enlargement of their permanent collections.

With works in four current exhibitions across the United States, a recent honor with the Asher B. Durand Award at the Brooklyn Museum Artist's Ball, and a fall show on the way, the Brooklyn - based African - American artist has found continued success since she broke out in the art world in 2008, when her rhinestone - on - enamel portraits received glowing reviews during Art Basel Miami BeWith works in four current exhibitions across the United States, a recent honor with the Asher B. Durand Award at the Brooklyn Museum Artist's Ball, and a fall show on the way, the Brooklyn - based African - American artist has found continued success since she broke out in the art world in 2008, when her rhinestone - on - enamel portraits received glowing reviews during Art Basel Miami Bewith the Asher B. Durand Award at the Brooklyn Museum Artist's Ball, and a fall show on the way, the Brooklyn - based African - American artist has found continued success since she broke out in the art world in 2008, when her rhinestone - on - enamel portraits received glowing reviews during Art Basel Miami Beach.

This exhibition introduces Hurtado Segovia's sculptural work with an emphasis on traditional woodworking techniques, continuing his explorations of pattern and textile influences.

The opportunity to present an exhibition in the dynamic Minnesota Street Project space aligns with the gallery's mission as it looks towards its next phase, when it will continue its tradition of exhibiting major works of historic significance international in scope alongside prominent local Bay Area artists, while also providing a platform for promoting and nurturing young artists with engaging new exhibitions and programming.

The Frist Center for the Visual Arts celebrates its tenth year and continues to gain prominence as a major center for art exhibitions with the 2011 Ingram Gallery exhibition schedule that includes the Frist - organized Vishnu: Hinduism's Blue - Skinned Savior, Warhol Live: Music and Dance in Andy Warhol's Work and the stunning exhibition of Egyptian antiquities, To Live Forever: Egyptian Treasures from the Brooklyn Museum.

The same year he returned to Rutgers for his first solo exhibition while he continued to work in New York, becoming an active figure in the New York art world where he created and staged many of the first «Happenings,» along with artists Allan Kaprow, Lucas Samaras, Red Grooms, Jim Dine, and Claes Oldenburg.

Anita West is holding an exhibition of her latest works with Rosetta Santucci at Gallery One (Southport, Qld) which opens on Saturday 20 October (3 - 5 pm) and continues to 4 November.

The exhibition at Pace will present a group of works Hockney made on the iPad during visits to Yosemite National Park in 2010 and 2011 and highlight the artist's continuing engagement with the landscape, particularly that of the American West.

The first exhibition in the series was work by artist Keith Sonnier, continuing with work by artists like Jonathan Borofsky, Sam Gilliam, Bill Beckley and Rafael Ferrer.

It was first shown publicly in 1970, when it was presented as one of Rauschenberg's earliest prints in exhibitions organized by the Institute of Contemporary Art, Philadelphia, and the Minneapolis Institute of Arts. 8 Though it has continued to be referred to as a monoprint, 9 the work's status as a print has fallen into the background over time, with scholarly interest instead focused on Rauschenberg's use of the direct imprint or indexical mark.

«It has an unparalleled collection of art and a deep history of helping artists develop their practice and realize ambitious projects... I am excited to begin working with Jessica and the team to guide Dia's strategic approach to exhibitions, collections, and public programs and help the institution continue to fulfill its mission.»

While Hammons continues to imbue the street into his work, bringing with it its poor materials and concomitant sociocultural issues, the exhibition at White Cube sides closer with issues of market value — heightened by the need for a dedicated invigilator guarding The New Black and the nearby Untitled (2007), a fur tarnished with streaks of paint.

Programming and engagement with the local community is central to 21c's mission, and 21c Nashville will continue the ongoing program Elevate 21c, an exhibition program that features works by local artists.

He has also exhibited in numerous group exhibitions including Paper and Process 2, Art Projects International, New York; Krungthep 226, Bangkok Art + Culture Center, Thailand; Different Ways of Seeing: The Expanding World of Abstraction, Noyes Museum of Art, New Jersey; and The Inverse Mirror, Chambers Fine Art, New York IL LEE is best known for his pioneering work with ballpoint pen that he began 30 years ago and continues today.

The Directors of Marlborough Gallery are pleased to announce that an exhibition of new work by artist, Dale Chihuly, will open at Marlborough Gallery 40 West 57th Street on March 12th with an opening reception from 6 - 8 pm, and continue through April 11, 2015.

The Directors of Marlborough Gallery are pleased to announce that an exhibition of new work by artist, Dale Chihuly, will open at Marlborough Gallery 40 West 57thStreet on March 12th with an opening reception from 6 - 8 pm, and continue through April 11, 2015.

James Esber will present two recent bodies of work that continue his preoccupation with distorting the familiar in his exhibition Your Name Here, on view at The Aldrich Contemporary Art Museum from January 30 to June 5, 2011.